Pre-save CRY BABY with Anne-Marie & David Guetta, out 9th August
https://CBxAMxDG.lnk.to/CryBabysb

Berlin-based duo Booka Shade, aka Walter Merziger and Arno Kammermeier, have carved out a reputation as one of the most celebrated electronic acts to come out of Europe over the past two decades. 

With their beginnings in Frankfurt and their sights originally on synth-pop, the duo Booka Shade quickly gained a strong following within electronic music, and in 2002 the pairing formed the now legendary dance label Get Physical Music (together with M.A.N.D.Y., Thomas ‘DJ T.’ Koch and Peter Hayo), where they would have a platform for their own music. 

Three years later, in 2005, their EP’s ‘Mandarine EP’ and ‘Body Language’ - the latter co-produced with M.A.N.D.Y. - launched Booka Shade into the stratosphere with both EPs becoming international successes, whilst the following years soon welcomed an extensive body of work featuring a combination of stand out albums and singles that quickly achieved further global success.

Since their break-through performance at Sónar in 2005, Booka Shade have earned huge recognition with their innovative live shows, even being named one of Resident Advisor's Top 5 live acts in the world in 2010. They have opened for legendary acts such as Depeche Mode and Kraftwerk, whilst headlining stages at the likes of Coachella, Glastonbury, Rock Werchter, and Red Rocks just to name a few. In recent years, the band has appeared amongst the likes of DJ Mag’s ‘Alternative Top 100 DJ List’ (2018), whilst their notable live sets have led to key mentions amongst a host of distinguished festival reviews and round-ups, including placement within DJ Mag’s ’10 Unforgettable Sets From The History Of Exit Festival’.

Booka Shade were also inducted into Pete Tong's BBC Radio 1 Hall of Fame, having received strong support from the station throughout their careers, playing at both the ‘40 Years of Radio 1’ celebration with Annie Nightingale and the ‘20 Years of Essential Mix’ party, whilst also mixing Pete Tong’s ‘All Gone Ibiza’ compilation album. 

The duo’s fan base is in no way restricted to electronic music enthusiasts, with great success playing slots at the Montreux Jazz Festival, Lollapalooza, and more by utilising their massive crossover potential, which is as evident in their billings as it is in their remix credits, including acts like Depeche Mode, Moby, Hot Chip, Kings of Leon, Woodkid, The Knife and many more.

Add to the mix their Blaufield Music imprint, founded in 2013, and it’s clear and easy to see the pairing's musical knowledge not only as producers but also adept A&R’s, with releases to date on the imprint from both emerging and established talent alongside their own productions resulting in a string of releases and collaborations that can be regularly found amongst the upper end of Beatport’s Top 100 charts and championed by many of the industry’s biggest names.

Twenty years, dozens of EP’s and six albums later, Booka Shade have become more than a household name, they have become synonymous with the spirit which drives electronic music and have set a precedent to which electronic music is still held to today.

AGENT REPRESENTATION:

ROW
Tom Nettleton - tom@paramountartists.com
Josh Pollard - josh@paramountartists.com

The Americas North & South America: 
Jon Sax, Liaison Artists - jon@liaisonartists.com

GSA Florian Hauss / Four Artists - florian@fourartists.com

PRESS: 
Dispersion PR 
Jake@dispersionpr.com  Jane@dispersionpr.com

Ian Carey is and has been for many years a legendary key player in the house scene worldwide.  
Ian grew up in a small town in Maryland, USA; about 2 hours from Washington DC.  He was exposed to music at a young age, as his father (RIP) was a live sound engineer and ran a sound reinforcement company. His father engineered for such groups as Kool and The Gang and The Duke Ellington Orchestra. Also, his mother played guitar and sang as a hobby.  By the time he was 7 years old he was able to mic a stage for a concert and travel along with his father during summer vacation making tour stops all over America from east to west. In high school, he played drums and was even in the school marching band.
Ian discovered dance music while he was in college.  Already a part of the graffiti-writing scene in Baltimore, MD he met hip-hop DJs which led him to his next passion. So, he put down his spray can and bought some turntables.  He started djing and played mostly hip-hop. Then worked at Music Liberated in Baltimore as a buyer/sales rep where he was properly introduced to house music.
His friends recommended his first setup. He bought a Pentium computer running at
100MHz, an Ensoniq ASR-10 sampler, E-mu Orbit, Planet Phat and the Proteus 2000.  With that, he made his very first vocal production (with Jason Papillon as Soul Providers) "Rise". It was a crossover hit and went Gold in the UK.
It wasn’t long before Ian decided to move to Europe, as it was more convenient to be closer to the place the dance music scene thrives. His signature “funky bass line” sound grew and eventually propelled the demand for his top-notch productions, especially remixes. In one single week, Ian held 8 mixes on the UK Upfront Club Top 40*. 
Clubbers, djs, and fans who demanded to know more created an influx of interviews from radio, magazines and people like MTV. The most exclusive to date - an impressive 8 page spread (and 2 hour DVD) exploring the intimate details of his production techniques in the very prominent Future Music Magazine - published in many languages and countries worldwide. 
He’s made hits like “Say What You Want” on Nero Records and in 2008 released a rework of his former project Soul Providers’ Rise into the smash “Keep On Rising”. As a result, Ian gets respect from guys like Roger Sanchez, Pete Tong and continues top 40 sales and radio in many countries.
"Get Shaky" was unleashed and saw huge success world-wide, including the coveted Double Platinum certification in Australia and a Gold certification in the UK. In the first week of its UK release, it became a Top 10 in the Official UK Singles Chart. Ian also co-Produced the video which not only ranked as Top 10 on iTunes...it landed him a VMA Moonman award for Best Dance Video in Australia's MTV Music awards. 
2010 and 2011 touring highlights include some of the top nightclubs and festivals worldwide including a 9 show tour in Brazil, a full month tour with 15 shows in Australia, a residency at Set Miami, as well as one off shows in Dubai, Los Angeles, Singapore, Vancouver, Munich, Dublin, London and Moscow just to name a few.  Video touring highlights are available to view on Ian’s YouTube channel: www.youtube.com/iancareyofficial  2011 also saw the release of the Vicious Cuts CD compilation that was released by Ministry of Sound/Universal/Vicious Records.
Ian’s newest single “Last Night” features singer Bobby Anthony and Hip Hop legend Snoop Dogg.  The collaboration has already earned a Platinum certification in Australia and is still working it’s way through the charts worldwide.  Ian is currently in his Miami based studio working on his next singles and collaborating with A-list artists as well as up and coming talent.  Summer 2011 sees the launch of Ian’s monthly radio show “Muzik Liberated” syndicated world-wide and available for streaming online.


