Ich habe mich mal wieder der generativen Musik gewidmet. Basierend auf zwei Akkorden (Dm & Am), habe verschiedene Algorithmen, auf drei Spuren dieses Lied generiert. Die Syntetischen Klänge wurde erzeugt durch die Instrument SQ80, D-50 und Loom2 mit Ableton Live.
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Once again I have devoted myself to generative music. Based on two chords (Dm & Am), different algorithms generated this song on three tracks. The syntetic sounds were generated by the instrument SQ80, D-50 and Loom2 with Ableton Live.

Generative Music Project - Part: 2022 - 02 - 04

Generative Music 2022 - 02 - 04

MAP: 
Music and Poetry 
to map all the universes
with all the non human voices.

 I am Wivresse, a french poetess exploring music and voice by her own feelings and self-taught.

MAP is a musical genre that comes from permaculture art in order to reconcile nature and culture, because there is no difference between the two, it's like saying that the horizon is a border.
I'm also developing a new project: 
MAB Music And Biophilia (Music including sounds of life to celebrate it).
And in this idea, I work on natural frequencies.

The musical genres I explore: World, electro, arty, traditional, care, experimental, ritual, jazzy.

Available for collaborations.

I also play in two duets, one with a Japanese musician for more than 10 years:

 ☆Kinsâme ☆
with Kyt de Kinsâme :

https://m.soundcloud.com/kiyotoyoshihara

( Electro, J-Pop, world, ambient, experimental, jazz)
-----------------------------------

 And the other with an American musician, 

 ᚎ Pythyrsus ᚎ
 with Mesmo :

https://m.soundcloud.com/mesmo1

(Alternative, experimental, ritual)

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WE ARE NATURE DEFENDING ITSELF



Other projects:

https://soundcloud.com/wivresse


Sorcière en Poétique quête contre les camps de civilisation.

Éco-poétique et art permaculturel.

https://instagram.com/wivresse
https://www.tiktok.com/@wivresse
www.youtube.com/@wivresse

at the crest of time
catching fire as the wind Blows
burning for beauty in all dimensions

Composer and songwriter living in Germany
piano, guitar u.a.
DAW: Logic Pro X


👌💎🌟🔥🙏🙂🌈😎😇🌺🌸🌼🍀🌞
🙏🙂💛🌟✨

I'm a French composer based in Lyon 

My YT channel : https://www.youtube.com/channel/UCQqhqMJKGhKvj1V4Z6h8yNw

Instagram : https://www.instagram.com/frankdana34/?hl=fr

frankdana.bandcamp.com

I teach in US higher education (in a STEM field) & am a hobbyist composer writing in a few different styles. I recommend headphones. All of my music is released under a Creative Commons Attribution/Noncommercial license.

My bandcamp page is getting out of date again, but some older albums there can be downloaded for free or for a name-your-own price donation.

If anyone wants to try performing any of this stuff on real instruments please send a message and I can provide scores. Not sure how playable some of it is for human musicians though.

Unsolicited messages asking me to listen to your latest song will lead to you being blocked unless if I know you well and we've interacted a lot.

Hope you enjoy and thanks for visiting!

Experimental Elektronik 
Meine eigenwillige Interpretation von elektronischer Musik. Ich bin beeinflusst von meinen alten Helden- alle aufzuzählen würde den Rahmen sprengen. Nur einige: DJ Hell, Dave Clarke, Laurent Garnier, Surgeon, Dopplereffekt, Drexciya, Arpanet, die ganzen Detroit Leute, Aphex Twin und eigentlich alle die den Sound der 90er geprägt haben.  Das waren so viele. Verdammt gute Musiker.
Vielen Dank für,s Folgen.
Ich schaffe es momentan arbeitsmäßig nicht alles gegenzuhören. Ich hoffe Ihr verzeiht mir das. Keine KI in den Tracks..

