Malk

1. Perculator
2. Mobius 
3. Viento 

out on March 4th via Bandcamp

photo taken by myself
 
all the love to the supporters

Viento Ep (forthcoming via bandcamp march 4th)

Anecho (@anechoicchamber) joins Too Much Collective for his debut release on the imprint with the stellar "Re-use, Reduce EP" fusing dub-induced basslines, acid explorations, old-skool garage flavours and some banging dubstep into a stylistically rich project.

Hailing from the Netherlands, Anecho has been pushing boundaries for 7 years through his productions. With over a decade of stylistic influences behind him from legends such as Rhythm & Sound, the bass weight is strong in this project.

Re-use, Reduce EP

Purchase

Anecho - Re-use, Reduce EP [TMC021]

anti.negative returns with an absolutely insane tune titled "no idols"
Original Subverse member @anti-negative is back after a 3 year hiatus!!

Cover Art by @teslafox
Mastered by @anti-negative

anti.negative - no idols

Nuke Jukem

We’re excited to present our release from Euclid & Khastle!

Euclid, a Florida-based producer and DJ specializing in 140/soundsystem music, is dedicated to exploring the weird, obscure, and captivating world of system music.

Khastle, a collaborative project driven by a passion for “respect, not recognition,” is a haven for heads and homies seeking a unique sound experience. Born from an addiction to sound systems and 140 BPM music, Khastle initially aimed to create tunes for intimate, heavy-hitting sound scenarios.

Grab your copy on Bandcamp and show your support by liking and sharing!

@eucliddubs @khastle

MCRCLL011 - Euclid & Khastle - Shwackem EP
1. Shwackem
2. Driller
3. Outlet

Cover: Balint Gonda

Release Date: October 11, 2024

Macrocell Records  “Delivering the essence of deep-tone sound at 140 beats per minute.”

For inquiries and submissions: macrocellrecords@gmail.com

#dubstep #deepdubstep #bassmusic #macrocellrecords #140 #budapest #hungary

Euclid & Khastle - Driller

Deep, Dark & Dangerous’ exists to provide a platform for creativity, authenticity and sonic storytelling within the paradigm of bass music. 

This is perfectly encapsulated in JLEON’s groundbreaking album, ‘The Awakening of Sibu’ - where the dexterous Costa Rican artist pushes the envelope of what’s possible within 140. 

A captivating statement across 16 immaculately sculpted tracks, the producer fictitiously reimagines the moment Spanish colonisers discovered Costa Rica and encountered the indigenous Borucas people - also the subject of his debut DDD EP back in 2019. 

'Sibu' is one of many names for 'God' among the local tribes and in this tale, Sibu takes the form of a gigantic octopus who brings an army from another dimension to see the Spanish conquistadors off and save the Costa Rican people - with surviving invaders held captive and used for rituals, while others were drowned by mermaids. 

The LP format enables JLEON to express his boundless talents - not just shaping a narrative, but melding his technical prowess and consummate musicality in a package that showcases an artist at the peak of their powers, much like the octopus Sibu itself - where intricate tribal percussion meets dynamic synths and sub-flexing bass.

JLEON: "I love albums. The culture will always need them. I did my part and DDD got my back."

We certainly do. Come and get lost in JLEON’s masterpiece.



Intentions

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