Bonobo boiler room

2nd term second yr

JJF# 2

begngn

HMP3.3

Todd terje

Glastonbury

Order direct: http://goo.gl/xBh6nz
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Late Night Tales iTunes room: http://goo.gl/ABJ5X
Spotify: http://goo.gl/Q98T7d

Late Night Tales and Bonobo were pretty much made for each other, it just took them a while to both realise it. Stepping forward into the compiler's spotlight for the 33rd edition is Simon Green -- aka Bonobo -- a musician, producer and DJ perfectly suited to soundtrack an evening spent reclining to some parallel beats.

Follow Late Night Tales:

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Late Night Tales: Bonobo (Sampler)

Photo by Dan Medhurst

See all future Bonobo DJ Tour dates here: http://bonobomusic.com/tour

Boiler Room DJ Mix : September 2013

ESSENTIAL MIX - JAN 2009
Uploaded on 17.01.10 and exclusive to SoundCloud. Available for the first time without voiceovers and jingles,12 months on from original Radio 1broadcast on 17.01.09.


EMAILSHOT A FEW DAYS AHEAD OF MIX BEING AIRED:
2009 kicks in for me this weekend with my first gig of the year for Udio (1st birthday) at The Gramaphone Club in Shoreditch, London on Friday night, which coincides with the airing of my only just completed in the nick of time Essential Mix on Radio 1, made up of 43 tracks in just under 2 hours.

Given that the 5th anniversary of my DJ comeback has only just passed, I decided to take the opportunity to make the mix totally representative of this period, with all the selections being amongst the biggest tracks I’ve played since I made my second debut at Music Is Better in Manchester.

Five years represents a significant package of time, a fixed point from where I can reflect on what’s been a continually snowballing sequence of events, set in motion when Danny Webb asked me to appear in Manchester on that December night back in 2003.

There were less than 100 people there that night, but they were the right people, and I was taken aback by the response to my return, both on the night itself and during subsequent days, when people who were there began to post on the forums. I’d never expected all the feedback be so totally positive!

I’d figured that I’d play that night, using the combination of laptop and reel-to-reel for the first time, then go away and think about what worked and what didn’t before I made my next move. I would never have believed that things could come together so immediately, it was as if I’d hit a completely unexpected hole in one, especially when two of the people who were there, Ralph Lawson, DJ from Back To Basics in Leeds, and one of my fellow DJ’s that night, Richard Hardcastle (Solid State) from Society in Sheffield, both asked me to play at their nights no sooner had I finished my spot.

One thing kept leading to another and, in Sheffield, I was approached by Tony Daly to play at the now legendary Tyneside Cinema party in Newcastle, a bespoke event where he took on the substantial risk of presenting me in a city I’d never DJ’d in previously (unless you count the 1983 TV appearance on The Tube, which was filmed in the Tyne Tees studio). Then, of course, there was London, where Steve Kotey and Bill Brewster booked me for their parties, bringing me to the capital within the first few months of my return for Ouch and Low Life.

The bookings kept coming, and I found myself driving up and down the country on an increasingly regular basis. Later in 2004 I was approached by Sav Remzi, from Tirk / Nuphonic, with the idea of putting together an edits album, which would be issued the following year as ‘Credit To The Edit’. This would help bring my name to the attention of people outside the UK. There was soon a need to step things up further, now that I was receiving enquiries from Europe, and so began a fruitful relationship with my agent, Matt Johnson (Matty J), who’s done a wonderful job of representing me during recent years.

The last few months have been, to say the least, manic for me, with 25 flights, including 6 long haul, taking me to gigs in the US, Japan, Australia, Brazil and Europe. From a personal perspective I still find it remarkable the way everything has developed, pretty much organically, since I made the decision that I was going to be a DJ once again – had I concocted some sort of comeback masterplan, it could never have worked out anything like as well as it has. It’s definitely been a case of ‘from small acorns’.

It still never ceases to amaze me that people from another continent are interested in my DJ past. Back in the early 80’s, before I went into retirement for 20 years, the furthest I travelled (with the exception of the appearances I made in the South of England as part of The Hacienda Review in late ’83) was to places like Birmingham and Nottingham, when I played at All-Dayers, so to find myself in clubs on the other side of the world is pretty nuts!

