Oh, so famous tune for me. And now I know ID :) Full support.

It’s hard to overstate the importance of ‘The Final Frontier’ in shaping modern electronic music. First released in 1992 by the unapologetically political Detroit collective, Underground Resistance, it remains an essential classic in the story of Techno. Underground Resistance’s stated objective was to “[electrify] the inner city with hi-tech, sci-fi thoughts and dreams”; to offer working-class Black Americans, through music, a vision of a bright future through community action. Final Frontier was the first of many tracks which underlined this mission in bold type.

The great Afrofuturist tradition of imagining Black emancipation through space travel is upfront; both in the Star Trek-referencing title, as well as in the music itself, which sounds like the perfect re-scoring to the “Stargate” scene in 2001: A Space Odyssey. Now, nearly 30 years after it was first unleashed, there is not a serious techno fan who does not consider this to belong on the highest echelon of electronic music’s Pantheon.

Taken from Tresor 30 – Limited Edition 12 x 12" Vinyl Boxset
Available for pre-order now - out October 1st

Buy Limited Boxset: https://tresorberlin.com/shop/
Buy Track: bit.ly/UR-bc

@undergroundresistance

Tresor 30

Buy 12x12" Boxset

PREMIERE: Underground Resistance - The Final Frontier (Nomadico Remix) (taken from "Tresor 30")

Release date (all formats): 2nd of June 2014

CD / Digital:
1. Narrative
2. Birth
3. Requiem
4. Plaintive
5. Lullaby
6. Vallecula
7. Winter
8. Petrichor
9. Aleph
10.NGC5128 

2LP:  
A1 Narrative
A2 Birth
B1 Requiem
B2 Plaintive
C1 Vallecula
C2 Winter
D1 Aleph
D2 NGC5128


From his first EP release in 1996, British producer Inigo Kennedy has built a sound which embraces both the traditional and the ambitious - as well as the emotional, the organic and the energy of live performance. Continuously studying the effects and capability of digital equipment, Kennedy has released in excess of 100 records, either as himself or through alternative monikers (Reducer, Tomito Satori). He has released these records on labels such as Missile, Semantica and his own Asymmetric. Since 2007 Inigo Kennedy and Belgian label Token Records have had a particularly close and fruitful relationship. Kennedy released three times on the Ghent-based label last year, including the thumping 'Emitter' and spiralling epic 'Cathedral'.

In April 2014 Inigo returns to Token - and with a project that feels like the culmination of all those years and all those records: a CD, 12'' single and 2x12'' LP under the banner of Vaudeville. In true, theatrical manner, Vaudeville is a collection of differing themes - from the abstract and freakishly odd to the direct and resonant. And just as the Vaudevillian shares a common purpose with his co-stars as the 'voice of the city'('voix de ville'), there runs through the centre of this record a clear narrative for urban experience.

'Narrative' presages the mood with a cold wind, before 'Birth' emerges with rain on the ground and a helicopter searching in the swirling darkness. 'Requiem', next, is more direct, as a warm kick and frenzied timbres interlock; the rumble recalls echoing and unhappy machinery. As one cornerstone of the record, 'Plaintive' is Requiem's anxious but happier brother: an organ winds its way down a slope, as soft toms herald the start of reflection on a heroic journey. 'Lullaby' has a deep and echo-laden undercurrent, building from afar but also warm and so incredibly close. 'Vallecula' is lower slung still, the atmosphere rough and moments before the morning light: the uncertain hour, the uncomfortable and unpredictable, a paranoid heartbeat. 'Winter' is the rolling patter of rain through clashing snare taps and dragging hi hats, solid thumps in haunted isolation. 'Petrichor' strides like a boss through his realm, again enwrapped in dank surroundings. 'Aleph' is the coolest act, a tremor of synth and an icy kick of determination. It's a race through the streets in sturdy boots, swirling in its certain melody. And at last there is the final cornerstone - 'NGC5128' (a galaxy in the constellation of Centaurus). A reflective end, this galactic rumble is late-of-bar heavy, and has a fitting space synth jagging in and out.

As a whole Vaudeville is a presentation of space, industry and enveloping urban darkness in a single, turbulent journey. It is the culmination of an organic and emotional approach to production. It is Inigo Kennedy at his finest. 

www.tokenrecords.com
www.facebook.com/inigo.kennedy.music
www.facebook.com/tokenrecords

Vaudeville

Inigo Kennedy - NGC5128

A new colourful various LP inspired by the infamous Ballacid channel. This LP contains 13 acid, Detroit and electro tracks by upcoming artists all over the world. 

By the digital album here:
https://boomstraat1818.bandcamp.com/album/marazion

The limited editon 180 gram vinyl version will be released in three months from now and will be distributed by DBH worldwide.

