https://valotihkuu.bandcamp.com/album/a-new-beginning

Rising Dawn

A collection of sounds I've written over the last 6-7 months.

Enjoy
Tom

Tom Day - Troughs

This album is dedicated to my wife, who through a twist of fate crossed my path and saved me from despair.  She gave me hope when all was lost and taught me how to love again. Showed me that Love is not Compromise. True love amplifies. This album is a letter from the heart created for her.

Collide by Fate

The Return (Home Within)

wake up

» Listen on Spotify: https://goo.gl/9KSYBx
» Buy on Bandcamp: https://goo.gl/PXH4qp
» Licensing Inquiries: https://goo.gl/uwcs5N
» Watch on YouTube: https://goo.gl/5EWTBx

"About Us" marks a new milestone: 6,000 Soundcloud followers.
I still remember celebrating 100 followers 2 years ago, daydreaming about a music carreer. I cannot be happier than this, and it is all thanks to you.

This song was recorded while thinking about a relationship that never had the chance to become real. 
There is no sadness, nor regrets, but a feeling of wanting to forget the past and just look forward. We do not have time to waste on our past. 
The world awaits and it has much more to offer!

P.S. See you next month with the fourth Fireplace tale!

-artwork by Orloe: https://soundcloud.com/orloe

About Us

Listen on Spotify

About Us (Thanks for 6K Followers!)

Stream / download --> http://smarturl.it/elskavon-spring
New LP Skylight --> http://smarturl.it/elskavon-skylight
www.elskavon.com

INSPIRATION:

Can I give you a quick glimpse into the whirlwind mind of an independent musician?

It’s all about seasons. Last summer and into the fall, I was furiously writing a new Elskavon album, not to mention new Bora York songs with my wife, and Hi-Fi Cali collaborations and singles… For every album I release, which is typically around 9-10 songs, I end up with sometimes more than 50 demos and half-written songs. So there was a lot of writing happening. The ideas kept coming and the inspiration was heavy.

In September, I decided to set a release date for the new album, Skylight - this gives myself a deadline to actually call things done, and to get prepped for a release. From late fall on, leading up to that date (January 26), I was finishing songs, mixing and mastering the audio, working on artwork, studio and promo videos, show prep, social media content, reaching out for press and playlist possibilities, and more. There’s a lot of things on the independent release checklist.

In the midst of all this, I was about to step into a part-time freelance role, something my wife and I had been preparing for about a year. We’re very hopeful and excited about this season of our journey, which just started a few weeks ago. 

There has been a lot of things happening, and I’m grateful every step of the way. But I’m human and I get burnt out, as well. Last week it was tough to find any sort of inspiration whatsoever. And there was a definite setback regarding the new album - something I had been getting used to slipped away. It’s part of the process, and something I was fully aware could be a possibility. But it was still a bit of a punch in the gut.

Read the rest at http://anthemfallsmusic.com/blog/2018/3/28/elskavon-spring-piano-day-2018

Spring (Piano Day 2018)

Spotify: https://spoti.fi/2DprACb
Apple: https://apple.co/2RTReTu
Bandcamp: https://bit.ly/2FnciAj

Photography by Spencer Murphy: http://www.spencermurphy.co.uk

http://www.facebook.com/hiatusmusic
http://www.twitter.com/hiatusmusic

Dawn (2018)

An EP inspired by the last 10 years of my music making life.

Here's to the next 10 :)

Artwork by https://www.yuumeiart.com/

Purchase: music.tomday.me/album/some-reflections
Stream: www.tomday.me/reflections
IG: www.instagram.com/tjtdaymusic

Some Reflections

Support | Lossless

Tom Day - What Could Be

Tom Day - Afterwards

Aquarium WiFi

Tom Day is a solo artist residing in Millgrove, Australia and has been creating ambient and electronic music since 2005. Characterised as “effortless and raw”, Tom’s tracks couple elegant beats and piano melodies to an array of personally-collected field recordings, his style alternating between promising swells and restful plateaus.

Having grown up on a farm on the Mornington Peninsula, Tom is strongly influenced by the ocean beaches and natural openness of his hometown. Other influences include cinematic scores by Alan Silvestri, Jóhann Jóhannsson, Thomas Newman, Hildur Guðnadóttir, John Barry, Clint Mansell, Austin Wintory & John Williams, as well as modern classical and electronic artists such as Ólafur Arnalds, Jon Hopkins, Tourist, DjRUM, The Cinematic Orchestra, Segal, Nils Frahm & Bonobo.

The music of Tom Day has been used in independent film and documentaries from around the world, with clients including National Geographic, Volvo, New York Times, Momondo, Holden, Juice Media, GetUp and Tourism Victoria.  Having worked on an array of joint projects with other musicians and visual artists, Tom is deeply drawn to the synthesis of sound and image.

In 2018, Tom launched an ambient and drone side project under the alias sɹoɹɹᴉɯ.