N-Melancholic Drawing

Liner Notes by the editors:

Little is known about the band that has created this song. Most of this little information can be gleaned from the website of FMT, whom a previous SHELLF LIFE release can be attributed to. We caution that  we do not know if any or all of this information is outdated: https://furicomusicteam.blogspot.com/p/shellf-life-interview.html Unfortunately, the Furico Team was not available for commentary, since they are launching quite a different kind of historic project on kitchen label.  

Some questionable facts regarding STRANGELOVE’S BRAIN’s release are related in quite a verbose and unreliable way tinged with judgemental interpretation and interspersed with pseudointellectual preconceptions here:   https://soundcloud.com/sonic-textures/shellf-life-paraphernalia-and-parerga-2025 (German original, as far as we can discern). According to that ‚account‘, the recording of STRANGELOVE’S BRAIN was found on a self-burnt disc (ha, that ancient Nero joke!) in a forgotten chest. The poem used in this recording is the only item that can be traced to an author (jo richter) who was kind enough to allow us to reprint here. Obviously, the references to the war-inflicted tragedies of Hiroshima and Nagasaki make it of  special importance at this moment in history, not only because of current tensions, but also because those two catastrophies happened about 80 years ago in August 1945. We therefore decided to release the two versions known thus far as a vinyl single to the general public, accompanied by an image attributed to the same author as the poem.


Strangelove's Brain

another pensive pariah
spotted on the outskirts
of Hyperbolea, Parolia
avant, avant, sempre vorwärts

keeping the obvious captive
locked in a by a reverse smirk
another dementia denier
Hiroshima, where shadows lurk

and the moon keeps rising, rising
every other day, socializing
with singed hands on bare rocks

iron out unseemly locks
to keep face, straight, straight
little boys take progress' bait

B: Strangelove's Brain (brain, blood and bone mix)

https://www.youtube.com/watch?v=fp6XisS0G-o

"The Final Temptation of the Buddha" (First single from the upcoming album + video).

Lyrics

It's a cushty life
Making songs
Where I landed
Most lucky charms
Love is affluent
No foreign bombs
Thanks clear skies
Thanks food filled farms

Let's appreciate what good we can
Let's spread our love and light for Iran
Let's hope and pray now finds better day
Let peace prevail
Make freedom the way

We love you
We are here
We feel some of your fear
We can't understand
Our light can hold your hand
Observational control
May light fill your land

This is Our land
With the light we stand
No sabres sounded on this sand
Just Jedi together
Hand in hand in hand in hand in hand in hand....


Thanks for your good people
We see your pain
If tears could drown deceiptors
Hear an ocean insane
They bomb my chest
Your forever youth
Please Dear Universe heal them with truth

It's for the 1 two three four
It's for do, re, me, fa, so, la, ti more!
It's for more best singing Earth will ever see
It's for today so we hear more of that free

We love you
We are here
Solidarity feels some of your fear
Light holds your hand
Fill your land
Light holds your hand
Fill Iran

This is Our land
With Our light we stand
No sabres sounded on this sand
Just Jedi together
Hand in hand in hand in hand in hand in hand...


🙏🏽

The Light holds your Hand

28-6-2025

Measures

Nie ulega wątpliwości, że się zmieniamy i nasze postrzeganie świata zmienia się wraz z naszym rozwojem. Ten utwór zapoczątkował u mnie inne patrzenie na ludzi, związki, politykę, religię i ogólnie otaczającą mnie rzeczywistość, to w pewien sposób moje kolejne narodziny.

Fraktal / Fractal

released in Jan 2025 - https://nomatesensemble.bandcamp.com/album/i-am-never-freer-than-when-i-am-with-you. 


Then She Reaches for the Gun was formed in 2021 by Mat Ward. At its essence is sound collage, Ward invites musicians, sound artists, poets and anyone interested to send him files to be used, abused and showcased ‘as suggested by the work’. They are not always musical but field recordings, spoken word, engine noises and drunken rants. Animals participate a lot too! The raw material is arranged with one phrase asking for the next in an alchemical and intuitive process that will most often feature dozens of tracks weaving in and out of each other, colliding, harmonising, arguing and laughing along the way.

Both the aesthetic and the compositional methods use what Frank Zappa called Xenochrony - the mixing together of separately recorded and rhythmically opposing musical phrases to create polyrhythmic and polytempi compositions.The work also features fragmented story telling with the human voice (in many languages) appearing unannounced throughout the tracks offering up snippets of thoughts, conversations, jokes and existential angst. The absurdity of humanities desperate claim to have any real understanding of its place in the universe is revealed through the recorded follies and genuine emotions of the artists. The project is a celebration of chance, diversity and community. It pays homage to all musical tastes and genres whilst maintaining a sense of humour and irreverence that is needed to stay sane in the climate of  21st Century contemporary culture.

