I am honored to showcase these very talented artist via my playlist.  If you are on the list REPOST!   I listen to tons of music and would like to believe that all of the songs included would require NO skips!

Oldblaccro's Top 100 Likes - Please LIKE and REPOST if you are on the list!

Tom Harris Originals

Ladat’s Support Oct’24 vol.2

Winter 2025

Repost V1

Good stuff from Re-Ex feb-25 #2

Experience the vibrant diversity of SoundCloud with my 'Best of' picks. From fresh electronic beats to raw indie vibes and everything in between, these are the tracks that define the platform's creative spirit. Featuring various artists I've found, plus some of my own tunes hosted right here. #SoundCloud #BestMusic #GenreFluid #FreshSounds #IndependentMusic"

Best Of Soundcloud

Jazzy Piano

Original composition….Alejandro Gonzalez M.

Lúgubre

Grasshopper

16 Year old posts some fun videos but gets stalked

Sweet Sixteen - Tom Harris - Original

Verse 1 
Seventeen and full of dreams, a skateboard in his hand
He'd ride the streets, the wind in his hair, never thought he'd land
On a bicycle or in a crowd, with friends he felt alive
But fate had plans he couldn't see, a path he couldn't drive

[Chorus ] 
Mmm, why'd you have to go?
Leaving us with memories
Your laughter echoes in the night
In our hearts, you'll always be
God called you home, it's hard to see
The reasons why, but we'll believe
In every tear, in every smile
You're with us for a while

[Verse 2]
He came home late, said goodnight, a kiss for his dear mom
The night was still, the house was quiet, unaware of dawn
The morning broke, a mother's scream, her heart now torn in two
No drugs, no booze, just God's own time, his life was overdue

[Chorus ] 
Mmm, why'd you have to go?
Leaving us with memories
Your laughter echoes in the night
In our hearts, you'll always be
God called you home, it's hard to see
The reasons why, but we'll believe
In every tear, in every smile
You're with us for a while

[Bridge] 
His father, lost and filled with guilt, tried to make it right
Haunted by what could have been, he faced the endless night
And his mother, strong and brave, began to heal the pain
By helping others find their way, through grief and through the rain

[Chorus ]
Mmm, why'd you have to go?
Leaving us with memories
Your laughter echoes in the night
In our hearts, you'll always be
God called you home, it's hard to see
The reasons why, but we'll believe
In every tear, in every smile
You're with us for a while

Why'd You Have To Go

In the serene environment of the Relaxation Laboratory, I explore the intricate relationship between sound and the human psyche. My relaxing piano music is the result of extensive research and creative expertise, aimed at harnessing the power of music to soothe the mind and uplift the spirit. Each composition is carefully designed to ease tension, reduce stress, and promote a sense of inner peace.

Spotify: https://open.spotify.com/album/6B5DeAkskCyyXF5QFklw0z
Apple Music: https://music.apple.com/us/album/relaxing-piano-vol-5-ep/1740429324
Youtube Music: https://music.youtube.com/playlist?list=OLAK5uy_ns9SdcdVIQ2d8MRq-MxIeoQ6Z7g7KuhTY
Amazon Music: https://music.amazon.com/albums/B0D19Q86HN

Drawing on the latest findings in music therapy and neuroscience, my piano pieces are composed to align with the natural rhythms of the body and mind. The gentle harmonies and flowing melodies work synergistically to create a tranquil soundscape that encourages deep relaxation and emotional balance. This music is more than just a pleasant auditory experience; it is a scientifically informed tool for enhancing your well-being.

Whether you are winding down after a long day, engaging in meditation, or seeking a moment of quiet reflection, my relaxing piano music provides the perfect backdrop for your journey towards tranquility. The soothing tones are crafted to help you disconnect from the stresses of daily life and reconnect with your inner calm.

At the Relaxation Laboratory, I am committed to helping you achieve a state of profound relaxation. My relaxing piano music is a testament to the healing power of sound, offering a sanctuary for your mind and spirit. Allow my carefully curated compositions to guide you to a place of serenity, where stress fades away and peace prevails.