Thanks for listening my music :)
😍 🎆 🎶 🎆 🎹 🎆 🎧 ✨ 🌠 🎙️ 🎸
What meeans "ⓁichtⒷildⒼestalter" ? 
Could be translated as  >>LightPictureDesigner<<
In the past, a photographer was also called a light-image designer (LichtBildGestalter in german).
📸   🎞️   🤳   🖼️   👨‍🎨   ➕   🎵   🔊 
All tunes I publish here are free works and non-commercial!
I returned after the hearing loss (deaf in the right ear) and a long abstinence to electronic music in 2014/16.
While I used to make music exclusively on hardware synthesizers in my early days, a number of virtual instruments are now in use. My DAW is Ableton Live with a lot of Plugins ;-)
For many years, I have only been able to hear on one hearing. This makes it difficult for me to mix them but I give my best.
Besides music, photography is my great passion, that's also where my artist name comes from. Therefore all pictures and photos that can be seen on Sondcloud are my own work.
Enjoy the music, the pictures and have fun!
📷 🎞️ 🎥 😃 📼 🎬
If you are curious about my forographies, please visit my online exhibition:

https://www.saal-digital.net/profiles/LichtBildGestalter/#/

😎 🙏 🎹 🎶 🌈 🎧 🕊️ 🎚️ 🎼 👨‍👩‍👧‍👦 🌳 🍁 🦚🦅 ☮
"Music against Racism"
"Music for Nature" 

© All rights reserved
Frank Borsikowski

#electronic #piano #synthesizer #synthwave #retrowave #score #jazz #soundtrack #trailermusic #cinematic #spacemusic #soundscape #space #landscape #electronicJazz

Hanging out in the cloud forests of the Sierra Juárez mountains in Oaxaca, I’m tapping into the sounds of the universe like a mushroom-drunk nahual, reaching into the heart of nature to grasp at the mysteries of existence.

You’ll hear influences from deep time and across as many cultures as I can get my hands on. I get obsessed, man. Seriously, everything else melts away around me. I can spend days absorbed in an idea, like that stone statue guy—but with a stone guitar instead.

My approach to music? About as unpredictable as my ability to remember where I last saw my passport (pretty crucial when you live abroad all the time, right?). My unique way of processing the world often leads to an avant-garde approach to life. And yeah, maybe there’s been a mushroom-induced revelation or two along the way, but who’s counting? I don’t need a million-dollar studio—just a good instrument, a decent interface, a computer, and some monitors that hopefully survive my absent-minded chaos.

I’m a multi-instrumentalist who loves complexity, especially when it sneaks up on you through unexpected rhythms or harmonies from the far corners of the globe. From Carnatic ragas to garage rock grooves—why not just mix every cool sound and see what happens? Maybe I’ll start with a harmonic progression from Bach’s Goldberg Variations and slap it into a Hindustani 7/4 thaal (that’s rhythm, if you’re wondering). It’s a bit technical but, trust me, as cool as—well, let’s just say it’s the kind of vibe that might inspire a dream-like hallucination about nailing the perfect groove. (Music available for film, TV, and media licensing.)

Yeah, I am a Ph.D. trained evolutionary biologist, and... that sounds impressive until you find out I bailed on it the second I landed a good job. I was bored out of my mind. People look at me like a guy who won the lottery and then spent it all on the greatest collection of rare video games (I mean, I’m not that bad, right?). But switching from science back to music wasn’t just quitting—it was finally tuning into something deeper. Music and science might seem like distant cousins, but to me, they’re intertwined—both ways to unlock the secrets of the universe.

Now, I live in Capulálpam De Méndez, a mystical town in the Oaxacan mountains. The ancient Zapotec culture runs deep here, and creativity flows as freely as the mezcal at the fiestas (and trust me, there are plenty of fiestas).

Art is for everyone, and I’m always pushing to create something that connects—whether it’s a complex harmonic structure or just the right amount of groove to make you forget your troubles (or your keys, in my case).

