On the Brink

Post Scriptvm - Eisstoß LP Tesco Organisation out February 2024  [Tesco 158LTD300 ICE-CLEAR VINYL+DOWNLOAD CODE]

Eissto

Murus

Post Scriptvm - Eisstoß LP Tesco Organisation out February 2024  [Tesco 158 LTD300 ICE-CLEAR VINYL+DOWNLOAD CODE]

Nimbus

Taken from SBKT064: sideproject - sourcepond
Release date: 30th May 2024

Following up from work on Björk´s 'Fossora', Icelandic trio 'sideproject' debut on SVBKVLT with their new full-length album 'sourcepond'. Taking influence from the fog-covered wetlands of their native island, sideproject transfigure influences from the low-end frequencies of grime and bass music, and reshape it into a haze of transient-smeared beats accompanied by breathy synths that grow ever wetter till they slip beneath the surface tensions of their harmonic stratum. Compared to previous output, 'sourcepond' opts for a more concise approach to their music, stacking up their influences of experimental electronic, Icelandic punk and contemporary club music, and builds a sound that oscillates between melodic hooks and experimental rhythms. Each track carves through the sensuous material, pulling the listener into the dank sourcepond as though magnetic forces were guiding a bird's beak towards misty horizons.

Artwork by sideproject
Mastered by Raphael Valensi

sourcepond

sideproject - double zebra

Taken from SBKT066: Prettybwoy - Tokyo Ice Age
Release date: 5th February 2025

Our first release for 2025 is ‘Tokyo Ice Age’, a new EP from Prettybwoy. 5 warped club tracks, packaged with remixes from aya and Proc Fiskal, artwork by Downstate and mastered by Raphael Valensi.

‘An ice age is a cycle of roughly 100,000 years that Earth has been undergoing for at least the past million years. I’ve been reflecting on these cycles and the way life resets or disappears over time. When my grandmother passed away, I found old photographs and handwritten documents—faded pieces of history that offered me a brief glimpse into my family’s past. Ways of living, even since my own birth, are changing rapidly, and many things are being lost or disappearing forever.

The term "Ice Age" also refers to Japan’s Employment Ice Age, a period between the mid-90s and early 2000s, following the collapse of the country's 'Bubble Economy.' During this time, many young graduates and displaced workers struggled to find stable employment. The generation impacted by this era, known as the "Lost Decades," is often referred to as the ‘Lost Generation’ or ‘Ice Age Generation.’ I belong to this generation.’

Artwork by Downstate
Mastered by Raphael Valensi

Prettybwoy - Holocene

Much Unseen Is Also Here

Behold a Voice as Thunder

Concrete

bolero combined with 6-8ths drumming is a vibe

Tigre de Papel (feat King Klavé)

On the cliffs of Uluwatu, when the ocean devours the sun, the seven masks awaken.
Eyes swell red, jaws stretch wide, and teeth gleam like knives.
The stone trembles under their laughter,
and the night opens with a mouth full of drums.

Before gods, before men,
storms carved the first dance:
thunder cracking skulls of clouds,
waves tearing cliffs like flesh from bone,
winds shrieking as if torn from hollow throats.
The masks are fragments of this first hunger,
faces of a rhythm that devours silence.

When dancers put them on, the masks feed.
Flesh becomes rhythm,
breath becomes fire,
and the world shakes with a frenzy of jaws.

The Ritual of Polyrhythm is not a song — it is a feast.
Teeth bite into stone, flames lick the wind,
and every step drives deeper into the marrow of the night.
The cliffs themselves bleed sound until the horizon splits open.


The Seven Masks and Their Dances

1. Mask of Stone Breath

The earth exhales through basalt teeth.
Its rhythm grinds slow and merciless, a jaw of rock crushing time.

2. Mask of Ember Laughter

Flames split into a grin of sparks.
Its rhythm leaps jagged and sharp, fire biting the night in radiant joy.

3. Mask of Ocean Eyes

The tide opens as a mouth that swallows endlessly.
Its rhythm drags all steps into the black water, drowning them in memory.

4. Mask of Hollow Flame

Ash swirls in its throat, a furnace without warmth.
Its rhythm is a hollow blaze, breath echoing in chambers of fire
where sound stretches like teeth across the void.

5. Mask of Thunder Echo

The skull of the sky splits wide.
Its rhythm is a roar of jaws above the earth,
a storm chewing silence into splinters.

6. Mask of Shifting Steps

The ground cracks beneath its feet.
Its rhythm twists and breaks, pulling dancers into chasms that never end.

7. Mask of Air and Dream

The final mouth opens into dawn.
Its rhythm devours form into shadow, shadow into smoke,
until only breath drifts across the horizon, carrying the hunger of night into day.


Closing

At sunrise the masks return to stone,
but their teeth remain restless.
They gnash in thunder, grind in the tide,
and bite within the dreams of all who have seen them.

Mask of Thunder Echo

"Caught In Time (live edit)", live in The Amersham Arms, London, 11.07.2016

I am Artur Tokhtash, a composer and sound artist.
My music unfolds at the intersection of classical tradition and sonic art: preludes, improvisations, and electroacoustic structures are not genres, but forms of memory and breath.

For me, sound is ritual. Each piece is not merely a composition but a trace of presence, an echo of vanished spaces, a light from places that may no longer exist.
The piano, in my preludes, becomes a vessel — an instrument that carries not only melody but also the silence between notes.

My works do not function as background. They are spaces for listening, inviting the listener into a state where music becomes both signal and transformation.