Thank you for trusting the Relaxation Laboratory to be a part of your path to well-being. I am honored to provide you with the tools to find relief from stress and embrace a harmonious, relaxed state of mind.

Piano Dreamscape

Bacon the Yellow cat

Verse 1
Dad had a way with words, no one else could understand
He'd say things like "Frazum," with a grin and wave his hand
We'd sit around the dinner table, friends confused but we'd just laugh
'Cause we all knew Dad's secret code, our little family craft

Chorus
Frazum, Frazum, what does it mean?
Something in between a joke and a dream
Dad’s wild imagination always running free
Now we’re speaking Frazum, like it's family history

Verse 2
Seven kids all picked it up, it spread just like a flame
We’d use it in our own way, and it never felt the same
Friends would scratch their heads, wondering what we’d said
But to us, "Frazum" made perfect sense, it lived inside our heads

Chorus
Frazum, Frazum, what does it mean?
Something in between a joke and a dream
Dad’s wild imagination always running free
Now we’re speaking Frazum, like it's family history

Bridge
It wasn’t just "Frazum," there was "Blopnik," "Scrapadoo"
Dad had a hundred made-up words, a language that we knew
It wasn’t what he said, it’s how he made us feel
That laughter, love, and nonsense is what makes life real

Chorus
Frazum, Frazum, what does it mean?
Something in between a joke and a dream
Dad’s wild imagination always running free
Now we’re speaking Frazum, like it's family history

Outro
So here’s to Dad, and all the words we can’t define
They’re more than just sounds, they’re moments frozen in time
Frazum, Frazum, forever it will be
A part of us, a legacy, our family’s melody

Frazum - The Dad Song

Enunciate (The Mom Song)
(Verse 1)   
She raised seven hearts with calm, steady grace,  
But every now and then, we’d see that stern face.  
She worked with lost girls, guided them through,  
But at home, she'd snap when we got out of view.  

Dad was gone, always chasing the road,  
She carried the weight without letting it show.  
No fuss, no tears, just a quiet command,  
But when she yelled, we knew she’d had enough of our plans.  

(Chorus)   
Our mother, composed through the noise and the strife,  
But once in a while, she’d remind us with might.  
With a shout from the hall or a sharp look from her eye,  
She’d tell us to enunciate, to stop slurring our replies.  
It’s “hunting,” not “huntin',” “yes,” not “ya,”  
Her strength was unspoken, but her shout hit hard, by far.  

(Verse 2)   
Parties downstairs while she rested above,  
Sometimes oblivious, but sometimes she’d shove  
The door open wide with a voice loud and clear,  
“Quiet down!” she’d yell, “I can hear you from here!”  

She loved her Grandfather clock’s steady chime,  
And the baby grand piano that stood still most times.  
But when it was played, each note was precise,  
And her yells, though rare, would keep us in line.  

(Chorus)   
Our mother, composed through the noise and the strife,  
But once in a while, she’d remind us with might.  
With a shout from the hall or a sharp look from her eye,  
She’d tell us to enunciate, to stop slurring our replies.  
It’s “hunting,” not “huntin',” “yes,” not “ya,”  
Her strength was unspoken, but her shout hit hard, by far.  

(Bridge)   
Through every trial, she stood like a stone,  
But she wasn’t afraid to raise her tone.  
She may not have known the half of what we’d do,  
But her sharp words were there when she needed them to.  
Her Grandfather clock kept the beat of our days,  
And her Steinway grand filled the house in rare praise.  
Her wisdom was there in both calm and in shout,  
A guiding light, a force that we couldn’t doubt.  

(Chorus)   
Our mother, composed through the noise and the strife,  
But once in a while, she’d remind us with might.  
With a shout from the hall or a sharp look from her eye,  
She’d tell us to enunciate, to stop slurring our replies.  
It’s “hunting,” not “huntin',” “yes,” not “ya,”  
Her strength was unspoken, but her shout hit hard, by far.  

