Written by Blake Ewing
Performed by Blake Ewing with cello performances by Craig Hultgren
Album art by Matthew Salleh and Rose Tucker

Spotify: open.spotify.com/album/6pyl44xfQw…e4aca961eded4a88
Apple: music.apple.com/us/album/we-dont-…dtrack/1566426258

Film, CD, vinyl: www.wedontdeservedogs.com

We Don't Deserve Dogs (Original Motion Picture Soundtrack)

Blessings

from 'Collection' [3xCD|4xLP BOX|DIGITAL]
including:
Cracked Mirrors and Stopped Clocks
Shakkei
Shakkei Remixed

available in January on all formats at [http://denovali.com/origamibiro]

Origamibiro is a collaborative project consisting of three core members: musician, soundtrack composer and producer Tom Hill, visual artist and filmmaker The Joy Of Box, and multi-instrumentalist Andy Tytherleigh. Originally started as a solo project for Tom, Origamibiro has since evolved into an audio-visual collective, producing studio music, art objects, interactive installations and hauntingly original live audio-visual performances. Origamibiro like to create work with an array of unorthodox processes and contraptions, found objects, video feeds and multi instrumentalism. Their aim is to create works of texture, lyricism and intensity.

Previous to Origamibiro, Tom Hill had been working with electronica and found-sound sampling through projects such as Wauvenfold and Penfold Plum. Origamibiro's first release, 'Cracked Mirrors and Stopped Clocks' saw a radical return to Tom's classical and electric guitar roots. Performed and produced entirely by Tom, 'Cracked Mirrors' also involved sampling additional atmospheric elements: the creak of his chair, the sound of his breath, the squeak of the wood in his guitar. The result is both intimate and melodic, tangible and atmospheric.

Tom was then looking to translate this music from studio to live environment and enlisted the help of The Joy Of Box (Jim Boxall). Jim had a background in fine art as well as live visuals. Both Tom and Jim were looking for ways to expand how they could approach live performances and utilise technologies but also retain a sense of fragility, texture, emotion and above all risk. Not long after, Andy Tytherleigh brought his multi-instrumentalist skills (double bass, ukulele, banjo, guitar) to what was now becoming a collective and the trio began to develop ways to bring all of these elements together with live looping techniques. Jim began to use objects and props to film and record live, Tom experimented with sampling found materials to add texture and rhythm to his guitar melodies and Andy layered multiple instruments to add depth and weight to the whole process.

The release of the second album 'Shakkei' saw an expansion in Origamibiro's sound - from an intimate personal space to an expansive terrain ('Shakkei' in fact translates to 'borrowed landscape'). The second album utilised field recordings and even a shared audio journey between Tom's Autumnal footsteps in English woodlands and Jim's muted boot crunch of snowy Eastern European forests. The third album 'Shakkei Remixed' came soon after featuring remixes by a host of artists, reinterpreting Origamibiro's material in further directions still. Origamibiro's live performances also expanded, now involving treated books, typewriters, found celluloid, paper, eerie wildlife recordings, home movies, sellotape and bespoke visual contraptions. All of these things had been added, adapted, even destroyed as a way to generate images and audio that could evoke a feeling, a response, an understanding or perhaps a question from audiences.

2014 sees the re-release of Origamibiro's entire back catalogue through Denovali and also the release of their fourth studio album. 

"The fall of a typewriter key, the pluck of a double bass, the ripping of paper - all these tiny, transient moments become the notes with which Origamibiro compose a world around them... And it's an extraordinary world: strangely calming in its slow revealing; startlingly beautiful in its climatic chiming; strong enough to cut through pixelated ennui" - dummy mag

Shakkei

Buy on all formats

Origamibiro - Quad Time And The Genius Of The Crowd

This is Ice Mountain. The lyrics were written and recorded first with musical ideas built around it. This is one of several versions we made.
Recorded Summer 2021 and Spring 2022
Composed by Joran Elane and Paul Landry
Jorane Rlane, Lyrics and vocals
Paul Landry: Instruments
Mastered and mixed by Paul Landry
♬ open.spotify.com/artist/1B2AKlcuwjPOXGbEhYOZVm
♬ music.apple.com/gb/artist/elenniyah/1563534036
♬ elenniyah.com/
♬ twitter.com/elenniyah
♬ www.facebook.com/elenniyah
www.facebook.com/glenvore.art
Recorded June 2021
© Elenniyah Music 2021

