Great sounds and for me a nice mix. Like the atmospheric feeling in this track, good luck in the challenge:)

This percussion and deep drum hits adds a whole new layer of production.

Very deep and dreamy soundscape! I wish it could be a little longer.

Nice deep sounds. I can get lost between them. Feels like this can be the beginning of a really epic song. So yes it ends too soon and should be longer.

Wow, the sound design in this is really beautiful! You've created a very lush soundscape!

Only 12 instances? You made effective use of them, and the mix/master sound good to me!

Really lovely percussion and pad sounds. Maybe the lead is a little loud/resonant in a few places like here.

wonderful! excellent composition and sounds. mixing to help fit everything together would make this an even more impressive journey.

One Synth Challenge #125: T-Force Alpha Plus 2 by Mastrcode Music

Lion Dance. When the lion says dance, you dance.

One Synth Challenge number 146, with Nusofting's forthcoming synth Sinmad.

Talking drum effect created using feedback. No crates were dug during the making of this track.

DAW: Ableton Live 11
Sinmad x25

Ableton effects
EQ8-Compressor-Limiter-Spectrum racks x20

plus EQ8x2
EQ3 x1
Vinyl Distortion x2

Valhalla Supermassive x1

Youlean Loudness meter x1

Lufs = -14.4

Lion Dance - OSC146 (1st)

Made for KVR OSC #125
FL Studio 20.0.5
13 instances of T-Force Alpha

DAW FX's:
3x Fruity parametric EQ 2
4x Maximus

Other FX's:
1x VST zOne Amplio 2
1x OrilRiver

Statistics:
Integrated loudness -14,7 LUFS
Max momentary loudness -9,1 LUFS
Max short-tem loudness -11,0 LUFS
Loudnes range 11,5 LU
True peak L -0.56db
True peak R -0.56db
DC offset L +0%
DC offset R +0%

Can't Stop Time (T-Force Alpha)

3lu5iv3 - 7859

OSC125

Psychorchestra

This is the track I made for the contest OSC no 125 by KVR. 
Rank : 7/25.

Image by Tracy Lundgren of Pixabay

Diaseïs - Sooner or Later (OSC #125)

This is my submission for KVRAudio's One Synth Challenge #125. I have used 11 instances of T-Force Alpha Plus 2 VST to create this track. FX used for the track composed mainly of built-in FX from the VST itself (except for the few 3rd party free VSTs). Details of the FX list given in the OSC thread in KVRAudio forum.

Celebration EP

Disco Damsel

Composed for the KVR One Synth Challenge #125

DAW: Zynewave Podium Free 3.2.1

12 instances of T-Force Alpha Plus 2.

Master FX:
MAnalyzer, MStereoScope, MSpectralPan, Unlimited, MStereoExpander, Roth-AIR, MEqualizer, MSaturator, MCompressor

Other FX:
1x Oril River
3x Dragonfly Room Reverb
7x MEqualizer

Reflection

My submission for the One Synth Challenge #142 Vital. 
Made on Archlinux with 18x Vital https://vital.audio/, DAW: MusE 4.0.0-pre1 https://muse-sequencer.github.io/

Effects:
-LSP Parametric EQ
-LSP Stereo Compressor
-x42 Compressor

Master Bus:
-Luftikus EQ
-LSP Parametric EQ (Stereo and Mid-Side)
-Zam Multiband Compressor
-LSP Stereo Limiter
-Calf Limiter

Why Tell Lies? ...to vitalize...

MyLoFy - Why Tell Lies? ...to vitalize...

Track made with some instances of SQ8L free synth for KVR OSC 143 contest. Produced in FL Studio "on live" style.

The idea on this project is for these difficult times, we have to plead and pray to Universe and wait to become reality. After all, we are all creators of reality.

I hope you all find it pleasant to your ears.

Free download! :)

Picture made and edited by me.

Pray & Hope

✪ Pray & Hope

OSC#143: Any Hardware/Emulation (Fullbucket's MonoFury)

Instances: 14
DAW: MuLab (www.mutools.com)
FX: Vintage Echo 1 & 2, Mid-Side Processor, Level Compressor
3rd Party: OTT, LoudMax64, Wider, ValhallaSupermassive, Nova-67p

Taron - Bucketlist [MonoFury]

This track made using all hardware for the KVR One Synth Challenge #143

My sound source is my Yamaha DX-11. The hardware effects were from the Zoom Studio 1201, Boss Digital Reverb, Behringer Virtualizer Pro and the FX section of my Yamaha AW16G Hard disk recorder.

