The future is here
https://open.spotify.com/artist/5E3W9cit6Ec5ORdJvGy3k3?si=zbTs-BDtS_KWorqZSa7cLQ

https://soundcloud.com/fhonomusic

The last decade has seen the rise and fall of many faces in the electronic music scene. The last ten years for Jesse James how ever has been nothing but a steady rise to the top. Starting his Dj career in 2000, Jesse James has become one the mid-west's most in demand Dj's. Starting NightSneak Ent. with his cousin James in 2005, the two have built NightSneak into the midwests largest underground production company, throwing events where the crowd usually reaches numbers of 2000+. With a hectic Dj schedule which frequently includes such city's as Chicago, New York, Louisville, Detroit, Grand rapids, Salt Lake City, Cincinnati, Cleveland, and many more, Jesse still finds time to hit the studio. His production explores the darker side of quirky Techno, with smooth heavy bass lines and intricate synth lines that are very reminiscent of the sounds of an industrial factory. Having played along side John Aquaviva, Rob Hood, Green Velvet, Dj bone, Marco Baily, Tech Itch, Bassnectar, bad boy bill and many many others, Jesse has shown what it means to grow and persivere in this industry, be on the look out for the up coming Nightsneak lp. hitting turntables near you this summer! for bookings contact kingjames313@yahoo.com or jdubb1200@yahoo.com 



GRAMMY nominated DJ/Producer/Trail Runner/Taco Eater/Living in Virtual Reality and 3D. 

Hailing from provincial Italy, world class DJ & producer Benny Benassi is a name needing little introduction but always deserving of wide admiration and acclaim.  Indulging in a career spanning fifteen plus years, Benassi is renown as a humble, authentic and charming character who has grown from club DJ to festival king to multi-million selling record producer taking success in his stride. Trademarking his unique infusion of house and electro with his global smash “Satisfaction” Benny has continued to create music which is a clear evolution of this signature sound but never deviating too far. 

There is no better place to start delving into the rich history of the Benassi career than with his international blockbuster, “Satisfaction” and its game-changing music video became his launch pad into stardom. Created with his cousin and producer, Alle Benassi, and inspired by the car horns outside an open street facing window, this single catapulted into the charts with a #1 in France, #2 in the UK and Germany. Followed by his debut album Hypnotica, which reached top 20 across nearly all parts of Europe within the first month of release. 

The next few years for Benny were a culmination of successes, whether it be the major festivals he went on the play (Coachella, EDC, Ultra Music Festival, Tomorrowland to name a few) or his next artist album, Rock N Rave in 2008. The same year he won a Grammy Award for his ground breaking remix of Public Enemy “Bring The Noise” further catapulting the Benassi name into stardom. 

In 2011, Benny teamed up with a star-studded album cast for his album Electroman which featured T-Pain, Kelis, Jean-Baptsiste and Apl.de.ap amongst others and most famously Gary Go with his chart-topping single “Cinema”.  The Skrillex remix of “Cinema” not only went Gold in the US and platinum in Australia and Canada but won the Benassi’s another Grammy whilst holding firm in the iTunes top 10 dance chart for over 6 months. 

Still on this exceptional career high, Benny Benassi combined talents with Chris Brown to create one of the biggest cross-over dance records of its time with “Beautiful People”. The following years have been a measure of incredible world tours and releases, most notably his record “Dance The Pain Away” with John Legend, which premiered live on stage at Coachella with John himself. 

2016 saw Benny released his first album in five years Danceaholic, an unexpected, stunning cocktail of already released tracks, two unreleased reworks of older singles and brand new songs, led by the hit summer anthem “Paradise”, once again with Chris Brown. “Paradise” stayed in the Top 50 UK charts for 10 weeks and boasts more than 65 million video views and close to 47 million Spotify streams. 

In recent years, Benny's main releases include “Everybody Needs A Kiss” featured US duo Sofi Tukker racking up over 10 millions streams online and was featured as the sound of gay pride for Musica.ly, "Lonely Nights" featuring Lil Yachty, interspersed with two great house-oriented tracks, "Inside" with Chris Nasty, performing well in clubs and on streaming platforms and "Everybody Hates Monday Mornings" with his own production outfit, BB Team, and featuring the eccentric and charismatic YouTuber, Canguro English.

Beyond his own productions he brought his sound to a wider musical audience with a flurry of high-profile remixes with the likes of Bob Marley & The Wailers, Giorgio Moroder, Madonna, Sean Paul and the Rolling Stones, to name but a few; whilst maintaining a weekly radio show on the US heavy-weight iHeart Radio broadcasting to a staggering quarter of a billion listeners monthly.

DJ/VJ / Producer / 1/2 of StarBangaz

For Booking Info please call 1-586-420-0553

Email: djdonmecca@gmail.com

Facebook: http://www.facebook.com/bigdjdonmecca
Facebook Fan Page: https://www.facebook.com/DONMECCAMUSIC

Twitter: http://twitter.com/DJDonMecca

Most know Don Mecca as one the hottest up incoming DJs in Metro Detroit area. He is respected in the industry because he is no rookie in the game of music and blazing the decks. He possesses a lethal play book of a variety of diverse genres. Including everything from Hip-Hop to Top 40… Electro House to Dubstep… Mashups and even videos. This guarantees him to move all crowds at any venue. Although he rocks on any of the industry's standard equipment, his weapons of choice are Technics. With these he executes scratches and transitions with the utmost precision. As word travels about his skills, Don Mecca is finding himself in higher demand among promoters and owners. In only one year's time since reintroducing himself to the game, he has solidified himself as a renowned DJ, working with some of Metro's biggest Promoters, Producers and DJs. As a featured Resident DJ you can find him spinning at Club Bleu, Dooleys of Sterling Heights and Roseville and Roger's Roost with monthly appearances at Trumpp's Gentleman's Club He has also been featured in the Macomb Monthly. He makes social appearances at numerous events and is available for any occasion. Don Mecca is known for his open format sets because he senses the essence of his audience and always delivers on what they need.

DJ Don Mecca has always been inspired by music. From the days of sitting on the porch listening to Rakim, Beastie Boys, LL Cool J and Run DMC. Beatboxing and Freestyling with childhood friends until the streetlights came on, really kickstarted his love affair with music. As Don Mecca matured so did his relationship with music and he began studying the mechanics of how it all came together to make it so euphoric to him. Along the way he discovered his desire to not just hear the music, but to really feel the beats and manipulate them. Taking notes from Funkmaster Flex, Mr. Mixx (of 2 Live Crew), Jam Master J and DJ Jazzy Jeff, he grew the production and DJing part of his music relationship. Throughout the years many more successful DJs have continued to influence his style and skills. A fellow Producer/DJ once told Don Mecca, “to differentiate yourself from being just another DJ, you have to really become an artist". Taking those words to heart, he not only DJs, he produces in his free time, and is pursuing his Bachelor's Degree in Music Engineering and Music Technology. In 2010, he founded Starbangaz Entertainment, a collective of Producers, DJs and Artists. If you look at everything DJ Don Mecca has accomplished and continues to do, you will find that even the sky cannot limit his career.





Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

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