Villancicos en Jazz: Música Navideña

Helado Jazz Turrón

🌠 An Invitation to One Fine Evening

As the cold wind blows in the evening, 🌆 the album 'One Fine Evening (Lounge Jazz)' invites you to a cozy and stylish lounge. 🎶 Centered around the sweet melodies of a piano trio, with occasional touches of guitar and saxophone, the 12 tracks unfold like a movie. 🎹 From the moment you open the door 🚪, enjoy the leisure of a cocktail 🍸, encounter strangers 🤝, and immerse in contemplation as the night deepens 🌠. 'One Fine Evening' will make your evening extra special. 🎧 Discover this album now, which will become a small comma in your daily life.

#LoungeJazz #OneFineEvening #PianoTrio #JazzAlbum #EveningVibes #RelaxingMusic #HealingMusic #MoodMusic #ChillJazz #InstaMood

One Fine Evening (Lounge Jazz)

02. Cozy Space

The songs ‘Returning’ and ‘The Cradle’ are from George Winston’s Grammy award winning album ‘Forest’ released in 1994.  Returning has been transposed to the key of G minor as George frequently played this song as the introduction to The Cradle which is also in the key of G minor.

‘Returning’ was written by George Winston and ‘The Cradle’ is George’s arrangement of a song originally written and recorded by jazz organist Larry Young (Khalid Yasim) as a duet for organ and drums on his 1968 album Heaven on Earth.  The song is dedicated to moms everywhere.

I recorded songs on my Nord Stage 2 voicing Spectrasonics Keyscape using a custom patch based on a modified 7’ 6” Yamaha C7 Grand Piano.  This piano was fitted with Renner “Blue Point” hammers with Welckert felt - a special piano hammer felt used during the pre-Cold War “golden age of Steinway”.

Returning/The Cradle

Clair de Lune - Debussy Piano

2025-aug-01

La noche en La Lonja se desplegaba como un telón de terciopelo mojado. Las farolas arrojaban halos dorados sobre los adoquines, y el agua de la última llovizna guardaba reflejos distorsionados de balcones y sombras. Lucas Darnel caminaba con las manos en los bolsillos, sintiendo cada crujido de su gabardina al ritmo de sus pasos.

En el aire flotaba una mezcla de sal, café tostado y algo más… ese perfume de madera húmeda que siempre le recordaba a secretos mal guardados. Al pasar frente a un portal oscuro, un murmullo se apagó de golpe. No vio a nadie, pero supo que no estaba solo.

El contrabajo invisible de la ciudad marcaba un pulso lento, y los saxofones parecían colarse entre las rendijas de las persianas. El puerto, a pocas calles, dejaba escapar un coro de gaviotas que se mezclaba con el tintinear lejano de amarras.

Mientras caminaba, pensaba en Aeloria. En su voz suave, en la manera en que había dejado caer las palabras “Es tiempo” como si fueran un anzuelo en mitad de la oscuridad. No sabía aún qué significaban, pero intuía que cada paso que daba lo acercaba a la respuesta.

Esa noche, Palma parecía observarlo a través de cada sombra, como si la ciudad misma conspirara para que no olvidara que, en este juego, el primer movimiento ya se había hecho.

1.-Paseando-en-las-noches-de-Palma

"Ships in the Night" drifts across the waves of smooth jazz with effortless grace. This instrumental blends soulful melodies, flowing piano lines, and a warm late-night groove, evoking the mystery of two vessels passing each other under starlight. Both intimate and expansive, it’s ideal for night drives, candlelit evenings, or quiet reflections. Like ships gliding in the darkness, the music lingers—fleeting yet unforgettable.

Download the sheet music from Sheet Music Plus - 
https://www.sheetmusicplus.com/en/product/ships-in-the-night-23148445.html

Returning/The Cradle

Todd Dunst