مزيج السلطنه 🎧

shhhh

that's interesting

حلم
كلمات نجيب سرور
الحان وتوزيع وغناء تامر أبوغزالة
@tamerag

بيانو شادي الحسيني
باص محمود والي
درامز خيّام اللامي
تسجيل حسين سامي
من حفل مسرح الجنينة سبتمبر 2012

Visit Mostakell مستقلّ

Tamer Abu Ghazaleh - Helm (Live in Cairo) تامر أبو غزالة - حلم - من حفل القاهرة

بندور على سرّ الكون
collab with Aya 

الكون /El-Koon

My first attempt at working with sound without hammering my feet onto the ground, is an intuitive exploration of my throat cavity, on an evening when I was sick at home in Beirut. Inflamed by a stubborn allergy induced by remains of glass dust, my vocal cords rebelled in full disobedience, sometimes withdrawing into total silence, other times, dissociating words from sound, and sound from control.

Unsettled by the discord between thoughts, mouth and ears, I wanted to record the experience, before it vanished as abruptly as it appeared. I wanted to be able to come back to it after my voice clears out and dissipates the noise, that scraping noise, which urgently interrupts the normality of words. So I used my phone to record some random thoughts, alongside breathing techniques which I practiced to decongest my sinuses and try to regain, or perhaps lose, my familiar voice.

Hovering around body silencing, fragmentation and mourning deprivation, Down By the Pit of the Throat is an intimate sonic testimonial that reflects on the obsoleteness of verbal language in the face of perpetual tragedies.


Recorded and composed by Yalda Younes 
Mixed by Khyam Allami
 Commissioned  by Redeem, a platform supported by Berlin Senate

Down by the pit of the throat

DOWN BY THE PIT OF THE THROAT عند حفرة الحلق

Kohol / كحل

1 - Anticipation Of New

Spell. Mariana Sadovska/Christian J. Thomé

Boar

Souff

Safar

Drowning Dream

СПБЧ и Pavel Peppershtein - Recycle

B U N H T - Open

لرامي والسنباطي من حفل نادي الهليوليدو.
--
نسخة مختلفة للمقطع من نفس الحفل: https://soundcloud.com/fatma-hemisa-ii/pml1ptv0hcxr

غلبت أصالح في رُوحي .. | المقطع الأخير - ديسمبر 1954

This track was recorded at home during the quarantine of 2020.
Mastered by Ziad Moukarzel (aka MOUKA)

A Lying Instrument

Tony Elieh is a pioneering Lebanese musician and bassist known for his dynamic presence in the experimental and alternative music scenes. Originally a founding member of Lebanon's first post-rock band, Scrambled Eggs, Elieh expanded his artistry into experimental improvisation, blending elements of noise, rock, and electronic music. His versatile approach to the bass guitar often incorporates unconventional techniques, creating layered soundscapes and textures that push sonic boundaries.

Elieh has collaborated with numerous artists across disciplines, from visual art to contemporary composition, and his work often explores themes of memory, identity, and the interplay between sound and space. Performing both as a solo artist and with various ensembles, he has showcased his music at prominent international festivals, including Irtijal in Beirut and Kontakt Festival in Berlin, cementing his reputation as an innovative force in the global experimental music community.