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@tooslowtodisco keep the soaked disco vibes flowing with a brand new 7 track Double 10" EP from Australian producer @DaveMathmos. It's also the 15th edition of TSTD Edits, a series which has been packed with quality. Dave has a long history with the label, being behind the first ever TSTD Edits release, and it's the perfect match as he continues to craft sublime Slo-Mo disco moments. 

Our premier from the EP today is I Betcha, a ridiculously smooth 70's disco gem. Instantly recognisable, this edit adds extra dancefloor grit to what is already classic jam, revitalising it for the 2023 dancefloor

Check it out here and then jump over to LV for more on the release via: https://levisiteuronline.com/music/dave-mathmos-i-betcha/

I Betcha!

LV Premier - Dave Mathmos - I Betcha! [Too Slow To Disco]

Même Heure Même Endroit

Belgrade DJs KOMPLEKS make their debut on the SHOES spin-off label PLIMSOLL RECORDS in collaboration with GRANDE BUFFO. 4 tasty mid-tempo disco, reggae and soul edits: "PUT IT ON THE LINE", "SPACE TALK", "LORAINE" and "WHEEL OF LIFE EDIT". The tracks speak for themselves so check them out. PHAT! Don't sleep on this one...

Vinyl out mid July via PLIMSOLL 
Digital release via GRAND BUFFO soon after

Tracklisting: 
A1 - Put It On the Line - Lyn Collins 
A2 - Space Talk - Asha Puthli 
B1 - Loraine - Linton Kwesi Johnson 
B2 - Wheel Of Life - Lyn Collins

Kompleks - Space Talk (Asha Puthli Edit)

1 MINUTE TASTER EDITS OF ALL 3 SONGS FROM THE PAYFONE   RELEASE 'PARADISE' OUT DECEMBER 2014 GOLF CHANNEL RECORDS 049

PARADISE 12" TASTER - GOLF 049

DC Promo Tracks #1482: "Epitome" by Sable Blanc is part of the release "New Places" on Oath @oathy  

Buy Now: https://oathcreations.bandcamp.com/album/new-places 
Interview: https://www.dreamchimney.com/interviews/sable-blanc/

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🎶 More Promo Tracks: https://www.dreamchimney.com/promo
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DC Promo Tracks: Sable Blanc "Epitome"

Furry Fury

I SHOT THE SHERIFF

snacks - between you & me (ooft! remix)

More infos on our website : https://www.phonographecorp.com/stream/premieres/douzieme-edit-gratuit-pour-discomatin/

You can also follow @Discomatin

Le label et after parisien, en plus de vous faire danser le matin, vous offre ses edits en téléchargement libre. Une exclusivité Phonographe Corp.

Discomatin - Freak D'Afrique (Discomatin Edit) - FREE DL

Black Voices Revisited

Asiko Revisited

Born in Lagos, Nigeria in 1940, of mixed Nigerian and Ghanaian parentage, Tony Allen taught himself to play by listening to records made by the American jazz drummers Art Blakey and Max Roach. He began working as a professional musician in 1960, gigging around Lagos and variously playing highlife and jazz. Today living in Paris, Allen has long been acknowledged as Africa’s finest kit drummer and one of it's most influential musicians, the man who with Fela Anikulapo Kuti created Afrobeat - the hard driving, James Brown funk-infused, and politically engaged style which became such a dominant force in African music and whose influence continues to spread today.

Allen had to overcome strong parental opposition to realise his dream of
becoming a professional musician. “My parents were…not keen. Back then, in Lagos, musicians were more or less thought of as beggars, or worse. But I just put it in front of them. I was an electrical technician, but I wanted to make a change. My mother was never happy about it, but my father, who was an amateur musician, eventually agreed.”

Allen started out as a jazz drummer. “Art Blakey was my big influence, and before that, before I started club crawling, it was Gene Krupa. When I started, I tried to play like Gene Krupa. Then I discovered Blue Note Records and Art Blakey’s Jazz Messengers - it opened up another style to me. Max Roach was important too. I studied some lessons he wrote in Down Beat magazine about how to play high-hats. Most drummers in Lagos never used them, they were just a decoration on the kit,and I’d always thought that was something incomplete.”