(Outro)   
So we speak clear, stand tall, and walk on our way,  
Carrying the lessons she gave us each day.

Enunciate (The Mom Song)

This is my latest pop song with male AI vocals. Lyrics are taken from a poem by William Shakespeare. Listen with headphones...

Out now on all streaming platforms and distribution sites.

https://open.spotify.com/track/49YgDOnXjzHD4Id0OGWDqQ?si=noxqCHu2SRCjIiNd6ybIsw

"William Shakespeare -  "To me, fair friend..." (sonnet 104)

To me, fair friend, you never can be old,
For as you were when first your eye I eyed,
Such seems your beauty still. Three winters cold
Have from the forests shook three summers’ pride,
Three beauteous springs to yellow autumn turned
In process of the seasons have I seen,
Three April perfumes in three hot Junes burned,
Since first I saw you fresh, which yet are green.
Ah, yet doth beauty, like a dial-hand,
Steal from his figure, and no pace perceived;
So your sweet hue, which methinks still doth stand,
Hath motion, and mine eye may be deceived:
For fear of which, hear this, thou age unbred:
Ere you were born was beauty’s summer dead."

If you enjoy what you hear hit the like and repost button.

Follow me on Soundcloud and Facebook.

@constellation-lyra

www.facebook.com/pages/Constellat…/377825935649048

Constellation Lyra - To Me, Fair Friend [out now on Spotify]

Vocals, Keyboards, Drum Programming - Will Montgomery
Guitar, Bass, Bkg Vocals - Spencer Broschard
Bkg Vocals - Julie Lavery

Written & Produced by Will Montgomery

Out of Step

Kinbok

This album is ‘Last Dance’ and my final album of my musical journey and consists of specially selected love ballads that takes you on a nostalgic journey through the years from 1968 to 2024. 

From 2016 to 2025, I have recorded and produced 1,117 songs comprising 51 Albums. It is time to undertake a new journey in my life that will further my growth into other realms. I thank all my fans and supporters who have helped me achieve this amazing milestone and ‘my music’ is a gift to humanity.

‘Those Were the Days’ is a song composed by ‘Boris Fomin’. Welsh singer ‘Mary Hopkin’ covered ‘Those Were the Days’ as her debut single in 1968. 

‘Push the Button’ is a song recorded by English girl group the ‘Sugababes’ for their fourth studio album ‘Taller in More Ways’ (2005).

‘Everywhere’ is a song by British American rock band ‘Fleetwood Mac’ from their 14th studio album, ‘Tango in the Night’ (1987). 

‘Ugly Heart’ is the second single by American British Canadian girl group ‘G.R.L.’ from their self-titled EP. The song was released on Sept 5, 2014.

‘Make It with You’ is a song written by ‘David Gates’ and originally recorded by American pop-rock group ‘Bread’ and was the first single from their Album ‘On the Waters’ and was released in Aug 1970.

‘Some Broken Hearts Never Mend’ is a song written by ‘Wayland Holyfield’ and recorded by American country music artist ‘Don Williams’. It was released in January 1977 as the first single from the album ‘Visions’.

‘Redneck Girl’ is a song written by ‘David Bellamy’ and recorded by American country music duo ‘The Bellamy Brothers’. It was released in September 1982 as the first single from the album ‘Strong Weakness’. 

‘Beautiful Things’ is a song by American singer and songwriter ‘Benson Boone’. It was released on January 19, 2024, as the lead single of his debut studio album, ‘Fireworks & Rollerblades’.

‘Love Yourself’ is a song recorded by Canadian singer ‘Justin Bieber’ for his fourth studio album ‘Purpose’ (2015). 

‘Calm Down’ is a song by Nigerian singer ‘Rema’, from his debut studio album ‘Rave & Roses’ (2022).  A remix of ‘Calm Down’ with American singer ‘Selena Gomez’ was released on 25 August 2022.

