You are currently reading about Frightened Rabbit. They are a band who live in Glasgow and have done for some time. They record in bedrooms, cupboards and kitchens. Anyone can be in Frightened Rabbit. 

They have played some live shows in this city, but want to meet people from other cities, in order that they can come and blow into tubes when they play live. Lets keep pop music alive by getting it out of that dress and into a sweater.

'Recorded Songs' EP out now: https://atlanti.cr/recordedsongs

2017 tour dates on sale here: http://smarturl.it/FRShows

Follow Frightened Rabbit here: 
Twitter: http://smarturl.it/FRTwitter
Instagram: http://smarturl.it/FRInstagram
Google +: http://smarturl.it/FRGooglePlus
YouTube: http://smarturl.it/FRYouTube
Soundcloud: http://smarturl.it/FRSoundcloud
Website: http://smarturl.it/FRWebsite

Part Of The Band. Out now
From Being Funny In A Foreign Language
The new album. October 14th

2026 resolution: make and share my music more.

Mellow dreamy lo-fi indie pop ~ “walking the line between the bedroom studio and the dance floor” // New song "Slow" out NOW
linktr.ee/lyysmusic

PINES, Alison Sudol's third full-length as A Fine Frenzy is a fable about a pining tree who is given the unheard-of chance (for a conifer) to make a life of her own choosing. Drawing inspiration from the redwood forests and dramatic landscapes of Northern California and Washington's Cascade Mountains, the thirteen new original songs survey a sonic landscape as vast and deep as the woods, their namesake.   

Sudol crafted PINES in response to our accelerating pace of life in the 21st century. "Sometimes I feel like the world has been strapped onto the back of a giant rocket and it's hurtling us into the unknown at a pace we're not entirely equipped to deal with. All kinds of things are falling off, good and bad. It's a crazy, exciting, terrifying time- so much is changing, and fast. Yet some of the most wonderful things in the world are slow- rivers and seasons and turning leaves and growing older with the ones you love. I wanted to create an environment where a person could retreat to, somewhere vivid and real where their minds and hearts could wander freely. I wanted it to be a place you could go to feel, like a quiet spot in a forest or the sea on a cloudy day."

The adventure of PINES is further realized in a companion book and short film. The animated film PINES, (produced by TakePart, the digital division and Social Action network of Participant Media, whose mission is to create entertainment that inspires and compels social change) integrates hand-cut sets, puppets, stop motion, physical effects, and layered glass to augment the depth and texture of the film.  The book is a collaboration with illustrator Jen Lobo, whose aesthetic Sudol chose for her blend of “scientific precision and whimsical beauty.”

The ecological consciousness evident throughout PINES has been an integral part of Alison Sudol's life since she was a little girl in Seattle, Washington. She serves as a Goodwill Ambassador for the International Union for Conservation of Nature (IUCN), and performed at the 2011 Environmental Media Awards, subsequently joining their Young Hollywood Board, which supports school gardens in urban areas through funding and celebrity mentoring. 

As one of the first artists on Twitter, Sudol takes her responsibilities seriously, encouraging her 1.7 million followers to be more socially active within their own communities on and off line. A recent collaboration with Nokia at this year’s SXSW resulted in Sudol and her followers contributing to the planting of over 5,000 trees after an extreme drought in the area decimated their forests and urban tree population.

Since A Fine Frenzy's 2007 debut One Cell In The Sea, which spawned the hit "Almost Lover," Sudol has proven herself a consummate, imaginative storyteller. Produced by Keefus Green (Everlast, Cassandra Wilson, Joe Henry, Benji Hughes), and recorded at the legendary Capitol Studios, PINES rekindles Sudol's childlike sense of wonder after her 2009 electro-pop outing Bomb In A Birdcage.  

"I had been running to keep up with a world which I could not catch for so long, trying to find somewhere to belong, …somewhere along the way, I got lost. And then one day, I just couldn't run anymore. I didn't know where to go. It was only when I stopped that I found what I was looking for- or at least, I found how to find it. During that time, I was writing the story of PINES… I had to write it as a story- stories allow you to take a step back and actually look at what you're seeing, not just how you feel about it. They give you perspective. That perspective allowed me to see life in a different way, as an adventure; the record, the book and the film are my maps.”


In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

Sound & Color – the follow-up to Alabama Shakes’ Gold-certified debut album, Boys & Girls, which earned the group three GRAMMY® nominations, including a nod for Best New Artist – will be released in North America on April 21 by ATO Records. Rough Trade will release the album in the UK/Europe on April 20. 

Sound & Color demonstrates the tremendous strides made by Alabama Shakes since the release of 2012’s Boys & Girls. From the gently swaying, chiming title song to the garage-rock freak-out on “The Greatest” to the psychedelic space jam “Gemini,” Alabama Shakes build on the soulful blues-rock base and map a surprising, innovative new direction. 

“We took our time to write this record, and I’m really glad we did,” says lead singer/guitarist Brittany Howard. “We were able to sit down and think about what’s exciting to us. This record is full of genre-bending songs.”

Sound & Color was recorded at Nashville’s Sound Emporium studio. The band co-produced the album with Blake Mills—a young guitar wizard who has helmed sessions by Sara Watkins and Sky Ferreira, and played alongside everyone from Norah Jones and the Dixie Chicks to Lana Del Ray and Kid Rock. 

The success of Boys & Girls paved the way for Alabama Shakes – comprising lead singer/guitarist Brittany Howard, guitarist Heath Fogg, bassist Zac Cockrell, drummer Steve Johnson, and touring keyboard players Ben Tanner and Paul Horton – to become one of the most celebrated live acts in the world, as they delivered unforgettable performances everywhere from “Saturday Night Live” to the main stages of festivals like Bonnaroo and Glastonbury. Boys & Girls charted in the Top 10 in both the U.S. and the U.K. and "Hold On," the Gold-certified lead single, was voted the #1 Best Song of 2012 by Rolling Stone.


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