Marazion

Planet Hedonism

Bandcamp

knarzy - Planet Hedonism

Takaaki Itoh - Error Polynomial (Oscar Mulero Remix)

Marco Shuttle - Sing Like A Bird

Headed up by longtime colleagues and collaborators Function (David Sumner) and Inland (Ed Davenport), Infrastructure New York spent the good part of 1998 to 2005 serving up the prolific output of both artists – with a few cameos from others along the way. Following a ten-year hiatus, Infrastructure has now re-emerged as a busy and consistent platform for modern electronic music, marking a new wave of material which has been dormant since Sumner's first material on Sandwell District in 2007.

Since its resurgence, Sumner and Davenport have orchestrated a heavyweight set of releases: ten vinyl releases, two singles from avant-garde composer Campbell Irvine, a reissue of acid classics from Trackman (Mark Archer), a crossover single by Cassegrain & Tin Man, and plenty more. Now comes Infrastructure's next milestone – Facticity. A 4 x 12” vinyl box set, CD and digital format compilation featuring fifteen tracks by key artists, label colleagues and new faces. Function, Inland, Campbell irvine, Post Scriptum, Cassegrain & Tin Man, Rrose, Efdemin, Vatican Shadow, Silent Servant, Blue Hour, Steve Bicknell and Cleric all feature; spinning a narrative that ranges from lush, ambient and post-club diversions, to contemporary floor-orientated techno and back again.

Our highlight off the compilation comes from the reputable Efdemin, whose "Kassiber" is a kaleidoscopic take on the well-versed techno rhetoric. A club-centred number adding to the compilation's comprehensive showcase of widely varying electronic sounds. Facticity represents the foundations of what Infrastructure stands for – a manifesto for 2016 and beyond. We're looking forward to see where things'll go from here.

Facticity drops on vinyl, CD and digitally on 3rd June.

Efdemin "Kassiber" - Boiler Room Debuts

Serena Butler returns to the fore with an EP for Stroboscopic Artefacts. “We Want Neither Clean Hands Nor Beautiful Souls” is a four track recording of Butler’s personal juncture with the Queerverse and his engagement in queer politics, an elaboration on the alternate freedoms and minimal politics of alienation introduced with her 2016 release on Eerie. By bringing her mission of inclusion and diversity to Lucy’s Berlin based imprint S>H/E has found a kindred spirit in the pursuit of, what SA describes as, “an incessant accretion of new ideas and new formal elements that must transcend any self-limiting expectations of genres or cliques”. This release embodies the shared revere that Butler and SA have for the subversive power of techno; or, as Butler says, “the explicit, organized effort to repurpose technologies for progressive gender political ends”.

The EP’s path begins with the opener “If Nature Is Unjust, Change Nature”, a shadowy crescendo of whispered rhythms and minimal-synth leitmotivs from alt-clones of Rrose and Second Woman grafted memories. “Globular Hymen” is the club supernova of the lot; an interstellar blizzard of layered arpeggios, which hit like the wrath of a pantheon of angry goddesses. “Science is not an expression but a suspension of gender” lays on the feel of afterlife, a dubbed-out lullaby between lo-fi drums and subtle interference patterns of noise. This is the sound of Butler getting between you and your ears; reminding you to step back from certainty and imperative judgments. Last but not least, “And with sexism came disparity” unleashes a vocal swarm of declaration and rebellion. Despite the straight-forward title, this is a true Demdikesterian mutant-techno stepper, with neither clean words nor a beautiful soul.

All tracks (w)&(p) by 
Federico Cataldo u / Serena Butler ♀ 
Graphic concept by Ignazio Mortellaro [OA].
℗ & © Stroboscopic Artefacts 2018
Cat. No SA033 – all rights reserved.
www.stroboscopicartefacts.com
info@stroboscopicartefacts.com

B2 - Serena Butler - And With Fire Came Disparity [SA033]

Order: https://stroboscopicartefacts.com/shop/the-light-touch-satotem004/

Caustic, dense and centred around complex but exquisitely executed percussive motifs and driven, rising sequences - many would argue an alliance between Shifted’s heady, monochrome recordings and Lucy’s beloved Stroboscopic Artefacts label is long overdue. The music draws on much of the British producer’s previous work, assembled carefully using a characteristic sonic palette - but as ever, Brewer finds fresh space between sounds - showing off a tentatively more extroverted side to his work. 

Title track The Light Touch is perhaps one of Shifted’s more idiosyncratic pieces. Instantly recognisable with it’s heavily granular finish and subtle shifts in delay and reverb composition, the track is rich with groove and moves relentlessly across it’s five minute run time. 

