Bleeding

Harmony of Love unfolds as a delicate solo felt piano piece, embodying the quiet depth of an intimate connection. The notes, soft and resonant, intertwine like a deep, sincere whisper. The music evokes an indissoluble bond, forged from a shared essence without boundaries. Each chord flows like gentle rain, carrying the tenderness of kisses and the vastness of embraces like oceans. It’s as if love itself becomes tangible—a gift of one soul to another, inseparable and eternal. Composed by Francesco Adornetto and performed and adapted for piano by Roberto Guerra, this felt version adds an intimate and enveloping touch to the melody, transforming it into a moment of pure harmony.

Harmony Of Love

Harmony Of Love (Francesco Adornetto & Roberto Guerra

Words & Music by Netta&McGill; a wee tune that came together while visiting in Brisbane :) Available on streaming platforms from the 3rd of Feburary 2025 :)

Don't Be Afraid To Love Me

Montage et photographies : 
© 2025, Chartrand Saint-Louis
Lien vers la vidéo : https://youtu.be/8bTu4DCY6Bk 

Musique :
© 2025, violoncelle et synthétiseur, titre : "Pigments", par Albert, 1:06 min.

Mixage, révision et sonorisation par Albert

Pigments

"Pigments", par Albert; Mixage, révision et sonorisation par Albert [lien vidéo]

I had so much fun getting the chance to let loose a bit in the percussion department on the latest song by The Eclectic Collective that I decided to post a short mix with just the isolated percussion. I'm joined here by Ken who's keeping on the steady with his perc work too, as well as Josh who is playing both the bass & rhythm guitar here. 

Here's the original song with the full EC gang playing (see description for full details):

Meet The New Bossa
https://on.soundcloud.com/kJpFgfnEE95H84U66

More goodies in the "ISOLATED TRACKS" playlist:
https://soundcloud.com/user-432503709/sets/isolated-tracks

meet the new bossa (ISOLATED RHYTHM SECTION)

Music from game „Unfortunate Turn Of Events“ made in 48 hours for PULS Gamejam 2025 by Nozomu Games: nozomu57.itch.io/turn-of-events

Unfortunate Turn Of Events (Main Theme)

Labyrinth of Fading Light drifts through mystery and stillness. Echoing melodies float above a soft felted foundation, creating a delicate contrast between light and shadow. A quiet journey through fading echoes and hidden paths.

Labyrinth of Fading Light

Watch Video

Touch Of Wjisdom

Cast of characters:
Jonathan Beckenstein — @jonathan_beckenstein — acoustic guitar, composition
Cgmaness – @user-419254289-15129531 – Chris – bass, vocals, and lyrics
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion, and vocal harmonies
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Roland FP-10 piano and Collings mandolin
TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson custom T slide guitar, production, mix, and mastering
Mistermark-- @user-432503709 -- Mark – harmonica, edited fiddle samples, and jaw harp
This song began when Jonathan wrote it on his acoustic guitar several months ago with the intention of developing it into a larger song. When Josh approached him about doing a collaboration, Jonathan thought this one would fit the bill. I should say at this point how much we all admire Jonathan and enjoy his music. On the unlikely chance you aren't already familiar with his music, I suggest you go hop on his page and check it out. 
  All that to explain the level of excitement that ran through Eclectic Collective when Josh shared the project with the group. Chris was first to jump on it, coming up with his intricate bass line even before Ken added his moving drums, although they went back and forth a couple of times to create the rhythm section. Josh jumped on right after that part was complete, adding his mandolin and piano to the mix. Steven was next up, adding his howling slide throughout. Last, but certainly not least, Mark came up with the driving harmonica and twangy jaw harp, and the raspy fiddle, adding them all to complete the instruments. 
  At this point, we had a pretty good instrumental song on our hands. However, Chris decided to give it the extra kick by adding the vocals, the lyrics for which he wrote himself. Our multitalented drummer, Ken, added the vocal harmonies shortly after, too.
  Now that it was in the bag, we needed some production for it. So, we turned to Stephen, who mixed and mastered it in his alwasy expert fashion. 
  This song is a real treat for everyone in the band, as I mentioned earlie. We are all very grateful to Jonathan for sharing this song with us, and had a wonderful time helping bring it to life. We hope you enjoy listening to it as much as we enjoyed creating it.

Original lyrics by cgmaness:

 Come on now let's break a leg,
We've got it made in the shade.
One more day, go out and play.
I guarantee we've got it made.
Oh, we've got it made.
Happy to be with my friends today.
Fill up your drink whatever it may take.
I guarantee we've got it made.
~Gibberish~
Don't need a reason,
Or wait for the seasons to change.
That's what I claim.
Go out on this limb with me,
And realize, we've got it made.
We got it made in the shade.
Can't you see we got it made?
Oh, we've got it made.
Happy to be with my friends today.
Fill up your drink whatever it may take.
Can you believe that we've got it made?
Come on now let's shake a leg.
We've got it made in the shade.
Don't need a reason,
Or wait for the seasons to change.
That's what I claim.
Go out on this limb with me,
And realize, we've got it made

We Got It Made- Jonathan Beckenstein/ Eclectic Collective

While it Lasted

Burned to the ground

...someday, I'll take a music lesson. 

Until then, I invite you into my different visions of what music is. I apologize in advance for not having picked a path, as I sometimes find it suffocating to stay to a particular sound.

Like life, I stumble through songs until I find my way. I truly hope you enjoy these "small journeys" I have posted. They are just a short glimpse into my absurd mind and sometimes fragile emotions. I hope that this music takes you somewhere as it did for me.

-T.
 

Burned to the ground

Todd Radell