The new vinyl 'Pull Up/Ridin' Solo' is out now, including an exclusive unreleased track 
https://NS.lnk.to/PullUpVinylFA


Nocturnal Sunshine is the best known alter-ego of London based, British-Japanese producer, DJ, label owner and visual artist Maya Jane Coles. Ever since the dubstep infused “Can’t Hide the Way I Feel” back in 2010, the project has been another impressive string to Maya’s bow as she continues to carve out a reputation as one of the industry’s most revered producers. 

Listen to all Nocturnal Sunshine releases here 
https://NS.lnk.to/profiles

In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

BLOND:ISH. 
Energy Lives Here
LFG to Happy Happy World
The Land of Freedom, Abundance & Happiness

MANAGEMENT: blondish@jet-mgmt.com

Captain Earnest Bon-Huffington
Madame Francois de Lundenkopf
Esquire Winston Humphries III and Fred

New song 'Run' out now

Management: Info@teamleisurely.com

It was in 2011 that Dutch pair Lars Dales and Maarten Smeets quickly broke through in the electronic music scene. Since then they have become known for their widescreen approach to making and playing club-ready grooves. From deep to disco, tech to soul, they join the dots between the past and the present with their own sense of storytelling and do so in clubs around the world, as well as in their studio. House might be the root of the Dam Swindle sound, but it takes nourishment from a much wider world of music. 

Still now, their breakthrough tunes such as ‘The Wrap Around’ and ‘The Break Up’ receive countless plays on dancefloors all over the world and the duo has made timeless music such as their 2023 disco-house bomb ‘ That’s right’ and 90’s throwback banger ‘Allright – just a tribute’ that became one of the hits of the 2024 festival summer. Dam Swindle has built a trademark sound, while still evolving and maturing their craft in various musical niches. Their landmark 2018 album High Life shows a broad musicality from the duo and this is even more so on their highly anticipated 2025 long player ‘Open’.  ‘Open’ features countless collaborations with high-profile artists such as Dutch pianist Joep Beving and New York-based Ethiopian vocalist Haile Supreme, and sees the duo flex their sound from ambient electronica to synthwave, hiphouse and more. 

Since 2013, the pair has also established their record label Heist Recordings as one of the key independent labels for underground dance music, while also releasing music on other underground mainstays such as Aus Music and Classic Music Company. Heist is more than just a label, though - it is a breeding ground for talents old and new; somewhere talent is nurtured and allowed to develop. Label showcases and special projects such as the yearly Roundup EP; where all artists from the past 12 months remix each other after a random selection process, furthers the family vibe and helps Heist stand out from crowd. Artists such as Cinthie, DJ Sneak, Crackazat, Tesfa Williams, Makèz, Pépé Bradock, Matthew Herbert, Ge-Ology, Byron the Aquarius and many more have all contributed, proving that it is a place for unrestrained creatives to be free with their own sonic visions. The label looks as good as it sounds, too, thanks to visual artist Bas Koopmans's standout artwork designs. 
 
Proof of Dam Swindle's widescreen approach to production is their long and talented list of collaborators, which includes the likes of acclaimed musician Tom Misch, US talent Seven Davis Jr., instrumental collective Jungle by Night, plus Marc de Clive-Lowe, Jitwam and Lorenz Rhode. Next to their own originals, a broad spectrum of artists have asked Dam Swindle for some of their special remix magic: on labels like Strut and Soundway they have reworked the legendary Pat Thomas, aka the ‘Golden voice of Africa,' and gave his single ‘Yamona’ a contemporary electronic edge, as well as The Mauskovic Dance Band’s track ‘Space Drum Machine’ and plenty more artists like Kerri Chandler, Mayer Hawthorne and Tom Misch. As their talent for bridging genres from all over the world continues to attract global attention, high-profile projects keep rolling in from all points on the musical globe. 

Dam Swindle are famously avid collectors of both old and new records, and it shows in their DJ sets, which keep you on your toes as they move freely through the broad world of house music with skillfully blended moods of soulful techno, acid, breaks, disco and more, all to create those special moments that crowds never forget. It is for that reason that their name has become a real stamp of authority and invention in the dance music world. Whatever they do, then, this pair do with irresistible charm.

Tom Moore 63 is following