‘Lay Back in the Arms of Someone’ is a song co-written by ‘Nicky Chinn’ and ‘Mike Chapman’, performed by the English band ‘Smokie’ and released in 1977.

‘50 Ways to Say Goodbye’ is a song by American pop rock band ‘Train’. It is the second single from their sixth studio album, ‘California 37’. It was released in the on June 11, 2012.

‘Sara’ is a song written by singer-songwriter ‘Stevie Nicks’ of the British American band ‘Fleetwood Mac’, which was released as a single from the 1979 ‘Tusk’.

‘Yellow’ is a song by the British rock band ‘Coldplay’, who wrote the song and co-produced it with British record producer Ken Nelson for their debut album, ‘Parachutes’ (2000). 

‘Baby Can I Hold You’ is the third single released by American contemporary folk artist ‘Tracy Chapman’, released in October 1988. 

‘Little Lies’ is a song by British American rock band Fleetwood Mac from their 14th studio album, ‘Tango in the Night’ (1987). 

‘How Can I Tell Her’ Is a song by American singer-songwriter ‘Lobo’, from his third studio album ‘Calumet’ (1973).

‘Aubrey’ is a song written and composed by American singer-songwriter ‘David Gates’ and originally recorded by the soft rock group Bread and appeared on Bread's 1972 album ‘Guitar Man’. 

‘Lost in Love’ is a song recorded by the British Australian soft rock duo Air Supply from their ‘Life Support’ (1979) album. The song was written by group member ‘Graham Russell’. 

‘Last Dance’ is a song by American singer ‘Donna Summer’ from the soundtrack album to the 1978 film ‘Thank God It's Friday’.

 ‘Every chord I strike is a call to the heart’s deepest desires, a reminder that in the rhythm of life, we find the courage to dance through the darkness and into the light.’

Enjoy!!!

Redneck Girl (O'Neill Fernandes)

Top Of The World

Why The Caged Bird Sings

🦉Blane Bent - Why The Caged Bird Sings💍

One Track, Multiple Souls: The Art of Versions Returns
In 1970s Jamaica, a revolution began. One riddim, countless voices.

Today we re-rerecorded our Smalts song 'To and the Meaure' from poet Robert Creeley, reimagined through the voice of our female guest singer B, telling its own version story.

B and the Measure is the first single in the Smalts Queen B Series.

B and the Measure

[Verse 1]
Edison lit up the night, Einstein bent space and time,
Fleming found a way to heal, Crick and Watson cracked the line.
Salk’s vaccine saved the world, Hubble saw the stars expand,
Curie’s hands held fire and gold, dreams were drawn into the sand.

[Pre-Chorus]
But what if there’s more waiting to be found?
A secret hiding deep underground?
Maybe the answer’s in the air we breathe,
And maybe that answer comes from me…

[Chorus]
Why not me? Why not now?
A spark of light, I’ll figure it out.
Maybe I’ll find the endless stream,
Or cure the pain inside a dream.
The world keeps turning, time won’t wait,
History’s calling, I won’t hesitate—
Why not me?
Oh, why not me?

[Verse 2]
Tesla dreamed of power free, flight was born from sand and sea,
The moon was just a distant light, 'til Armstrong took that giant leap.
The double helix held the key, the microchip rewrote our fate,
But somewhere there’s a lock unseen, and I was born to turn the gate.

[Pre-Chorus]
What if there’s a cure just beyond our reach?
A melody the universe wants to teach?
If Newton saw the apple fall,
Then maybe I can hear the call…

[Chorus]
Why not me? Why not now?
A spark of light, I’ll figure it out.
Maybe I’ll find the endless stream,
Or cure the pain inside a dream.
The world keeps turning, time won’t wait,
History’s calling, I won’t hesitate—
Why not me?
Oh, why not me?


[Outro]
Somewhere in the great unknown,
A light is waiting to be shown.

Why not me?
Oh, why not me?

Why Not Me?

Mother would watch as I'd dive for the money they'd throw.
Down below.
Down so low.

