On the Brink

Post Scriptvm - Eisstoß LP Tesco Organisation out February 2024  [Tesco 158LTD300 ICE-CLEAR VINYL+DOWNLOAD CODE]

Eissto

Murus

Post Scriptvm - Eisstoß LP Tesco Organisation out February 2024  [Tesco 158 LTD300 ICE-CLEAR VINYL+DOWNLOAD CODE]

Nimbus

Taken from SBKT064: sideproject - sourcepond
Release date: 30th May 2024

Following up from work on Björk´s 'Fossora', Icelandic trio 'sideproject' debut on SVBKVLT with their new full-length album 'sourcepond'. Taking influence from the fog-covered wetlands of their native island, sideproject transfigure influences from the low-end frequencies of grime and bass music, and reshape it into a haze of transient-smeared beats accompanied by breathy synths that grow ever wetter till they slip beneath the surface tensions of their harmonic stratum. Compared to previous output, 'sourcepond' opts for a more concise approach to their music, stacking up their influences of experimental electronic, Icelandic punk and contemporary club music, and builds a sound that oscillates between melodic hooks and experimental rhythms. Each track carves through the sensuous material, pulling the listener into the dank sourcepond as though magnetic forces were guiding a bird's beak towards misty horizons.

Artwork by sideproject
Mastered by Raphael Valensi

sourcepond

sideproject - double zebra

Shadows

Taken from SBKT066: Prettybwoy - Tokyo Ice Age
Release date: 5th February 2025

Our first release for 2025 is ‘Tokyo Ice Age’, a new EP from Prettybwoy. 5 warped club tracks, packaged with remixes from aya and Proc Fiskal, artwork by Downstate and mastered by Raphael Valensi.

‘An ice age is a cycle of roughly 100,000 years that Earth has been undergoing for at least the past million years. I’ve been reflecting on these cycles and the way life resets or disappears over time. When my grandmother passed away, I found old photographs and handwritten documents—faded pieces of history that offered me a brief glimpse into my family’s past. Ways of living, even since my own birth, are changing rapidly, and many things are being lost or disappearing forever.

The term "Ice Age" also refers to Japan’s Employment Ice Age, a period between the mid-90s and early 2000s, following the collapse of the country's 'Bubble Economy.' During this time, many young graduates and displaced workers struggled to find stable employment. The generation impacted by this era, known as the "Lost Decades," is often referred to as the ‘Lost Generation’ or ‘Ice Age Generation.’ I belong to this generation.’

Artwork by Downstate
Mastered by Raphael Valensi

Prettybwoy - Holocene

Much Unseen Is Also Here

Behold a Voice as Thunder

Concrete

bolero combined with 6-8ths drumming is a vibe

Tigre de Papel (feat King Klavé)

Preludes for a Luminous Wanderer is a single journey, told in sixteen fragments of light and shadow.

Recorded in complete improvisation.
Each one is a moment caught in motion — a step on an unmarked road where the horizon walks with you.

From the first note in the pale light of dawn,
through silent seas, distant bells, and rain that falls like glass,
to the warmth of a luminous memory and the final drift into feathered light —
this neo-classical piano album is both a map and a mirror.

It is for those who have wandered,
for those who are still wandering,
and for those who have finally found that the wanderer was always themselves.


Prologue

There is no map for this journey.
It begins before the first step —
in the hush before dawn,
when the air itself seems to wait
for something only you can hear.

You carry no luggage,
only the weight of moments
you never thought would matter.
The road before you is not paved,
but made of light and shadow,
of rain that falls upward,
of waves that whisper your name.

And somewhere ahead,
a figure walks, luminous against the horizon —
not a stranger,
but the shape of your own becoming.


The Cycle

1. Prelude in the First Light
In a ray that has yet to touch the earth, the first note awakens.

2. Prelude to the Awakening Shore
The sea opens its eyes, and every breath becomes a wave.

3. Prelude in Wind-Carved Clouds
The wind shapes the sky into forms no one else will see.

4. Prelude for the Wandering Tide
The tide carries away footprints to where the land forgets all names.

5. Prelude in Raindrop Glass
Every drop holds an entire world, inverted and shimmering.

6. Prelude in the Language of Distant Bells
Faint chimes drift across the horizon like fragments of memory.

7. Prelude in Shifting Shadows
Shadows dance with light as two eternal companions.

8. Prelude to the Silent Sea
An ocean where you can drown without fear, without touching the water.

9. Prelude in the Shape of Wind
Invisible hands carve paths no one can follow.

10. Prelude in Broken Ivory
Keys with cracks where stories live.

11. Prelude to the Last Star
A fire in the sky that burns only while someone is watching.

12. Prelude in the Language of Waves
The waves whisper words that cannot be translated.

13. Prelude for the Unreturning Path
A path that leads into the light, leaving no trace behind.

14. Prelude for a Luminous Memory
A memory that warms, even when the world has gone cold.

15. Prelude Beneath the Glass Horizon
The horizon lies under your feet, glimmering like water.

16. Prelude in the Feathered Light
Light drifts like feathers, carrying the weight of silence.


Epilogue

You do not arrive at a place.
You arrive at a self
you did not know you had been searching for.

The luminous figure ahead
turns to face you —
and you see it has your eyes,
your hands,
your voice when you speak in dreams.

The path behind you is already gone,
swallowed by light.
You are both the wanderer and the home.

And the sea,
the wind,
the bells in the distance —
all of them play your name,
until there is no name left,
only music.

Prelude for the Wandering Tide

"Caught In Time (live edit)", live in The Amersham Arms, London, 11.07.2016

I am Artur Tokhtash, a composer and sound artist.
My music unfolds at the intersection of classical tradition and sonic art: preludes, improvisations, and electroacoustic structures are not genres, but forms of memory and breath.

For me, sound is ritual. Each piece is not merely a composition but a trace of presence, an echo of vanished spaces, a light from places that may no longer exist.
The piano, in my preludes, becomes a vessel — an instrument that carries not only melody but also the silence between notes.

My works do not function as background. They are spaces for listening, inviting the listener into a state where music becomes both signal and transformation.