Then She Reaches For The Gun is

Humans

Adam Meredith - Ford XD with XF front mods/Voice
Ambient Annie - Electronica/Field Recording/Voice
Andrew Harper - Field Recordings
Angostura Elwar -  2 x Behringer CRAVE analog synths/Yamaha P200 electronic piano 
Antonella Eye Porcelluzzi - Text/Voice
Ariad Music - Clarinet/Percussion/Piano
Axel Weiß - Electric Guitar/Robot Voices
Banalytic - Experimental Electronics
Belial Pelgrim - Digital Strings/Electronica
Brendan Corey Benson - Electric Guitar
Carolyn Wigston - Voice
Chicago Word Brigade - Electronica
Dan Hewins - Bass Guitar
Dane Renshaw - Drums/Voice
Dani Kirby - Keyboard/Piano/Voice
Dylan Banks - Intonarumori/Voice
Frank Wilke - French Horn/Trombone/Voice
Garbage Truck Disco - Drum programming/Electric Guitar/Joyous Pop Punk
Glenn Ward - Electric Guitar/Skyhooks
Hakan - Moog Voyager XL
Hverheij- Drums/Electric Guitar/Synth
Johnny Python- Bass Guitar/Drum Programming/Electric Guitar/Text/Voice
JZsuperstar - Electric Guitar/Field Recordings/Keyboards
Lady ElectroTrek - Organ
Libby Laksmi - Jazzy Loops/Synth Bass
Loop(c)y - Electric Guitar
Malo Bernard-O’Meara - Drums
Maxx Black - Guitar/Ukulele
Minimal Drone Girl - Cat Wrangling/Field Recordings
Oberlin - Eurorack/Piano
Paolo D’Emilio - Electronica
Paul Miller - Electronic Percussion/Keyboards/Phat Electro Bass
Phil Bywater - Saxophones/Voice
Raul Mainer - DAW Programming/Heavy Metal
Robert Jefferson - Akai Rhythm wolf/GakkenSX-150 ll/Korg Kaosilator/Percussion
Rosin Dust - Violin/Field Recordings
Sarah Megahertz - Speedway Noise
Scratch Kelly - Beats/Electronica
Stan Magendanz - Electronica
Ten Atmospheres - Field Recordings/Synths
Texmex Shaman - Electric Guitar
The Windscale Blues Experiment - Clarinet/Flute/Saxophones
Timothy Korstad - Demons/Electronica
Thomas Bergheim - Bass Guitar/Electric Guitar
Tobias Schmitt - Electronica/Processed Organ/Text
Tuonela - Demons/Electronica
Vartch - Drones/Things/Trousers (not T-shirts)/Voice
Widar’s Spiritual Front - Electronica/Ms Pacman
W:I:L-o’ the-wisp - Bass Guitar/Electric Guitar/Electronica
Wivresse - Electronica/Voice
Zanshin - Acoustic and Processed Drums

Mat Ward - Arrangements/Bass Guitar/Double Bass/Field Recordings/Intonarumori/Marimba/Noise/Percussion/Piano

Dogs
Boogie
Brophy
Buddy
Hancho
Jack
Momo
Neska
Poldo
Senna
Shyamsundara
Star
Oily (cat)
And many cows from Milis, Sardinia

Cooking Hard Boiled Eggs in a Cheap Motel In Adelaide part 3

Wartsnall VI cut

Cast of characters:
Llanpsych -- @llanpsych -- Tez – Fender Telecaster electric guitar, mix, production, and composition
Mistermark-- @user-432503709 -- Mark – synthesizer, vocals, and lyrics
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four string bass
TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson cutom T electric guitar, sometimes with an ebow
J.J. Terrell– @j-j-terrell – organ and synth

This song began as an idea Tez came up with on his guitar while on holiday not far from his home in Wales. It had such a solid form, it inspired Mark to write lyrics and come up with vocal melodies within a few days of hearing it for the first time. The two of them have written several songs like this, making them a solid songwriting source for Eclectic Collective. 
  Once the song had a even more solid form, Ken took added his dynamic, bouncy-groove drums to it. As soon as Ken had the drums down, Josh took his turn, adding the fretless bass and solidifying the groove. Now that the basic framework was done, Stephen added his thrilling electric guitar. Last, but certainly not least, JJ added his dancing organ and the really cool, psych synth lead part in the bridge towards the end. Mark also added some awesome backing synth to it, as well, filling out the sound. At the very end of the process, Tez also dropped in the hot intro and outro solos, as well.
  Once we had it all in the can, it was time to turn it over to Tez for his expert production and mix. He came up with the idea of adding reverb to the drums, as well as some other compression tricks, which he employed with subtle style. 
   This, as mentioned, is a great example of what Eclectic Collective can do in house with the composition and songwriting skills of Tez and Mark. The rest of us really had fun working on this one, too, of course. We hope you enjoy listenig to this as much as we enjoyed making it.
Original lyrics by mistermark:

There’s something I’m seeking that I’ve never found
but the seed that you planted went deep in the ground 
there’s a journey that I’m on and the path is uncertain 
the magic fades when you pull back the curtain 

Wherever you go I will follow
there’s always another tomorrow 

There will never come a time when I do you harm
cause my soul is steady when I’m in your arms
and never have I heard music like your Voice 
when you call me to you I have no choice

Wherever you go I will follow
there’s always another tomorrow 

Like a puzzle on the table all the pieces fit
like I’m standing in the dark and a match is lit 
and what it all means man I just don’t know
but it’s a powerful feeling and it’s starting to grow

Wherever you go I will follow
there’s always another tomorrow

Wherever U Go-Eclectic Collective

When a heavy mass spins in space, it will also drags the fabric of space-time around with it. This is known as "frame drag". What would it be like to be floating in a region where the frame drag effect is significant?

Buy Track on Bandcamp

Frame Drag

Tonal Drift is the solo project of producer/composer Mark Hollomon mostly focusing on Melodic Ambient and nearby genres.
https://tonaldrift.com