Anyhow, I’d like to wish everyone all the best for 09. Big thanks to all the promoters who booked me and everyone who danced to the tunes I played during ’08 in Adelaide, Barcelona, Belfast, Berlin, Birmingham, Blackburn, Brighton, Bristol, Dublin, Dundee, Edinburgh, Fukuoka, Glasgow, Hamburg, Leeds, Lisbon, Liverpool, London, Los Angeles, Manchester, Melbourne, Milan, New York, Newcastle, Nottingham, Paris, Porto Alegre, San Francisco, Sao Paulo, Sheffield, Sydney, Tokyo and Warsaw. Also the festivals and special events that I appeared at - Bestival (Isle Of Wight), Big Chill (England), Camp Bestival (England), Garden Festival (Croatia), Ibiza, Lovebox (England), Notting Hill Carnival (England), Rockness Festival (Scotland), Sonar (Spain) and the Southport Weekender (England).

Hope to see you soon.

Greg


FORUM POST DURING FOLLOWING DAYS:                                                        
Thanks for all the positive words. The feedback has been pretty phenomenal, far exceeding what I’d hoped for, especially on the BBC page, where I’d expected that some people would criticize the amount of older music included - the Radio 1 audience is used to current stuff ('in new music we trust'), so I’d anticipated a more mixed reaction. What’s particularly pleasing is that they were all made without the people seeing what each other wrote (they all came online at once, having been checked first by whoever moderates the BBC pages, I presume for swearing etc following the Ross / Brand controversy).

You always hope something you've done will be well received, but the response to this has blown me away.

Greg


ANSWER TO POST RE MIXING PROCESS:                                                      
It was quite a laborious process. Before I could start the actual mixing part I had to edit every track to a coherent length of around two and a half minutes average, inclusive of in and out points. I had a pool of about 90 tracks that fitted the criteria I'd set (a representative selection of the biggest tunes I've been playing during the past 5 years). It wasn't as straightforward as just editing the 43 tracks I ended up featuring - in order to have the necessary options once I started to piece the mix together I needed to have all the tracks at my disposal, just as I would have if I was out deejaying in a club, so the only thing to do was edit all 90 to the required length, even though I knew that only half would make the cut .

Once that was finally done they were all taken across into my laptop, enabling me to vari-speed them via PCDJ whilst I recorded across to my home computer into Cool Edit Pro, where I put the mix together track by track, before adding overdubs (fx, samples, textures) in a similar way to what I do live using the Revox (reel to reel).

I could quite easily have spent another day, tweaking bits here and there and adding more overdubs (the older I get the more finicky I become), but I had a deadline to work to, so, as it moved ever nearer, it became a race against time, with me doing as much as I could before the cut off point arrived.

Greg
                       

Greg Wilson - 2009


ESSENTIAL MIX (by greg wilson for bbc radio 1 2009)

Return Of The Moon Man

Session Victim - Never Forget [Delusions Of Grandeur] (96Kbps)

Available now on iTunes!
http://smarturl.it/10K

Produced by Kennedy http://kennedykarate.com

twitter.com/bornsmusic
facebook.com/bornsmusic
instagram.com/garrettborns
youtube.com/bornsmusic

