This track made for the KVR One Synth Challenge #196. All sounds generated by the VSTi Primer 2. Only DAW and free 3rd party FX used.

DAW: Reaper

Track Details:
11 * Primer 2
11 * ReaEQ
1 * Bass Professor
3 * kHs Transient Shaper
4 * OTT
2 * Oril River
1 * TDR Nova

Master:
TDR VOS SlickEQ
Voxengo MSED
Limiter No.6

Meter:
SPAN
YouLean Loudness Meter

Stats:
LUFS-I: 13.7
DR: 9

Enjoy

A Primer in Blues - OSC #196 - Primer 2

Composed and produced by Liqih for OSC 186 at KVR.
Using only 10 instances of Primer VST synth by Audible Genius.

1x Kick Drum
2x Snare
1x Hi-hat
1x Bass
1x Skank chords
1x Synth vocals
1x Synth plucks
1x Percussions
1x Pad


# DAW : Ableton Live
# Ableton effects: Delay, Reverb, Compressors, Gate, EQ-Eight
# Free FX: Cymatics Space Lite, Master compressor: BeatSkillz Max 1 

Catch The Tail

My entry for KVR's One Synth Challenge 196 using Audible Genius' free Primer 2 software synthesizer. I used Reaper 7.40, 28 instances of Primer 2, 7 instances of Cockos ReaEQ, 5 instances of Sonic Anomaly's Transpire, 5 instances of Cockos ReaComp and one instance of TDR Limiter No.6. 

OSC 196 - hsje - Getting Home

Entry for KVR One Synth Challenge #196 with Primer 2 VST

DAW - Reaper
31x Primer 2
10x ReaEQ
4x ReaComp
1x TAL-Reverb-4
1x Free Clip 2
1x LoudMax

Reverie [OSC #196 Primer 2]

PrimeCut

Entry for OneSynthChallenge#196
All sounds made from scratch with Audible Genius Primer 2 soft synth.

No Brainer

purchasingly-Luna Primer Waltz [OSC 196]

KVR OSC 196 - Primer 2

FL Studio: 29 Tracks

All Sounds made in Primer 2. No Samples, no bullshit, just Primer 2! 
Maximus, Ozone 11 EQ, Lens, LoudMax, Auburn Panagement, Ambient Reverb 7, MJUCjr, Frank, Raum, Valhallah, Pancake 2, Deelay, Transpire, KSHM Kick, TDR Nova

The song is dedicated to everyone who has ever had to deal with a Mad Dapnoporwhore in their lives. And before anyone says “there's no such thing”... The AI is never wrong! Har har har

MAD Dapnoporwhore

Viroo - MAD Dapnoporwhore

🌑 THE NIGHT‑BORN CANTICLE
A small ritual for those who listen in the dark

In the hour when shadows forget their names,
a slow pulse rises from the sand —
a circle of four chords, turning like an old lantern,
calling the wanderer into the quiet ceremony.

Guitars whisper in tremolo,
threads of silver pulled through the night air.
A bassline coils beneath them,
warm, patient, ominous,
as if guarding a secret no one remembers.

Percussion appears only when the spirits allow it:
🥁 a palm on stretched skin,
🔨 a wooden click,
🌑 a low pulse echoing under the ribs.
Nothing marches. Everything breathes.

Above, the temple hums:
🕸️ organ‑drones like distant constellations,
🌫️ detuned harmonics bending like incense smoke,
📼 tape‑warps drifting in and out of time
— the sound of an ancient room exhaling.

And then the voice:
a wind‑carried murmur,
half‑chant, half‑shadow,
never asking to be understood,
only to be followed.

This is not a song.
It is a threshold.
A small door in the desert night.
A ritual that opens only for those who walk slowly.

Mario‑core.
Collettivo‑dark‑core.
A vibration carved in the dark.

Reverie [OSC #196 Primer 2]

Tobias Miller