From in the blue water, the people above move so slow.
They don't know.
What I know.

Give me a reason to stay.
Guess it's true that we all run away.
Though I can't see the future, I'm sure.
That I can never know what's in store.

Some coins for the coven, there's buns in the oven.
To pay.
We will see.
What will be.

Son, fetch me your Shoeshine, this town it is all mine. 
What's more.
I'm the law.
Above the law.

You fantasy swinger, you phoney gunslinger, who deals?
Out the deals.
Ride the wheels.

A priest or a bandit, a boxer or prophet, your breath.
Your last breath.
On to death.

Lord, give me a reason to stay.
There are times when we all run away.
Though I know there's no future, I'm sure.
That you can never know what's in store.

Oh mother, oh mother, the life they have taken from me.
I am free.
I'm the sea.

Oh, father, my father, now why hast thou forsaken me?
You can't see.
What I see.

Lord, give me a reason to stay.
Guess it's true that we all run away.
Though I can't see the future, I'm sure.
That I can never know what's in store.

Shoeshine

DOWNLOAD HERE 
https://hypeddit.com/hcpurpl/purplbabyproducedbyhcfreedownload

Check out purpl's Spotify 
https://open.spotify.com/artist/0qLq938YLoXapahHpnzVSO?si=XSntU_daTtyWo-qKolt06Q

FREE DOWNLOAD

Purpl - Baby - Produced By H.C. - FREE DOWNLOAD

This is the FIRST TIME that I ever made a REVAMP version of one of my songs. The first time I allowed the guys to scream "BITCH, that's my EGO". Now it's the LADIES turn and they're not crying VICTIM. I enjoyed HEARING the lyrics from a FEMALE standpoint because it's a WHOLE different meaning NOW. #THATMYEGOGIRLVERSION!

THAT'S MY EGO (GIRL VERSION) | #REVELATIONMIXTAPE

holiest darkness

"Hinter uns das Land" / "Behind Us The Land" - Music from Book 5: (Part 1) A New Beginning

Book 5 of "Hinter uns das Land" / "Behind Us The Land" opens a new chapter: The horrors of war lie behind the protagonists, but the scars run deep. This music collection accompanies the Feyerabend family in the post-war era, a time of rebuilding, hope, and slow healing.

The music of Book 5 is an eclectic mix of styles and eras, reflecting the complexity of starting anew. German Schlager hits of the 1950s and nostalgic chansons evoke memories of the past and a rediscovered joy of life. Acoustic sounds, folk, and jazz symbolize the search for security and a new normal. Brit Pop, Swing, and Rock'n'Roll represent the dawn of a new era, while Indie Pop, Chamber Pop, and even a wedding march musically underscore the hope and the gradual blossoming of new dreams. But the shadows of the past are still present, captured in melancholic ballads, a sad piano piece, psychedelic folk, spiritual hip-hop, and powerful post-rock. Even punk rock finds its place, expressing the regained freedom and zest for life.

This music is a sonic tapestry of the post-war era, a tribute to the will to survive, the importance of family, and the strength of the human spirit. It captures the ambivalence of this epoch: The burden of memory and the simultaneous spirit of optimism, the grief for what was lost and the hope for a new beginning.

Music: A musical journey through time from the 50s to the present day with elements of German Schlager, Chanson, Folk, Jazz, Brit Pop, Swing, Rock'n'Roll, Indie Pop, Chamber Pop, Post-Rock, Punk Rock, and more.

Discover the musical soul of "Hinter uns das Land" / "Behind Us The Land"!

Follow us for more music from "Hinter uns das Land"!

---

"Hinter uns das Land" - Musik zu Buch 5 (Part 1): Aufbruch in eine neue Zeit

Buch 5 von "Hinter uns das Land" schlägt ein neues Kapitel auf: Die Schrecken des Krieges liegen hinter den Protagonisten, doch die Narben sind tief. Diese Musiksammlung begleitet die Familie Feyerabend in der Nachkriegszeit, einer Zeit des Wiederaufbaus, der Hoffnung und des langsamen Heilens.

