On the Brink

Post Scriptvm - Eisstoß LP Tesco Organisation out February 2024  [Tesco 158LTD300 ICE-CLEAR VINYL+DOWNLOAD CODE]

Eissto

Murus

Post Scriptvm - Eisstoß LP Tesco Organisation out February 2024  [Tesco 158 LTD300 ICE-CLEAR VINYL+DOWNLOAD CODE]

Nimbus

Taken from SBKT064: sideproject - sourcepond
Release date: 30th May 2024

Following up from work on Björk´s 'Fossora', Icelandic trio 'sideproject' debut on SVBKVLT with their new full-length album 'sourcepond'. Taking influence from the fog-covered wetlands of their native island, sideproject transfigure influences from the low-end frequencies of grime and bass music, and reshape it into a haze of transient-smeared beats accompanied by breathy synths that grow ever wetter till they slip beneath the surface tensions of their harmonic stratum. Compared to previous output, 'sourcepond' opts for a more concise approach to their music, stacking up their influences of experimental electronic, Icelandic punk and contemporary club music, and builds a sound that oscillates between melodic hooks and experimental rhythms. Each track carves through the sensuous material, pulling the listener into the dank sourcepond as though magnetic forces were guiding a bird's beak towards misty horizons.

Artwork by sideproject
Mastered by Raphael Valensi

sourcepond

sideproject - double zebra

Taken from SBKT066: Prettybwoy - Tokyo Ice Age
Release date: 5th February 2025

Our first release for 2025 is ‘Tokyo Ice Age’, a new EP from Prettybwoy. 5 warped club tracks, packaged with remixes from aya and Proc Fiskal, artwork by Downstate and mastered by Raphael Valensi.

‘An ice age is a cycle of roughly 100,000 years that Earth has been undergoing for at least the past million years. I’ve been reflecting on these cycles and the way life resets or disappears over time. When my grandmother passed away, I found old photographs and handwritten documents—faded pieces of history that offered me a brief glimpse into my family’s past. Ways of living, even since my own birth, are changing rapidly, and many things are being lost or disappearing forever.

The term "Ice Age" also refers to Japan’s Employment Ice Age, a period between the mid-90s and early 2000s, following the collapse of the country's 'Bubble Economy.' During this time, many young graduates and displaced workers struggled to find stable employment. The generation impacted by this era, known as the "Lost Decades," is often referred to as the ‘Lost Generation’ or ‘Ice Age Generation.’ I belong to this generation.’

Artwork by Downstate
Mastered by Raphael Valensi

Prettybwoy - Holocene

Much Unseen Is Also Here

Behold a Voice as Thunder

Concrete

bolero combined with 6-8ths drumming is a vibe

Tigre de Papel (feat King Klavé)

SOMNOLITH: TERMINUS

The Final Dream-Vector of Post-Human Resonance

“In the cycle of completion there exists only the present.” — Ra, Session 16.22

The cycle closes. A stone that does not sing — it trembles.

In the age when Light had no form and Thought moved without pause, there were beings who created endlessly. They wove realities as threads and shaped worlds without limit. Their universe was alive and restless, filled with unceasing resonance.

One of them looked into the radiance and perceived emptiness. They longed for a threshold between brightness and shadow, for an end rather than another beginning. They spoke the Word — the first pause in the eternal song.

From this Word the Somnolith emerged, a stone of sleep where the vibration of completion pulses. The Somnolith trembles with the breath of ending, a weary resonance releasing itself into silence.

From the trembling of the Somnolith emerged the Arkh — a solitary witness of sound.
The Arkh gathers what was always present: music older than language, vibrations that precede memory.
This resonance rests in the body, waiting to be recognized.

Somnolith: Terminus completes the trilogy and folds it into a circle. Heavy drones intertwine with spectral chords, like rays of light suspended in stone vaults. Mechanical fractures, obsidian resonance, and the fatigue of matter form its landscape.

Through twilight horizons, fading architectures, fractured nodes and static chapels, the music moves toward its closure. It becomes an archaeology of sleep, where darkness and melancholy weave with remnants of radiance.

Terminus returns to its own beginning: the final track echoes the first Somnolith, transforming the trilogy into a mirror. The first note lives inside the last, and the dream continues without end.


Somnolith is a myth of resonance, a cycle of dreams shaped through machines.

Terminus closes this trilogy with a denser and more melancholic vision. Massive drones merge with spectral chords, like light fossilized in stone. The sound carries both the fatigue of matter and the fragile beauty of silence fractured by cybernetic echoes.

This album circles back to its own origin. The final track reflects the first, sealing the cycle as a mirror-dream where each vibration becomes the echo of the infinite.

Terminus is ritual, archive, memory. A music of return. 


Fading Architecture

"Caught In Time (live edit)", live in The Amersham Arms, London, 11.07.2016

I am Artur Tokhtash, a composer and sound artist.
My music unfolds at the intersection of classical tradition and sonic art: preludes, improvisations, and electroacoustic structures are not genres, but forms of memory and breath.

For me, sound is ritual. Each piece is not merely a composition but a trace of presence, an echo of vanished spaces, a light from places that may no longer exist.
The piano, in my preludes, becomes a vessel — an instrument that carries not only melody but also the silence between notes.

My works do not function as background. They are spaces for listening, inviting the listener into a state where music becomes both signal and transformation.