I lend sounds to bands and play live with a cast of misfits. My dream job is to DJ at El Myr in Atlanta when I retire, a day shift.

I started recording in the 80s with a sony walkman duct taped to leg. I had a cube microphone on a long cord I wired under my clothes and out my shirt sleeve. I got a famous recording of the Smiths on the Pier in NY and tons of others.. U2 live ~30 times by the time I was 19. I graduated to a Marantz cassette two-track recorder, a gift to me from my partner in Tight Bros Network http://www.tightbros.net , Randy Castello. Promtly recorded the windshield wipers inside the car. Then, a Marantz field recorder that recorded directly to CDRs! It had no internal storage at all. This machine had the best internal microphone ever, but it was heavy and required a 5-pound battery that lasted only 4 hours then had to be recharged. The charger was so high maintenance I had to carry screwdrivers. Field recording ensued, and the sound archive began. Sounds of nature, conversations, active listening, capturing the unheard and endangerd sounds. Making sense of the auditory.

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