Each track was recorded separately, and then each track was recorded again with any effects required at 100% wet (so the dry and wet tracks can be mixed as required). Once all this had been done, each track was then played back through my Behringer MX2642 analogue mixer and EQ applied using the low, swept mid and high EQ section. The EQ was done for ALL tracks, including the tracks with effects and percussion elements (38 tracks in total).

All 38 tracks were then mixed with no mastering effects, only using SPAN and Youlean Loudness Meter 2 (free) to check the overall levels and frequency content.

Mixed in Reaper 6.

Final tracks used for mixing after EQ.

1. Bass 1 - programmed to have a small pluck, dry.
2. Bass 2 - programmed to have a full body sound, dry.
3. Keyboard 1 - a basic FM piano, dry.
4. Keyboard 2 - track 3 + reverb.
5. Keyboard 3 - track 3 with a delay
6. Guitar - a raw acoustic sound, dry
7. Guitar - track 6 + reverb
8. Pad 1 - one of the classic DX sounds, dry
9. Pad 1 - track 8 + reverb
10. Strings 1 - classic DX strings,dry
11. Strings 2 - track 10 + reverb
12. Flute solo 1 - pure DX sinewave sounds, LFO vibrato and level scaling (reduce harmonic content for higher notes),dry
13. Flute solo 2 - track 12 + reverb
14. Flute solo 3 - sound of flute 1 but with modulation of operator parameters via mod wheel, dry
15. Guitar solo 1 - classic DX "flamenco" guitar sound,dry
16. Guitar solo 2 - track 15 + reverb
17 - 38. Percussion elements. Bass drum, hats, bongos, toms, rides, triangles etc! Some elements layered with 2 or 3 DX sounds. All dry.

Stats:
LUFS: -14.9
DR: 10

No volume automation was done either, all relative volumes are done by the playing and the key velocity of the DX-11. This means that if you got enough DX-11's on stage into a mixer plus FX units, this track could be played exactly as you hear it, LIVE!

Please enjoy the lovely sounds of this early 80's synth.

DoctorBob - Sounds Of The DX11 - OSC #143

For KVR OSC#143, Any Hardware or Hardware Emulation

30 instances of TAL U-No-LX used.
Made in Reaper v5.99.

Dynamic:  TLs-1295-LEA, TDR Kotelnikov, Transpire, Maxwell Smart
Filter: ReaEQ, MQ 57
Satturation: Thrillseeker XTC, Green Eugen, QX24
Delay: NastyDLA, ReaDelay
Stereo: DD AutoPan, MidSideMangle, GStereo
Reverb: Dragonfly, Valhalla Supermassive, TAL III, Outerspace
Analyser: SPAN, Youlean Loudnessmeter

Hardware Emulations:
TAL U-NoLX - Roland Juno 106
Outerspace - Roland Space Echo, No Tape Modulation used

Photonic - Reversed

Reaper 6.21

35 x Synth1

Native FX ;

ReaDelay x 1
ReaGate x 2
ReaControlMIDI x 5
ReaComp x 6
ReaEQ x 29

3-rd party FX ;

SPAN x 1
GClip x 1
Camel Crusher x 3
OTT x 9
W1 Limiter x 2
RoughRider3 x 1
Oril River x 8
Boogex x 1
Dimension Expander x 2
Limiter No6 x 1
DC filter x 1
TDR Kotelnikov x 1
TDR VOS SlickEQ x 1

Simanus - Ascension (OSC 143)

My submission for KVR OSC 143 (hardware month) using my Roland JP-8000 synth. One synth, a bunch of tracks.

Wishful Thinking (TNS - OSC 143)

"A journey in sound", as they say...

All sounds from the virtual Rand synthesizer.

Recorded and mixed at Violence St. Studios, Feb. 2021 by Mountainé.

Beyond the Castle (single)

Beyond the Castle

Beyond the Castle | #OSC144 | Rand

Synth: Rand x1 (one instance)

Recorded, mixed, and mastered in Reaper 6.

FX: 
BlueARP (Oleg Mikheev)
Tal Reverb 2 (Togu Audio Line)
ReaDelay (Cockos)
TDR Nova EQ (Tokyo Dawn Labs)
Dimension Expander (Xfer Records)
SGA1566 (Shattered Glass Audio)
LoudMax Limiter (Thomas Mundt)

OSC 144

Sister Andesite

Sister Andesite (OSC 144)

Join the challenge by going here: https://shorturl.at/bhBFQ

Reflection

Tomx2188

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