Candy

10,000 Emerald Pools

Out Now on Beatport:
http://www.beatport.com/release/sugar-man/1404924

February 2010:  Matt Handley and Andrew Stanley, aka Yolanda Be Cool, already making waves in what they called the “party tech” scene, and label mate Duncan Maclennan, aka DCUP, creating a similar stir on the Nu Disco tip, were sitting next to each other on a flight back from a gig when the seeds were sown for their collab, “We No Speak Americano.”
Inspired by artists such as Riva Starr and Zombie Disco Squad, YBC had a version that sparked the interest of DCUP who offered to add his touch to the mix. After 2 sessions, they sent their demo to Sweat It Out head honcho AJAX who instantly signed it to his label. And the rest is history.
Starting in the underground, with support from house luminaries such as Switch, Jesse Rose and Round Table Knights, then heading to the top of Beatport, then to the charts, where it went to number one in 17 countries and went platinum in, amongst others, the USA, Germany, the UK and Australia, selling over 5 million copies, YBC and DCUP soon found themselves in huge demand.
Festival headline shows followed and the boys have since traversed the globe many times over permeating the world with their brand of fun and fruity, sample based quirk house.
But with all the touring, the guys found it hard to find the time to get together. Until now.
As Andrew said, “We always intended to do more tunes together, but we just never seemed to be able to be in the same room for long enough. Then Duncan moved to Melbourne and for a while, I guess we just did our own thing.”
Duncan takes up the story, “As much as we wanted to do more tunes together, apart from finding the time, we also knew that finding a sample with the same magic as Americano was a must. We didn't want to just put out tunes for the sake of it. Fast forward to now, and it just felt right to get back in the studio. We had been passing sample ideas back and forth for a while and we all just fell in love with Sugar Man. It felt right.”
So after 4 years, the boys are back together with Sugar Man, which re-envisions the classic 1970’s tune by Rodriguez. Not only that, but the boys are back on the road together with a national “Sugar Man” tour set to begin in Newcastle this Friday, 10 October and a special “Sugar Man” mix for Triple J’s mix up set to air Saturday 11 October jam packed with exclusives.
With many more tunes in the pipeline, the world is excited to see how many soundtracks to summers they have in them.


Sugar Man

Sugar Man (Radio Edit)

iTunes Australia

Cut Copy Presents - OCEANS APART
A glimpse of Melbourne's new dance culture
PREORDER NOW!: http://geni.us/OceansApart

1. Knightlife - Don't Stop
2. Andras & Oscar - Music Is My Life
3. Michael Ozone - Oxygen
4. Statue - Statue Theme
5. Turkish Prison - Overboard
6. Ara Koufax - Brenda
7. Myles Mac - Suburban Odyssey
8. Fantastic Man - Robotic Temptation
9. NO ZU - Raw Vis Vision
10. Coober Pedy University Band - Kookaburra
11. A+O - Take Me
12. Nile Delta - Aether
13. Tornado Wallace - Circadia
14. Speed Painters - Total Person
15. Len Leise - Call of Kati Thanda
16. Bell Towers - After Party at Jackson's House
17. World's End Press - Feel City (Outskirts Dub)
18. Roland Tings - Swimmer
19. Sleep D - Austral Aura


Buy iTunes

Ara Koufax - Brenda

The Whispers - And The Beat Goes On (Purple Disco Machine Edit)

Release Date: 15th December.

Purchase the Above & Beyond album "We Are All We Need": po.st/iWAAWN

A  Group Therapy Radio regular with his refined remixes, Italian sensation Spada joins the Anjunabeats family with his rework of Above & Beyond feat. Zoë Johnston "We're All We Need".�

Website: po.st/wbab
Facebook: po.st/fbab
Twitter: po.st/twab
Spotify: po.st/abspotify
Soundcloud: po.st/absc
Instagram: po.st/abins
iTunes: po.st/abitunes
Google+: po.st/abgopl
Live Dates: po.st/ablive�

We're All We Need (Spada Remix)

We're All We Need (Spada Radio Edit)

Magolie/Monsoon

Magolie

» Cherokee - Teenage Fantasy (feat. Gibbz)
First single from Cherokee's EP "Teenage Fantasy"

Lyrics and vocals by Gibbz
https://soundcloud.com/gibbzmusic

Get the EP:
bit.ly/BuyTeenageFantasy

Original illustration by Marika Tamiazzo
https://www.facebook.com/aymarieke

Buy on iTunes

Teenage Fantasy (feat. Gibbz)

Follow Møme on FB:
http://www.facebook.com/momemusicrecord

Follow Tora on FB: 
http://www.facebook.com/Toramusic

FREE DOWNLOAD

Tora - Eat The Sun (Møme Remix)

Produced by Marcus Marr in Brixton, London
https://www.facebook.com/pages/Marcus-Marr/109914285713122

Marcus Marr - Peacemakers (full length)

Buy Justin V mixes

TODD TERJE - Strandbar (Justin Van Der Volgen remix)

We're #5 on #HypeMachine! Give us a <3 here: hyperurl.co/SaveTonightNigelGood

@NigelGood 's remix of @Louis-Vivet-Music 's cover of "Save Tonight" featuring vocals by @Gavrielle & @NickGoldston and guitars by @DavideCrimaldi. Originally performed by Eagle-Eye Cherry.