So if you’re into music that teeters on the edge of chaos but mostly lands right where it needs to be—well, welcome. Just don’t expect me to remember how I got here, or where I left my bag. Seriously, my passport might’ve been in there… Was it the tuk-tuk? (sounds like a joke right... Err.. its not....)


--------------
Relajándome en los bosques nublados de la Sierra Juárez en Oaxaca, estoy sintonizando los sonidos del universo como un nahual borracho de hongos, llegando al corazón de la naturaleza para intentar comprender los misterios de la existencia.

Escucharás influencias de tiempos profundos y de tantas culturas como pueda explorar. Me obsesiono, hermano. En serio, todo lo demás desaparece a mi alrededor. Puedo pasar días absorbido en una idea, como ese tipo de las estatuas de piedra—pero con una guitarra de piedra en su lugar.

¿Mi enfoque hacia la música? Tan impredecible como mi habilidad para recordar dónde dejé mi pasaporte (bastante crucial cuando vives en el extranjero todo el tiempo, ¿verdad?). Mi forma única de procesar el mundo a menudo me lleva a un enfoque vanguardista de la vida. Y sí, tal vez haya habido una o dos revelaciones inducidas por hongos en el camino, pero ¿quién está contando? No necesito un estudio de millones de dólares—solo un buen instrumento, una interfaz decente, una computadora y unos monitores que, con suerte, sobrevivan a mi caos despistado.

Soy un multiinstrumentista que ama la complejidad, especialmente cuando te sorprende con ritmos o armonías inesperadas de los rincones más lejanos del mundo. Desde ragas carnáticas hasta los grooves del garage rock—¿por qué no mezclar todos los sonidos geniales y ver qué pasa? Quizás empiece con una progresión armónica de las Variaciones Goldberg de Bach y la meta en un thaal hindú de 7/4 (es decir, un ritmo, por si te lo preguntas). Es un poco técnico, pero créeme, es tan genial como—bueno, digamos que es del tipo de vibras que podrían inspirar una alucinación soñadora sobre encontrar el groove perfecto. (Música disponible para licenciamiento en cine, TV y medios.)

Sí, tengo un doctorado en biología evolutiva, y eso suena impresionante hasta que descubres que lo dejé en cuanto conseguí un buen trabajo. Estaba aburrido como una ostra. La gente me mira como a un tipo que ganó la lotería y luego lo gastó todo en Beanie Babies (no soy tan malo, ¿verdad?). Pero pasar de la ciencia de nuevo a la música no fue simplemente abandonar—fue finalmente sintonizar con algo más profundo. La música y la ciencia pueden parecer primos lejanos, pero para mí, están entrelazados—ambas son formas de desentrañar los secretos del universo.

Ahora vivo en Capulálpam De Méndez, un pueblo místico en las montañas de Oaxaca. La antigua cultura zapoteca corre profundo aquí, y la creatividad fluye tan libremente como el mezcal en las fiestas (y créeme, hay muchas fiestas).

El arte es para todos, y siempre busco crear algo que conecte—ya sea una estructura armónica compleja o solo la cantidad justa de groove para hacerte olvidar tus problemas (o tus llaves, en mi caso).

Así que si te gusta la música que oscila en el borde del caos pero que la mayoría de las veces aterriza justo donde debe estar—bienvenido. Solo no esperes que recuerde cómo llegué aquí, o dónde dejé mi bolsa. En serio, creo que mi pasaporte estaba allí... ¿Fue en el tuk-tuk? (suena como una broma, pero... ehh, no lo es...).

ⓉoneⒸrash is a pseudonym of my experimental, non-profit activities. 
I made my first tonal and musical experiments in the 80s with a Schneider (Amstrad) CPC6128 (Z80 CPU/128 kB RAM). The sound generator in the CPC was an AY-3-8912 (originally from General Instrument), a chip that produced stereo sound and had built-in envelope and noise generators.
(^_~)
Experimental electronic music and sound collages. 
Generative Music and Sound animation. 
Field recordings and Sample manipluation.

Sound design and "Art for the ears"