Liming - Part 1

There Is No End

Mau Mau (feat. Nah Eeto)

Re-Tuff

basic

Last autumn, Cologne-based duo COMA released their long-awaited sophomore full-length THIS SIDE OF PARADISE (KOMPAKT 335 CD 126) - Mixmag proclaimed the album as “a lush, melodic and electronic creature” that completely fits their wide sonic palate. The band gave free reign to have the artists that appear on this release remix their favorite tracks from the album. What we have is a trio of great reinterpretations that literally sound like they come from the heart: MOSCOMAN is definitely on his way to being hailed as a face to watch in 2016. His releases on ESP Institute, I'm A Cliché and Renate were played to death in our office, so we happily welcome him with this amazing remix of BORDERLINE. We got to know BAIO as a member of VAMPIRE WEEKEND - he has kept our ears on alert thanks to great releases on Greco-Roman and his phenomenal debut album. He takes on THE SEA in his own way and warps it into an epic dance floor bloomer. Look out for a remix of BAIO that COMA did which is expected out soon. ALEX HENTZE rounds off this release with a step-heavy crooner to end any great night out.

COMA - The Sea (Baio Mix)

Pieces of a Man

Peace

Jacques - Dans La Radio (Uto Remix)

THIS IS MY NEW MIXTAPE
NEVER LOVE CHILL OUT
CHILL OUT SUMMER 2019
MUSIC FROM "HAPPY SUNDAY" JUNGLE BEACH
Toutes les musiques CHILL OUT / LOUNGE de vos
après-midi au Jungle Beach.
Garde un petit souvenir de tes vacances.


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Never Love Chill Out by ÜMA

hey rose

Esbjörn Svensson Trio-Goldwrap (Marwell"s tribute remix)

Volage - Horses

Connection

The Vice Yard

Mangroves

Mangroves (Contours Edit)

Born in Lagos, Nigeria in 1940, of mixed Nigerian and Ghanaian parentage, Tony Allen taught himself to play by listening to records made by the American jazz drummers Art Blakey and Max Roach. He began working as a professional musician in 1960, gigging around Lagos and variously playing highlife and jazz. Today living in Paris, Allen has long been acknowledged as Africa’s finest kit drummer and one of it's most influential musicians, the man who with Fela Anikulapo Kuti created Afrobeat - the hard driving, James Brown funk-infused, and politically engaged style which became such a dominant force in African music and whose influence continues to spread today.

Allen had to overcome strong parental opposition to realise his dream of
becoming a professional musician. “My parents were…not keen. Back then, in Lagos, musicians were more or less thought of as beggars, or worse. But I just put it in front of them. I was an electrical technician, but I wanted to make a change. My mother was never happy about it, but my father, who was an amateur musician, eventually agreed.”

Allen started out as a jazz drummer. “Art Blakey was my big influence, and before that, before I started club crawling, it was Gene Krupa. When I started, I tried to play like Gene Krupa. Then I discovered Blue Note Records and Art Blakey’s Jazz Messengers - it opened up another style to me. Max Roach was important too. I studied some lessons he wrote in Down Beat magazine about how to play high-hats. Most drummers in Lagos never used them, they were just a decoration on the kit,and I’d always thought that was something incomplete.”

Mau Mau (feat. Nah Eeto)

Tony Allen

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