Giving form to a broad personal project of continuous inquiry and existential expression, ‘A World Of Service’ marks the Ostgut Ton debut of Spanish producer, DJ and artist JASSS [@jass-29] aka Silvia Jiménez Alvarez.

Buy ‘A World Of Service’ as 12" LP, digipak CD or in digital formats: https://berghain.berlin/jasss
Boomkat: https://boomkat.com/products/a-world-of-service

Listen at
Bandcamp: https://ostgut.bandcamp.com/album/a-world-of-service
Apple Music: https://music.apple.com/album/a-world-of-service/1587326314
Derer: https://www.deezer.com/playlist/9615082122
Spotify: https://open.spotify.com/album/5R76uc259XhrHUYGDcalQh
YouTube: https://music.youtube.com/playlist?list=OLAK5uy_mOqu3yBiTOGor8eQrL9Kyrmbi6jVKDKiY

Watch the music video for “A World Of Service”, directed by Sander Houtkruijer: https://www.youtube.com/watch?v=EZzRP2p7Lek

The evolution of ‘A World Of Service’ has curved around genre collapsing and unexpected metamorphoses. Formerly the name of the monthly radio show JASSS hosted in Berlin, and soon to be the title of her expansive multi-sensory touring concept in collaboration with Ben Kreukniet, here ‘A World Of Service’ is powerfully concentrated in sonic form. Throughout the album JASSS muses on the especially current human and technological barriers to interconnectivity; both lyrically and musically she deconstructs the self, unmasks anxieties and interrogates the insufficiencies of language as applied to gender, identity and interpersonal relationships. Forming her own fluid, nuanced lexicon in response, JASSS seeks a deeper understanding of her multiple selves, emerging through unbridled adolescent rage and the wisdom of maturation, traversing liminality with abstract electronics and baroque industrial pop. Visually this is underscored by Matt Lambert’s uncanny floral cover portraiture, as well as the record’s distinct scent of wet earth, flower and woods developed for the album by Meri Bonastre and applied to the vinyl innersleeve.

Following the imaginative nostalgia of ‘Weightless’, her 2017 debut album for iDEAL Recordings, as well as her blistering dancefloor 12” for Whities / AD 93, ‘A World Of Service’ folds personal and societal concepts in on themselves, not seeking answers but rather luxuriating in the unique friction that questions create. JASSS is intensely focused yet musically unbridled; this is reflected in tonal shifts of ‘A World Of Service’. Through the computerised yearning and bruising of a heartbreak on “Luis”, to the jagged and wordless tundra of “Vapor Dentro”; the intriguing juxtaposition of warm, alluring Spanish vocals against rigid pillars of industrial heft and bass grind (“Camelo”), and the soaring maximalist industrial pop of the album’s closer, “Wish.”

As intensity rises through the pandemic-era trip hop of the album’s title track “A World Of Service”, JASSS sings:

“Pleasure /
Is nowhere to be found inside this world of service /
I call to be my life.”

Pleasure may remain elusive to her, but in the determination to make peace with her various identities in this technological age, JASSS offers a compelling glimpse into an essential type of artistic voice.

— Text: Christine Kakaire

Cover and artwork photography: Matt Lambert | Layout: Yusuf Etiman
Florals: Anatomie Fleur
Make-up: Christian Fritzenwanker and Mario Mendez
Scent: Fum de Kyphi

Buy Album

JASSS | Birds You Can Name

Existenz

Golden Dawn

Our label turns four today. We are delighted to present the newest compilation Y002 including twelve tracks mixed and selected by our dear Viels.
All the single tracks and the continuous dj mix will be available soon on a double CD and digital format.
Including tracks from Quan, Na Nich, Ruhig, Brendon Moeller, Particle, Lõn, Viels, Mersel, A.Brehme, Yogg, Mike Davis (DE), Głós.
Links:
Formaviva: formaviva.com/end-of-perception
Bandcamp: endofperception.bandcamp.com/
FB: www.facebook.com/endofperception
RA: ra.co/labels/15760

Y002

The Grand Tour

A. Brehme - The Grand Tour

"First, time will tumble and then the earth.
The clouds begin to race, the earth boils over; this is the sign.
This is the beginning of the end"

TRACKLIST
A1 Age Of Iron
A2 Degenerate
B1 Kali
B2 Seven Signs

Release date (vinyl & digital): 27th of January 2014

www.ancientmethods.com
www.orphx.com
www.tokenrecords.com
www.facebook.com/ancientmethods1
www.facebook.com/orphx
www.facebook.com/tokenrecords

Eschaton EP

Eschaton (Ancient Methods & Orphx) - Age Of Iron

OTHR - False Promise

NZM 99 - Helheim

Two years after releasing the acclaimed Crash Recoil, Anthony Child aka Surgeon returns to Tresor with new LP, Shell~Wave. Retaining the minimal equipment list and studio-version-of-live-show-sets approach of the previous album in order to focus on the work itself, Shell~Wave is a deeply personal document of both where Surgeon is and has been, converging three decades of experience with a continued curiosity in the untested.

"To make this project, I had to dig really deep in terms of what my relationship was to techno; I've been involved with it for a really long time and there's a lot about it I feel dislocated from, so I had to really think hard about what techno is to me. I often get asked "what is techno to you?" but I can't answer that with words; this album is the answer."

From the complex, twisting track Infinite Eye to the caustic Soul Fire, the eight tracks that make up the body of the album are single-take explorations of the vast, hard yet minimal techno Child is synonymous with. 

Neatly dividing the record in two, the emotional centre of the record comes in the form of Dying, a vibrating, beatless piece that with a mantra-like vocal loop steeped in reverberating effects.

Further echoes of dub production appear throughout the record as tracks like Divine Shadow, and Empty Cloud have an almost ever-present mist of reverberation, driven by the appearance of a new delay unit in the equipment list; while much of the philosophy of Crash Recoil's creation is present, the process and the instruments have changed as Child again switches up his approach to studio work.

This insistence on trying novel techniques doesn't preclude returning to old ones, as this use of modern digital machines with live, hands-on takes that are as inspired by 60s producer Joe Meek and 70s reggae as they are by this year's synthesiser expos.

"For me, it's an interesting experience returning to old techniques again after 30 years. [I'm] always exploring and finding myself back at the beginning. Connecting the present with the past."

This philosophy of 'time travel' is inherent to the music itself as the synchronised loops repeat while the delay and effects branch out, forming unique eddies; distinct quantum moments within the circular whole; the future leaking through the spaces between the sounds. All of the concepts on the album are perfectly communicated through the painting by Taiwanese artist Jazz Szu-Ying Chen which suggests the movement of water, sound waves, and the chitinous shells of sea creatures.

BANDCAMP

Surgeon - Dying

Buy or Die

Boys I Love You

2025-09-28_

Thought carousel

Wastelands

Eschaton (Ancient Methods & Orphx) - Age Of Iron

Token Records