Throw this on shuffle when yr thinking, reading, studying, working, daydreaming, soundtracking a podcast, or general non-lyrical-etcing | Tweaked on the regular.

STOP TALKING… I'M TRYING TO THINK | #HI54MIXCDS on #MOUNTOWNFM

I Just Don't Believe You

Ambient jazz guitarist Tom Pearo creates uniquely beautiful, strange and often magical recordings that take the listener on an inner journey. His debut album, Headspace, is a sonic vehicle for that journey, and features six original tracks that will leave you in a state of peaceful stillness.

See the trailer for the upcoming music video here -------->
https://www.youtube.com/watch?v=yzxlXP4RGb0

Credits
Released November 2, 2017 

Dave DeCristo - Bass & Drums 
Shay Gestal - Violin 
Tom Pearo - Electric Guitar & Loops 

Written, Recorded, Mixed and Produced by Tom Pearo and Dave DeCristo. Mastering by Golden Studios. Cover photo by Ian Thomas Jansen-Lonnquist. Album design and layout by Tom Pearo. Product photography by Luke Awtry.

Headspace

Stream / Download: https://smarturl.it/elskavon-nerves

Nerves / Familiarity is the first official start to Elskavon’s next album era, and it’s a representation not only of composer Chris Bartels’ sound over the years, but also a metaphorical look inside his mind. That is, one of contrast.

With Elskavon’s sound, there’s always been a contrast, and marriage, of grandeur and intimacy. Nerves / Familiarity is no exception.

While it starts out quiet, the listener can immediately feel the enormity of Nerves. The sustained sound is that of Bartels slowly drawing a string of yarn across his old spinet piano’s strings. Only a minute and half in, the sound is thick and full, layered with falsetto vocals fed through modular synthesizers. It hasn’t taken long to be engulfed in the grandeur. 

However, as quickly as it arrives, there’s a departure. An intimate and rhythmic cassette texture, signaled by a slow tonic modulation, foreshadows a look at the second track - the contrast.

Familiarity begins with a bed of introspective notes and textures - mostly that of high piano notes and chopped up Rhodes improvisations. There’s a certain closeness with this sound, and a contrast to the large reverb-soaked fabric that leads Nerves. Then halfway through the song, there is a short build - an encore, if you will, to the grandeur of the first track.

Much like these songs and past Elskavon albums, there is a journey of contrasts with every creative turn for Bartels, finding himself deep in a whirlwind of excitement and fear, anticipation and anxiety, inspiration and frustration. And while being fully aware of the negative sides of that whirlwind, there’s an indescribable beauty and hope in the choice to keep writing, to keep moving. And to not simply run from the negatives, but to allow them to inspire, to motivate.

A creative journey should never be easy or comfortable. If it is, the other side will most certainly be lacking in the beauty and depth it so desires.

With this next album era, Bartels is choosing to embrace the contrast.

www.elskavon.com
www.twitter.com/elskavon
www.facebook.com/elskavon
www.instagram.com/chris_bartels
www.instagram.com/elskavon

Stream/Buy

Familiarity

Written, performed, produced and mixed by @iksremusic
Phoebe Dubar, 2019.

Mastered by Rob Masterton @supermagichats

Streaming now https://noisehive.lnk.to/Unfurl

Connect
www.facebook.com/iksremusic
www.instagram.com/iksre

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ALONE. AT PARADISE

Exit Ghost

Undertow

A soft but intense lullaby where the simple and moving melody is enriched by the special felted piano sound and by the intimacy of the recording, giving to the listener the impression of sitting very close to the piano itself. A song for chilling and falling asleep that despite it’s minimalism can calm and touch your heart and soul. 

International release date: October 18th, 2019

Close Your Eyes

Ambient jazz guitarist Tom Pearo creates uniquely beautiful, strange and often magical recordings that take the listener on an inner journey. More at www.tompearo.com.

I don't use Soundcloud that much ¯\_(ツ)_/¯ except for sharing playlists & reposting all the Submithub submissions I've approved for blahging each month that were submitted via Soundcloud. So I guess I use it a little bit after all.

Headspace

Tom Pearo

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