Die Musik zu Buch 5 ist eine eklektische Mischung aus Stilen und Epochen, die die Vielschichtigkeit des Neubeginns widerspiegelt. Schlager der 50er Jahre und nostalgische Chansons erinnern an die Vergangenheit und die wiedergefundene Lebensfreude. Akustische Klänge, Folk und Jazz symbolisieren die Suche nach Geborgenheit und einer neuen Normalität. Brit Pop, Swing, und Rock'n'Roll stehen für den Aufbruch in eine neue Zeit, während Indie Pop, Chamber Pop und sogar ein Hochzeitsmarsch die Hoffnung und das langsame Erblühen neuer Träume musikalisch untermalen. Aber auch die Schatten der Vergangenheit sind noch präsent, eingefangen in melancholischen Balladen, einem traurigen Klavierstück, psychedelischem Folk, spirituellem Hip-Hop, und kraftvollem Post-Rock. Sogar Punkrock findet seinen Platz, um die wiedergewonnene Freiheit und Lebensfreude auszudrücken.

Diese Musik ist ein Klanggemälde der Nachkriegszeit, eine Hommage an den Überlebenswillen, den familiären Zusammenhalt und die Kraft der menschlichen Seele. Sie fängt die Ambivalenz dieser Epoche ein: Die Last der Erinnerung und die gleichzeitige Aufbruchstimmung, die Trauer um das Verlorene und die Hoffnung auf einen Neuanfang.

Musik: Eine musikalische Zeitreise von den 50er Jahren bis in die Gegenwart mit Elementen von Schlager, Chanson, Folk, Jazz, Brit Pop, Swing, Rock'n'Roll, Indie Pop, Chamber Pop, Post-Rock, Punk Rock und mehr.

Entdecke die musikalische Seele von "Hinter uns das Land"!

Folge mir für mehr Musik zu "Hinter uns das Land"!

A Child Awaits (LANDR remastered)

LipiDan

From Afar (feat. S. Manchester)

prod. by blix

lyrics:
ja ich wollte nie gehn
doch du lässt mir keine wahl
du bist wie ein intervall
Immer wieder eine qual
Sie is lieber überall 
außer bei mir 
Tu mir doch ein gefallen 
Und lass mich bitte fallen 

In meinem zimmer
sing ich lieder über qualen
glaub ich bin addicted to pain
baby geh doch bitte raus aus meim brain

ja ich wollte nie gehn
doch du lässt mir keine wahl
du bist wie ein intervall
Immer wieder eine qual
Sie is lieber überall 
außer bei mir 
Tu mir doch ein gefallen 
Und lass mich bitte fallen 

FATAL

[Intro]
Oooooh ooooh
Oooooh ooooh

[Verse A]
Didn’t ask you to stay
But you still stayed on my mind
Didn’t say you were mine
I really just wanna treat you... like shit

[Verse B]
We don’t wanna talk
But you still wanna linger
Like smoke on my fingers
Like the night in my mirror

[Pre-Chorus]
You said we’re done
But I still hit rewind
Don’t know why
You still inside my mind

[Chorus]
You didn’t stay
And you didn’t leave me
You didn’t stay
But you are all I breathe

[Break]
Didn’t ask for this pain
Didn’t ask for my grief
Didn’t ask for your shit
But I got all of the above

[Chorus]
You didn’t stay
And you didn’t leave me
You didn’t stay
But you are all I breathe

[Outro]
Didn’t ask you to stay
But you still stayed,
on my mind
But you turned and,
kept walkin'
Kept talkin'
You were all I breathe
You were all I need
Keep walkin'
Keep talkin'

You Didn't Stay

Recorded at MARS Studio in the PNW. Produced and engineered by Ken Stringfellow of the Posies. 
Written By  R. Zeedyk, D. Zeedyk and K. Stringfellow
Vocal: Regina Zeedyk
Piano: Ken Stringfellow
Guitar: Dave Zeedyk

Dear Mylah

I'm Coming For You

Best of 125 Years is a one-of-a-kind musical journey through time — spanning from the early 1900s all the way to 2025. Each track captures the most defining sound of its decade, from ragtime and swing to doo-wop, rock, boy band pop, EDM, and hyperpop. This concept album reimagines 125 years of music evolution through AI-powered vocals and modern production, blending nostalgia with innovation.

