Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.

BOOKINGS : 
Worldwide : robert@gembookings.nl
Management: ghayath@form-music.fr

Tamed Musiq // ESP Institute
bookings@ripperton.com
http://linktr.ee/ripperton

tici taci - bringing you electric funk rekkids at tempos below 120 bpm. No pre-packed freeze dried loops here, all tracks have live instruments well to the fore, from funky wah-wah guitars and deep chunky bass to temperamental analogue synthesisers and live percussion.

Now 2 years later (July 2015) we're at 23 releases from a range of artists and remixers, with one release scheduled each month.


Duncan Gray (biog) : Perhaps best known as one half of the Sons of Slough along with Ian Weatherall - see discogs entry for details of releases. The Sons were a formidable Live act (see You tube) playing regularly across the UK. DG's own releases also gained some popularity, starting with cuts for Scatological (1996) Blue Black, Whole9Yards, SaltHill, through to Aquamelon (2009). Since returning to music production in 2013 he has released tracks on NEIN, Eskimo, Blindetonation, Play Pal, Rock to The Beat, plus Andrew Weatherall's vinyl only Birdscarer label. He has played guitar on half a dozen AW remixes.
DJ Bookings : julieann.smith@gmail.com

CONTACT :  ticitacimusic@gmail.com


Yes, I do want to hear new tracks. I am always interested in music which features REAL INSTRUMENTS - or electronic originality. I'm getting fussy these days...please email files to the email address above. (don't just send a soundcloud link please) If you don't know what the sound of this label is like, don't bother sending me stuff. I get quite a few demos with a note saying "I love the sound of your label" from producers who have clearly never listened to any of our releases.

PLEASE NOTE : 2020 release schedule now full, but I can always make room for something spectacular, or a really cool remix...

"La dame Noir" is a Label, a dj/producer crew & a club based in Marseille.

The Label.
"La dame Noir Rds" is mainly about the sunset vibe to the darkest side of Disco. Slow Mo, Nu Disco, Moody Music, Haunted House, Voodoo Shit or whatever you might call it is our concern.
So far we've been releasing artists like Copyshop AKA Dj Steef, Date With Elvis, Pete Hebert & Danton Eeprom and some more are coming (Zombies In Miami, Forty Fings Dynamo, Did & Amevicious..).


The Dj/Producer Crew.
We already released remixes under "La dame Noir" name for label such as Meant and artists like Amine Edge & DANCE. This year expect more remixes and original Tunes from LdN own production lab.

Label: LdN Records is run By Phred Noir, Meloko & Marc Rousset.
Club: La dame Noir[NEW]dancing is run By Phred Noir.


La dame Noir [bar&dancing].
La dame Noir is a small tiny bar located in Marseille, we had guest such as Pachanga Boys, The Revenge, Breakbot, Dantonn Eeprom, Michael Mayer and so many other top djs...
LdN [dancing] is a 250p cap club based on Marseille Port,
djs like Ivan Smagghe, Simian Mobile Disco, Andrew Weatherall and many more all came over.

Booking contacts: 
ROW: alex@miraclemgmt.com
GAS: jan@plantage13.com
N&S America: jon@liaisonartists.com

Tonina is following