Seel showcases the artist’s talent for building tension with minimal elements - built around a single warping lead, noise tracks drift in and out of the mix to generate effective builds and subtle releases. EP closer, Mixen, riffs on it’s predecessor’s approach but strips back the percussive elements further and ups the ante with searing drone signals rising up above the lead sequence driving the track.

As ever, Brewer’s musical output looks to the heart of the genre - remaining true to purist sensibilities that favour economy of sonic components and studio prowess over unnecessary fanfare, but all the while forging new ground & refining a genuinely personal aesthetic. A powerful debut on a label in fine form that represents some of the best of the British artist’s work.

all tracks (w) & (p) by Guy Brewer
mastered @ Artefacts Mastering Studio, Berlin
graphic concept by Ignazio Mortellaro [OA]
(p)&(c) Stroboscopic Artefacts 2019
Cat. No. SATOTEM004 – all rights reserved
www.stroboscopicartefacts.com

The Light Touch

A - Shifted - The Light Touch [SATOTEM004]

The planet is a wasteland ruled by self-contained, country-sized megacities, each with their own culture and climate, separated by vast, barely-inhabitable spaces. Long reliant on cyberspace as their means of communication, humanity relies on cybernetics to survive in their new environment. Advanced AI competes or conspires with these enhanced beings for control of resources and economy. Within these many-layered Sprawls, ordered chaos reigns, inhabited by many, understood by factions, and controlled by the very few…

OUT NOW!
https://manhighrecordingsbln.bandcamp.com/album/sonic-driver-pt-1
https://hardwax.com/32207/henning-baer-pablo-mateo/sonic-driver-pt-1
https://www.deejay.de/HENNING_BAER_%26_PABLO_MATEO_SONIC_DRIVER_PT_1_SONICDRIVER1_Vinyl__932386
https://www.decks.de/track/henning_baer_pablo_mateo-sonic_driver_pt_1/cey-nr
https://clone.nl/item56484.html
https://www.discopiu.com/it/vinyl/henning-baer-pablo-mateo-sonic-driver-pt-1-p167499
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https://open.spotify.com/album/7wzYk82NJppytHppFsuYPR

MANHIGH Recordings 2019
Catalog-#: Sonic Driver 1
Hand-stamped transparent clear vinyl. Limited to 200 copies.

Sonic Driver Pt. 1

Henning Baer - Night City - Sonic Driver Pt. 1

READ > https://inverted-audio.com/premiere-hector-oaks-horoom-reclusion-zesknel-remix

Up next on @bassiani is a high-flying remix EP featuring from one of the clubs main exponents Héctor Oaks, featuring five bold remixes from DJ Stingray, Somewhen, Voiski, Parrish Smith and Zesknel (@zsknl).

As We Were Saying Remixed

Héctor Oaks - Horoom Reclusion (Zesknel Remix) [Bassiani]

HATE exclusive premiere.
Full streaming of the EP soon on our HATE Youtube channel.

Support the label, buy it here:
https://linktr.ee/nara_records

Artist: Various Artists
Title: Nara003
Label: Nara
Catalogue: NARA003
Format: 12" Vinyl
Genre: Electronic
Style: #Techno | Electro | BreakBeat
Release date: December 20, 2020

Tracklist:
A1:    Dawn Razor & Archetech - Wonder Land
A2:    Dawn Razor & Archetech - Wonder Land (Shedbug Remix)
A3:    Dawn Razor & Archetech - Glides
B1:    Yansima - Robbers Guys
B2:    Hooley - Tempo Paradiso

New NARA brings a bunch of fun breakbeat rave sounds plus wicked remix from Shedbug. NARA returns after a long break with a new stunning VA from the hood! On the A side there are two break beat stompers from the Russian`s Dawn Razor united his forces with ArcheTech and the mighty Shedbug on the remix duties. On the B side two Ukrainian producers Yansima and Hooley are keeping things up more hot to close this release.

Follow #DawnRazor here:
https://soundcloud.com/awnazor
https://www.facebook.com/awnazor
https://www.residentadvisor.net/dj/dawnrazor

Follow #Yansima here
https://soundcloud.com/yansima
https://www.instagram.com/trecut_yansima/
https://www.facebook.com/yansimamusic

Follow Shedbug here:
https://soundcloud.com/shedbug
https://www.facebook.com/Shedbug
https://www.instagram.com/shedbug/

Follow #Hooley here:
https://soundcloud.com/hooleymusic
https://www.facebook.com/hooleymusic/

___
DISCLAIMER: All tracks are uploaded in a low quality for promotional purposes only and with buy links to respect label and artists.

CONTACT EMAIL: hatemusic1@gmail.com

Follow us on INSTAGRAM and FACEBOOK for releases previews and news:
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Inigo Kennedy - NGC5128

Token Records

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