Nigel Good
https://www.facebook.com/nigelgoodmusic
https://twitter.com/nigelgood

Louis Vivet
https://www.facebook.com/louis.vivet.music
https://twitter.com/louisvivet


Free Download

Save Tonight (Nigel Good Remix)

Give it a <3 on Hypem : http://bit.ly/1NdM0eu

This is my new single "RIVA" featuring Broken Back.
Release on March 2, available everywhere on all platforms (and in pre-order in some territories)
Buy it : http://smarturl.it/Klingande_RIVA
Spotify: http://spoti.fi/1N8MRNu
Beatport: http://btprt.dj/1E9CZk2
iTunes: http://smarturl.it/Riva

Singer: Broken Back
https://www.facebook.com/BrokenBackMusic
https://soundcloud.com/broken-back
Harmonica: Greg Zlap

Follow me on: 
www.facebook.com/Klingande
twitter.com/KlingandeMusic
instagram.com/klingandemusic
▲

Management: Unity Group, www.unitygroup.fr

RIVA (Restart the Game)

RIVA (Restart the Game) (Original Mix)

CATEY SHAW: "Human Contact" (SPEAKER OF THE HOUSE REMIX)

Buy on iTunes // http://apple.co/18F0DYX

Give this jam a heart on Hype Machine! -> http://bit.ly/18PVwFm

Remix Produced by SPEAKER OF THE HOUSE

FOLLOW CATEY SHAW: 
Facebook: www.facebook.com/cateyshawmusic
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Youtube: www.youtube.com/cateyshawVEVO
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SoundCloud: @cateyshaw
Spotify: open.spotify.com/artist/5nfow6tv4Dtm6K4WHzczBI
iTunes: itunes.apple.com/us/artist/catey-shaw/id593229117

FOLLOW SPEAKER OF THE HOUSE: 
FACEBOOK: https://www.facebook.com/speakerofthehousemusic 
SOUNDCLOUD: @speakerofthehouse 
TWITTER: twitter.com/spkerofthehouse
SPOTIFY: play.spotify.com/artist/3JWALxcmd7a0mS0TEo0BIy
I-TUNES:  itunes.apple.com/us/artist/speaker-of-the-house/id508678952


Human Contact (Speaker Of The House Remix)

Download "Lost In the Light EP" on iTunes Now: https://itunes.apple.com/us/album/lost-in-the-light-ep/id1040532339

instagram.com/_lauvsongs
twitter.com/lauvsongs
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Lauv is Ari Leff

--
Like a spotlight the water hits me
Ran it extra cold to shake the words from my mouth
Though I know that no one’s listening
I nervously rehearse for when you’re around

And I keep waiting like you might change my mind

Who wrote the book on goodbye?
There's never been a way to make this easy
When there’s nothing quite wrong but it don't feel right
Either your head or your heart, you set the other on fire

Back and forth now I'm feelin' guilty
Cause I just can’t stop this pendulum in my head
Though I know that our time is ending
I’d rather lay forever right in this bed

And I keep waiting like, you might change my mind
Give me one more night

We fell from the peak
And the stars, they broke their code
I’m trying to forget
How I landed on this road
I’m caught in between
What I wish and what I know
When they say that you just know

--

Written by Ari Leff and Michael Matosic
Produced by Ari Leff
Artwork by Brian Ecklund

The Other

Spotify

123Mrk - Pleasure [IM004]

Vitamin String Quartet - Sweet Child O' Mine (Guns N Roses)

Live recording from the Stonebridge tent at Glastonbury Festival 2013.

Read the accompanying blog post, 'Glastonbury - The Greatest Show On Earth' here:
http://www.gregwilson.co.uk/2013/07/glastonbury-the-greatest-show-on-earth/

Check out my label's music at: https://superweirdsubstance.bandcamp.com

TODD TERJE - Strandbar (Justin Van Der Volgen remix)

toddterje