Whether you're dancing through the roaring ‘20s, swaying to ‘50s harmonies, or vibing to the glitchy energy of the 2020s, this album celebrates the sound of every era — one song at a time.

#BestOf125Years #ConceptAlbum #TimeTravelMusic #Pop #Jazz #EDM #DooWop #Swing #Hyperpop #RetroToFuture

2025 - This Is the Future

LET THE BEES FLY

ALWAYS [PROD. ANDRZXZ]

POETIC JUSTICE 

Lo Fang - The one that I want (ShAnkAri edit) 
AfterTrap - Take time (ShAnkAri touch) 
Mason Carter - G.o.D. (ShAnkAri touch) 
Ryder Layne - Nasty (ShAnkAri touch)
Nicobars - Small claims (ShAnkAri cook-up) 
Yona Uku - Love (ShAnkAri touch)
The Black Buddhist - Timeless (ShAnkAri touch)
haunted rapper - Poetic justice (ShAnkAri touch)
the Profoun Poet - Game on (Nxthxun - ShAnkAri touch) 
Chico - Repeat (ShAnkAri touch)
G-willikurse - lucywu (ShAnkAri touch)  
Oh2 Smil3y - Jungle (ShAnkAri touch) 
Mason Carter - What's the Quo ft WN-Zayvie (ShAnkAri touch)
Orion music - Unstoppable (ShAnkAri touch)
FacedFaceless - Digital Butterfly's Savanah (DKODA - ShAnkAri cook-up)
Pils Mc - Gentil (ShAnkAri touch) 
Les Têtes Raides - Le Pressoir (ShAnkAri touch)

POETIC JUSTICE #djmix #rapnotech

🎧 DAY BY DAY x KristianK – Čudno
A nostalgic blend of late-night emotion and slow chill groove. Čudno delivers a melancholic vibe wrapped in warm funk basslines, crisp drum patterns, and smooth, soulful melodies. It’s music for thinkers, dreamers, and those quiet hours when everything feels just a little… strange. 🌃✨

☕ Support the Channel
Buy me a coffee and help keep the funk alive:
👉 https://ko-fi.com/daybydaymusicstudio

🎛️ Join the Community
💬 Discord: https://discord.gg/9FKctRrYQN

🌐 Website: https://daybydaymusicstudio.hr
🔗 Linktree: https://linktr.ee/daybyday.musicstudio
📸 Instagram (Studio): https://www.instagram.com/daybyday.musicstudio/

🎚️ Produced by KristianK
🔗 Linktree: https://linktr.ee/kristiankosta
📸 Instagram: https://www.instagram.com/kristiankosta/
📩 Email: daybyday.musicstudio@gmail.com

#Čudno #DayByDayMusicStudio #KristianK #NewMusic #LoFiVibes #ChillGroove #NostalgicSounds #MelancholicVibes #LateNightVibes #FunkBass #SoulfulBeats #RetroVibes #NightDriveMusic #ChillAesthetic #DreamySounds #SlowGroove #VibeCheck #VintageFeel #EmotionalBeats #MidnightSounds #MusicProducer #IndependentArtist #Beatmaker #MusicStudio #UndergroundMusic #StudioVibes #CroatiaMusic #LoFiProducer




Čudno

artist soundcloud: https://soundcloud.com/nevelslevels
producer: https://soundcloud.com/offspringmusic

#NuSoundexpress

Spellbound

Tom Harris, a Burbank-based software engineer, writes music to process life’s moments. Inspired by real events, he shares raw, heartfelt songs from his personal journey.