There Is No End

Mau Mau (feat. Nah Eeto)

The Morning Benders - dreams (fleetwood mac cover)

Perfect Queen

Melbourne local CC has been rocking her signature style of disco house on the airwaves, in the clubs and on the blogs, making her one of the foremost  tastemakers in the Australian dance music scene. We are grateful to have her include her tasteful rework of a classy 80s french tune.. 

Follow her at:
https://soundcloud.com/cc-disco
https://www.facebook.com/ccdiscomusic

Free Download

Tout Le Monde Samuse - CC Edit

Dance (Alt-Rock Mix)

South London newcomer Dennis Ayler brings jazz-infused hip-hop grooves to the forefront as all-star label @22amusic reach their tenth release on the label.

Read more & buy: http://www.stampthewax.com/2016/05/21/premiere-dennis-ayler/
Listen on Youtube: http://bit.ly/22a-dennisayler

Listen on Youtube

Dennis Ayler - Ms Chambers (STW Premiere)

Fast rising London-based producer Danvers (@ddanvers) slides through Boogie Café Records (@boogie-cafe-records) with a stack of smooth house cuts on his 'Desire' EP, which comes complete with a remix by Harry Wolfman who flips the title track into a shimmering soulful ballad. 

The 'Desire' EP is set for release October 15.

More exclusive music

Premiere: Danvers 'Desire' (Harry Wolfman Remix)

musical simbiosis experiment.
no.1
download: https://menteorganica.bandcamp.com/track/mente-org-nica-jade-prenons-le-large

Art: Minh

Prenons Le Large w/ Jade

Download / Listen / Buy A Damn Shirt → http://jg.luckyme.net 

Cover art by Vincent Tsang (Dime MTL)

'Silencio' is the B-Side to 'Night Service' - https://youtu.be/S1JaoIYJ-PE

Night Service

Silencio

Buy A Shirt

Jacques Greene X Cadence Weapon - Silencio

The debut album from Montreal-based band "Only The Righteous"

...Dig

Calamity Jane

Hot Motion

The Howl

Born in Lagos, Nigeria in 1940, of mixed Nigerian and Ghanaian parentage, Tony Allen taught himself to play by listening to records made by the American jazz drummers Art Blakey and Max Roach. He began working as a professional musician in 1960, gigging around Lagos and variously playing highlife and jazz. Today living in Paris, Allen has long been acknowledged as Africa’s finest kit drummer and one of it's most influential musicians, the man who with Fela Anikulapo Kuti created Afrobeat - the hard driving, James Brown funk-infused, and politically engaged style which became such a dominant force in African music and whose influence continues to spread today.

Allen had to overcome strong parental opposition to realise his dream of
becoming a professional musician. “My parents were…not keen. Back then, in Lagos, musicians were more or less thought of as beggars, or worse. But I just put it in front of them. I was an electrical technician, but I wanted to make a change. My mother was never happy about it, but my father, who was an amateur musician, eventually agreed.”

Allen started out as a jazz drummer. “Art Blakey was my big influence, and before that, before I started club crawling, it was Gene Krupa. When I started, I tried to play like Gene Krupa. Then I discovered Blue Note Records and Art Blakey’s Jazz Messengers - it opened up another style to me. Max Roach was important too. I studied some lessons he wrote in Down Beat magazine about how to play high-hats. Most drummers in Lagos never used them, they were just a decoration on the kit,and I’d always thought that was something incomplete.”