On the Brink

Post Scriptvm - Eisstoß LP Tesco Organisation out February 2024  [Tesco 158LTD300 ICE-CLEAR VINYL+DOWNLOAD CODE]

Eissto

Murus

Post Scriptvm - Eisstoß LP Tesco Organisation out February 2024  [Tesco 158 LTD300 ICE-CLEAR VINYL+DOWNLOAD CODE]

Nimbus

Taken from SBKT064: sideproject - sourcepond
Release date: 30th May 2024

Following up from work on Björk´s 'Fossora', Icelandic trio 'sideproject' debut on SVBKVLT with their new full-length album 'sourcepond'. Taking influence from the fog-covered wetlands of their native island, sideproject transfigure influences from the low-end frequencies of grime and bass music, and reshape it into a haze of transient-smeared beats accompanied by breathy synths that grow ever wetter till they slip beneath the surface tensions of their harmonic stratum. Compared to previous output, 'sourcepond' opts for a more concise approach to their music, stacking up their influences of experimental electronic, Icelandic punk and contemporary club music, and builds a sound that oscillates between melodic hooks and experimental rhythms. Each track carves through the sensuous material, pulling the listener into the dank sourcepond as though magnetic forces were guiding a bird's beak towards misty horizons.

Artwork by sideproject
Mastered by Raphael Valensi

sourcepond

sideproject - double zebra

Shadows

Taken from SBKT066: Prettybwoy - Tokyo Ice Age
Release date: 5th February 2025

Our first release for 2025 is ‘Tokyo Ice Age’, a new EP from Prettybwoy. 5 warped club tracks, packaged with remixes from aya and Proc Fiskal, artwork by Downstate and mastered by Raphael Valensi.

‘An ice age is a cycle of roughly 100,000 years that Earth has been undergoing for at least the past million years. I’ve been reflecting on these cycles and the way life resets or disappears over time. When my grandmother passed away, I found old photographs and handwritten documents—faded pieces of history that offered me a brief glimpse into my family’s past. Ways of living, even since my own birth, are changing rapidly, and many things are being lost or disappearing forever.

The term "Ice Age" also refers to Japan’s Employment Ice Age, a period between the mid-90s and early 2000s, following the collapse of the country's 'Bubble Economy.' During this time, many young graduates and displaced workers struggled to find stable employment. The generation impacted by this era, known as the "Lost Decades," is often referred to as the ‘Lost Generation’ or ‘Ice Age Generation.’ I belong to this generation.’

Artwork by Downstate
Mastered by Raphael Valensi

Prettybwoy - Holocene

Much Unseen Is Also Here

Behold a Voice as Thunder

Concrete

“Where reflection becomes fracture.”

This is not a mirror you look into.
This is a mirror that looks through you.

The Red Mirror begins with silence that feels too loaded —
a stillness that presses, like a held breath before breaking glass.
Then: textures arrive. Shards. Fragments.
Not melodies — reflections of melodies,
disfigured by latency, reversed tails, delayed pulses that ripple inward.

Imagine a beat trying to find itself,
looping around its own reflection
until it tears.

High tones flicker like blood in glass —
gleaming, artificial, almost sacred.
But they distort on contact with bass that creeps from below:
a low-end presence like a grin forming in shadow.

There’s something theatrical in this piece —
as if a forgotten ritual is re-performing itself
inside an abandoned theater of velvet and wires.

You are not safe inside the Red Mirror.
But you are not yourself outside of it.


The Red Mirror

bolero combined with 6-8ths drumming is a vibe

Tigre de Papel (feat King Klavé)

"Caught In Time (live edit)", live in The Amersham Arms, London, 11.07.2016

Composer, audio director, and architect of ritual sonic systems.
Designer of fully adaptive sound environments that respond to battle, emotion, and movement.

A core voice in the emerging school of esoteric soundcraft —
fusing jaw harp, throat singing, and modular synthesis into a living channel of transmission.
Tokhtash acts not as a performer, but as a medium for something ancient.

His music resonates across games, trailers, video installations, and open landscapes —
where even birds have paused to listen.

Releases include: Mene Tekel Upharsin, Chrysolux EP, The Wheel Remains, Voces Exilii, EXUVIA, Signal from Isidis, and others.
Each one a ritual, a mutation, a sonic exorcism.

For listeners of: Planet Supreme, Hainbach, Lustmord, Steve Bicknell, Luke Sanger.

Works with SOMA, Teenage Engineering, Elektron, and handmade audio relics as alchemical tools.

You don’t hear him with your ears — you hear him with your scars.

「音は記憶であり、音は儀式である。
世界が崩壊してもなお響き続ける火種。
アトゥール・トフタシュ（Artur Tokhtash）の音の世界へようこそ。」

🎧 阿图尔·托赫塔什（Artur Tokhtash）

作曲家与音频艺术家，致力于构建自适应仪式性音频系统，
将口弦琴、喉音唱法与模块合成器融合为活态的声音通道。

他的音乐跨越预告片、游戏、视频艺术与自然空间，
甚至让鸟儿停下脚步聆听。

代表作包括：《Mene Tekel Upharsin》《Chrysolux EP》《The Wheel Remains》《Voces Exilii》《EXUVIA》《Signal from Isidis》。

每一部作品都是一场仪式、一场变异、一场声音的驱魔。

Spotify算法推荐给Planet Supreme、Hainbach、Lustmord、Steve Bicknell、Luke Sanger的听众。
首要城市：新加坡。
与SOMA、Teenage Engineering、Elektron及手工音频遗器合作，作为炼金工具使用。

你不是用耳朵聆听他，而是用伤痕感受他。

🎧 อาร์ตูร์ โทคห์ทัช (Artur Tokhtash)

นักประพันธ์ นักออกแบบเสียง และผู้สร้างระบบเสียงเชิงพิธีกรรมที่ตอบสนองต่อการเคลื่อนไหวและสภาวะภายในได้อย่างเป็นพลวัต

เขาไม่ได้เพียงแต่งเสียง — เขาทำหน้าที่เป็นสื่อกลาง
ถ่ายทอดสัญญาณโบราณผ่านปี่ชวา การร้องคอหอย และซินธ์เสียงสนาม

ผลงานของเขาได้ก้องกังวานผ่านตัวอย่างเกม วิดีโออาร์ต และท่ามกลางธรรมชาติ —
แม้แต่นกก็หยุดบินเพื่อฟัง

ผลงานเด่น: Mene Tekel Upharsin, Chrysolux EP, The Wheel Remains, Voces Exilii, EXUVIA, Signal from Isidis

ทุกแทร็กคือการข้ามผ่านพิธีกรรม การกลายพันธุ์ภายใน และการขับไล่ด้วยเสียง

แนะนำโดยอัลกอริธึม Spotify แก่ผู้ฟังของ Planet Supreme, Hainbach, Lustmord, Steve Bicknell, Luke Sanger
เมืองอันดับหนึ่ง: สิงคโปร์
ทำงานร่วมกับ SOMA, Teenage Engineering, Elektron และเครื่องเสียงแบบทำมือเพื่อการเล่นแร่แปรธาตุ

คุณไม่ได้ยินเขาด้วยหู — คุณได้ยินเขาด้วยบาดแผล

The Red Mirror

Artur Tokhtash

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