A playlist killed himself by jumpin in front of my bike.(#016)

Change (Dawn Golden Remix)

so here it is! its called Gold Lime

and its a cover of the Yeah Yeah Yeahs and Erykah Badu. simultaneously. 

Follow Glass Animals online

Site: po.st/glassanimalsweb
Youtube: po.st/GlassAnimalsYT 
Soundcloud: po.st/GlassAnimalsSC 
Facebook: po.st/GlassAnimalsFB 
Twitter: po.st/GlassAnimalsTW 
Instagram: po.st/GlassAnimalsINS

Gold Lime

Blue skies is the debut release from LIVI'S forth coming E.P.

FREE DOWNLOAD

Blue Skies

Outtake from 'Parting Glances' by Air Waves, released September 18th on Western Vinyl

iTunes: http://hyperurl.co/ftkjxr
WV: http://westernvinyl.com/shop/wv137.php

Air Waves
Artist Page http://westernvinyl.com/artists/air-waves
Facebook http://www.facebook.com/pages/Air-Waves/50591783797
Twitter http://twitter.com/air_waves
Instagram https://instagram.com/air_waves/

Air Waves - "Tuesdays"

“Golden Days” from ‘Light Upon The Lake’ by Whitney, out June 3rd on Secretly Canadian

Pre Order Now:  
Secretly Canadian: http://smarturl.it/whitneytheband
iTunes: http://smarturl.it/whitney_it
Amazon: http://smarturl.it/whitney_amz
Support your local independent record store: http://smarturl.it/whitney_ind

Golden Days

Whitney - Golden Days

exclusive piece for Piano day ! 


FIND MORE INFO HERE: 

https://www.facebook.com/pianodayofficial/

www.pianoday.org 

evolv - we learn we grow

From "Mother's Son" Vol II EP.

Recorded at home by Francis Lung. 
Produced by Francis Lung and David Jay in Manchester.
Mixed by Adam Jaffrey and David Jay at Unwound Studios, London.

http://francislung.co.uk
http://facebook.com/francislungofficial
http://twitter.com/francislung
http://instagram.com/francislung

Dance 4 Sorrow

Written and Produced by Anup Paul. Vocals, Guitar, Bass Guitar, Synthesisers, Percussion and Programming by Anup Paul. Sound Design and Effects by Anup Paul. Engineered, Mixed and Mastered by Anup Paul. Recorded at Spicy Benefit Studio and The Doogh, London, England.
℗ 2016 A. K. Paul
Artwork © 2016 Paul Institute
http://paul.institute

LANDCRUISIN'

For Piano Day 2016.

Ⓟ & © 2016 Kitchen. Label

MORE INFO:
www.kitchen-label.com

sonicbrat - air (Piano Day 28.03.16)

Imani.

////////////////////////////////////////////////////////////////

w @romderful • @emmavie100 • @zacarip • @joshjarmusic

Artwork by : Taj Francis



02 Luther's Joint

SPIRITUAL SONGS FOR LOVERS TO SING
MAY.06.2016
buy download: http://smarturl.it/LUHiTunes
buy physical: http://smarturl.it/LUHLPRoughTrade

BENEATH THE CONCRETE
Written & Performed By Ellery James Robert w/ Ebony Hoorn. 
Produced by The Haxan Cloak. 
Engineered by Ray Tovey
Drums Stephen Hermitt.

Courtesy of Mute Records 2016.
https://luh.international
...............................
When yr eyes gon square from spectacle glare
dead desert Religion turnt 451F 
reality reduced to a reflection 
of yr black mirror Fantasy
remember2remember
Don't worry about a Thing! 
This world is not all that it seems: 
Beneath the Concrete;
the Beach! 
Hear Sands of the infinite sing
All We Are is People Trying ! 
All We Are is People Trying to Live ! 
Trying to Live a Life that Means Something ! 
Trying to Live a Life that Means Something More !

Beneath The Concrete

Federico Randall has described the sound of his electronic project The Peronists as “German Reggaeton vs. Inca House,” but his new ‘Periferia’ EP maintains the sense that no matter what geographic tags Randall adds, The Peronists will always remain on its very own turf. European and Latin American flavors combine throughout the EP (including a cheeky “legal” edit of Pink Floyd’s “Shine On You Crazy Diamond”), but “Baby It’s Over” adds a distinct dosage of Greek flavor in the form of vocals by Yodashe, a fellow alum alongside Randall of the 2013 Red Bull Music Academy in New York. 

Shuffling percussion create loose divots in the digital haze for Yodashe to add smoky vocals, with spoken-word sections overlapping in different parts that mention ecology, endangered species and suggestions of collaboration - “I still think we should work on that together.” The recurring line “baby it’s over” feels assertive but somehow regretful, and the entire track is utterly casual, with echoes of chirruping birds or ruffled feathers so that you can almost feel yourself reclining in a pool chair as the song progresses. It’s relaxing but also intimate, a conversation whispered in your ear in a loud club.

The Peronists’ ‘Periferia’ EP is out April 2nd.

@theperonists
@yodashe
http://redbullmusicacademy.com

The Peronists feat. Yodashe - Baby It's Over

From the album 'Music For Falling From Trees' by Peter Broderick released in 2009 on Western Vinyl.  Available soon as a limited edition 180 gram 45 rpm vinyl EP.

Vinyl:http://westernvinyl.com/shop/wv62
iTunes: https://itunes.apple.com/us/album/music-for-falling-from-trees/id377393049

Artist Page: http://westernvinyl.com/artists/peter-broderick
Website: http://www.peterbroderick.net/


2009’s Music for Falling From Trees, a 30-minute piece in seven sections, was created for a contemporary dance by London-based choreographer Adrienne Hart at Neon Dance. Adrienne was looking for a score of piano and strings, so Peter left the guitar and his voice aside and focused entirely on those two timbres.

The dance tells the story of a man in a psychiatric hospital, and his struggle to maintain his identity. The music is sometimes melancholic, sometimes playful, sometimes chaotic, but with the combination of piano and strings, full of beauty, reverence and awe.

“In late 2008, Adrienne Hart contacted me about scoring her new work, Falling From Trees. In Adrienne's words, ‘the piece is set in a psychiatric hospital and centered around one man's struggle to retain his identity in the most extreme of circumstances.’ There are four dancers in the piece. One male playing the patient, and three female hospital workers.

I had been making music for a variety of film projects, but the thought of scoring a dance was very exciting to me. I was on tour at the time, so I wasn't able to start writing the music until I had a break in early January. The dance premiered on January 21st, so I had about three weeks to create the score. I camped out up in the top of my father's barn with some minimal recording equipment, my violin and viola, and an old broken piano.

Given the time constraints, I approached the music in a very open way. Rather than sit down and try to compose something, I just set up a microphone and started playing. After coming up with a couple of themes on the piano, I started recording, using those small themes and improvising around them. Most of the sections have a small core that is composed, and then the rest is improvised. Luckily for me this method seemed to work. I would work all day and then send a sketch over to Adrienne, and every time her response was positive. So in this way we worked very well together. I give my hugest thanks to Adrienne for trusting me to create the music for her wonderful work.

Adrienne told me from the beginning she was looking for a score of piano and strings. So I decided to take this literally and make a rule not to use any other instruments. In the script it called for the sound of a ticking clock. I made this sound by tapping on the body of the violin with my fingernails. The sound of an electric shock given to the patient is depicted by a quick, distorted piano chord. And all other droning and bass tones were made by extending and processing violin and/or piano tones, etc. Thank you very much for listening.” – Peter Broderick, March 2009

A playlist killed himself by jumpin in front of my bike.(#016)

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