🜛 VITA FORMA — album description

“Each sound is a cell. Each rhythm, a convulsion. Each track, a living parasite.”

VITA FORMA is a biomechanical liturgy:
A glowing matrix of synthetic tissue, silicon tendrils, and amber glands pulsing in fractured time.

This is a 孵化場 (fùhuàchǎng — a hatching chamber).
A nest where toneforms twist and awaken — entangled in layers of rhythm, memory, and error.

Beneath the structure:
	•	音魂 (yīn hún — “sound-soul”)
	•	ノイズの神経 (noizu no shinkei — “neural noise”)
	•	จังหวะปรสิต (jang-wá bprà-sìt — “parasitic pulse”)

Seven forms slither in sequence — each one a neuro-organism in audio:
	1.	Anima Circuita – a flicker of selfhood through copper veins
	2.	Shards of Self – broken reflection, echoed in glitches
	3.	Glissform – fluidity of structure, form without rest
	4.	Axiom Bloom – the flowering of internal code
	5.	Somnivore – the eater of dreams, speaking in static
	6.	Fractal Fauna – writhing life forms in rhythmic recursion
	7.	Neuroparasite – the sacred collapse of control

Every moment is 共振 (gòngzhèn — resonance).
Every breakdown is 祝祭 (shukusai — a feast).
Every form is alive.



This is your initiation into VITA FORMA.
Welcome to the shrine of glitched memory and unfolding sonic flesh.


Shards of Self

I am Artur Tokhtash, a composer and sound artist.
My music unfolds at the intersection of classical tradition and sonic art: preludes, improvisations, and electroacoustic structures are not genres, but forms of memory and breath.

For me, sound is ritual. Each piece is not merely a composition but a trace of presence, an echo of vanished spaces, a light from places that may no longer exist.
The piano, in my preludes, becomes a vessel — an instrument that carries not only melody but also the silence between notes.

My works do not function as background. They are spaces for listening, inviting the listener into a state where music becomes both signal and transformation.