How to Play Swing-Style Modular Synthesizer

Runcible Spoon Fight came together at the insistence of Thomas Pynchon's literary agent, who encouraged them to form, thus ensuring a rich supply of a sudden chorus of whoops and yibbles for your event, whether it be a bar mitzvah, battleship launch, or ritual suicide via V2 rocket. The duo is currently exploring more structured forms of improvisation and the re-use of found sounds, but on their own terms...meaning, presumably, something different from the norm. In fact, expect beaten-metal clouds of mercury syringe-drops, squeezed into popcycles of sub-prime numbers only, with peanut-prawn curry icing.

improv.. blah blah.. sax... blah blah... creative genius... blah blah... need more gigs... blah blah...
Solid, savage blurt" - Bull Tongue
"Dave Jackson free-squeeks the alto sax into Yoko Ono’s attic.... - Julian Cope
"blows the skin off your very face" - Norman Records
"Jackson’s playing is constantly pushing at edges of what’s possible, both in terms of the straining, grating sound and in the physical effort required to play it" - Paul Margree
"a sonic mouthful of free-jizz squirting horngasmic delight" - Feral Debris
"eyeball-melting saxophonic skree" - Time Lag Records
"Like an air raid siren going off inside a space helmet" - Manchester Music

improviser - composer - sound artist

he does solo projects, collaborations and participates in international online improv sessions. his main instruments are piano, guitar and electronics.

inquiries for new collaborations are welcome.

you can contact him at contact@stefanstrassermusician.de

salut, I'm an old metal guitar player, send me your love letters
kaniatieffer [at] yahoo.com

How to Play Swing-Style Modular Synthesizer

Tom Djll