New private playlist

Tony Allen

Le duo germano-chilien de chamans  Ricardo Villalobos & Max Loderbauer qui réinvente "African Man" avec une science du beat minimaliste, le Londonien Fort Romeau qui injecte un élégant rythme discoïde dans "Go Back"… Entre deep house revival et soul de science fiction, voilà un coup de maître, une véritable extension du domaine du groove du grand maître Tony Allen.

Go Back (feat. Damon Albarn) [Fort Romeau Absolut Remix]

African Man (Villalobos - Loderbauer ZuHouse Remix)

Thank you guys so much for the insane amount of support recently. Before I start releasing all the original music I have in store I wanted to share a remix I've been playing in my sets for a few months now. For this one I tried to keep things clean and simple with a BIG low end. Hope you guys can dig it :)

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Keys N Krates - Dum Dee Dum (NGHTMRE Remix)

Today is truly a special day as it is the birthday of Party Thieves (9.30) as well as the 2 year anniversary of the THIEVES project existing. I come in full force with my side project "Lazy Boyz" to bring you a new free track for the ages. Thank you all for the continuous love and support -J

SHOUT OUT TO BILLBOARD FOR THE PREMIERE: http://www.billboard.com/articles/news/dance/6714566/party-thieves-new-song-rise-premiere

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FREE DOWNLOAD

Party Thieves & Lazy Boyz - Rise

Wolf Eats Wolf

Push And Pull

On Fire

Each night I wake up in heat
How do you want me to find sleep?
Your walk is my T.V. show
I don't need more, I don't need blow

We don't cook and we don't fix
Summer wine is all we need
Seven glasses in a row
We don't need more, we don't need blow

I'm in New York and I'm fine
I've got your love and peace of mind
Playing on my pillow drums
And sleeping on your pillow drums

We don't cook and we don't fix
Summer wine is all we need
Seven glasses in a row
We don't need more, we don't need blow
We don't need more, we don't need blow 

Blow Up

Wendy Rene - After Laughter Comes Tears

Born in Lagos, Nigeria in 1940, of mixed Nigerian and Ghanaian parentage, Tony Allen taught himself to play by listening to records made by the American jazz drummers Art Blakey and Max Roach. He began working as a professional musician in 1960, gigging around Lagos and variously playing highlife and jazz. Today living in Paris, Allen has long been acknowledged as Africa’s finest kit drummer and one of it's most influential musicians, the man who with Fela Anikulapo Kuti created Afrobeat - the hard driving, James Brown funk-infused, and politically engaged style which became such a dominant force in African music and whose influence continues to spread today.

Allen had to overcome strong parental opposition to realise his dream of
becoming a professional musician. “My parents were…not keen. Back then, in Lagos, musicians were more or less thought of as beggars, or worse. But I just put it in front of them. I was an electrical technician, but I wanted to make a change. My mother was never happy about it, but my father, who was an amateur musician, eventually agreed.”

Allen started out as a jazz drummer. “Art Blakey was my big influence, and before that, before I started club crawling, it was Gene Krupa. When I started, I tried to play like Gene Krupa. Then I discovered Blue Note Records and Art Blakey’s Jazz Messengers - it opened up another style to me. Max Roach was important too. I studied some lessons he wrote in Down Beat magazine about how to play high-hats. Most drummers in Lagos never used them, they were just a decoration on the kit,and I’d always thought that was something incomplete.”