Ice Mountain

Downloads

Ice Mountain by Elenniyah

🖤 In Quietude.
🎧 Stream / Download: https://album.link/meditations-vol-6
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💿 Suggested track: https://youtu.be/ophS4saiwbU

📷 Photo by Timo Masri
https://unsplash.com/photos/a-woman-standing-in-a-field-of-yellow-flowers-jNfOLpUS_w0

🎶 YouTube Mixes Playlist: https://amg.fanlink.to/Mixes

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#ambient #vocal #inspiring

Watch on YouTube 🧡

Salt of the Sound - In Quietude

The new year has just begun, and why not dream of faraway places? Imagine yourself on the beautiful Amalfi Coast, on a summer evening… an unforgettable view, and in the distance, the sound of a singing guitar, a cello, and a flute in harmony.

L'année nouvelle commence à peine, et pourquoi ne pas rêver d'ailleurs, s'imaginer sur la belle côte amalfitaine, un soir d'été...une vue imprenable et au loin le son d'une guitare chantante, un violoncelle et une flûte complices.

El año nuevo apenas comienza, ¿y por qué no soñar con lugares lejanos? Imagínense en la hermosa costa de Amalfi, en una noche de verano... una vista impresionante y, a lo lejos, el sonido de una guitarra melodiosa, un violonchelo y una flauta cómplices.

Ravello (trio pour guitare, flûte basse et violoncelle)

"Hello World" is my entry to Piano Day 2016.
http://www.pianoday.org
#PianoDay

Mash Waves Music is a music project by Daniel Soffner based in Melbourne, Australia.

Blog:   http://mashwavesmusic.soffner.com
Bandcamp:  https://mashwavesmusic.bandcamp.com
Twitter:  https://twitter.com/danielsoffner
Facebook:  https://www.facebook.com/MashWavesMusic

Hello World

Improvisation for Piano Day 2016 by Michael Ford. #PianoDay
If you like my music, please "like" my Facebook page - https://www.facebook.com/Michael-Ford-Piano-221557034537760/

Rainy Daydream

forgotten carousel

Porya Hatami | Aaron Martin | Roberto Attanasio ​ - 'Sallaw' 
Label; Dronarivm 
Cat #.: DR-58
Format: CD (ltd. 150)/ Wooden box special edition CD (ltd. 50)/ DL
Release date: March 1st, 2019

“Sallaw” is a Kurdish word that expresses the passing of time, and on this new album the three sound artists have found a way of expressing that notion in music. Four tracks of slowly unfolding ambience make up this collection, each piece named after different months, again in Kurdish. The four sections represent the different seasons and their movement through time.

Mastered by Fraser McGowan
Artwork by Hawar Amini

Buy CD / DL

PORYA HATAMI | AARON MARTIN | ROBERTO ATTANASIO - Pûşper

Sometimes I can't tell if my mood is driving the music I'm playing, or if the music is influencing my mood. I think it's a little of both. But this Saturday morning, I'm waking up to another gentle day. The city is peaceful just behind my curtains, like a frozen postcard from a moment stuck in time. Only the clouds seem to move, announcing the passage of hours. I turn back to music, to feel something 'changing', and with it, emotions, perceptions and senses are all that I know that are signs of my 'life'. Today's soundtrack to the imaginary narrative is a piece by Richard Luke appropriately titled "Silent Story". This track originally appeared on Luke's 2019 release on Moderna titled Glass Island, and today we are honoured with a rework, this time accompanied by short thumping bass, and gorgeous string passages courtesy of Amira Bedrush-McDonald. This piece is taken from an upcoming EP, featuring additional reworks by Daigo Hanada, Aisling Brouwer, Jakob Lindhagen, Halftribe and Anna Pluto. I hope that it starts off your quiet May weekend, as it has revealed all that's real in mine.

Glass Island (Reworked)

Silent Story

TRACK PREMIERE : Richard Luke - Silent Story (Rework)

My 3 year romance with a 1927 Steinway M baby grand piano has come to an end, as I had to move house... This was one of the first pieces I wrote on it.  I was thinking of the joy of playing...

Joy

Tony McKeown