Finding our way back

favourite things | 7.20

It&#x27;s always 420 somewhere. This playlist will keep you company until you fall asleep at 8.

420 Jazz  - Chill Jazz / Trippy Jazz / Psychedelic Jazz

Tony Allen – Rejoice

World Music Jazz

crabhands

pc-010

Africa

With a new year just started, it’s time to tidy up our most recent music listening(s) and find out what the mad, mad 2020 offered us when it came to new songs.

Despite what we all had to bear, music brought us plenty of relief. So, check out our most beloved and listened to tunes of the year and welcome their uplifting and soul healing action.

Your Ticket to... 2020 in 100 Songs

Kaffee Jazz

This song is dedicated to our brothers and sisters who are suffering in foreign countries striving for a better life. may God keep you protected and guide you to get home safely.

Jacky Gosee Hememen Bezema 2013

The Complete Miles Davis Featuring John Coltrane

'Round Midnight (feat. John Coltrane, Red Garland, Paul Chambers & Philly Joe Jones)

The Sun Rises In The East

Come Clean (E New Y Radio)

Awake

Mingus Ah Um

Goodbye Pork Pie Hat

Empyrean Isles

Cantaloupe Island (Remastered 1999/Rudy Van Gelder Edition)

Hits Of The 80's

Vienna

Charm Taylor- Right or Wrong

Sela bey  Jacky Gosee

Smooth Calm Ballad. Lounge jazz with a little sad  and nostalgic character. Classic Jazz Trio.  Piano, Upright Bass and Drums.

Let`s Cry Together

Mikkel

"Help Me Understand" is from Zoon's new album Bleached Wavves out later this year on Paper Bag Records.

FB: www.facebook.com/zoonmusic/
IG: www.instagram.com/zoongideewin/
www.zoongideewin.com

Pre-Order Album here: https://shop.paperbagrecords.com/products/zoon-bleached-wavves

Zoon - Help Me Understand

Slow Bones

René

Rejoice

Agbada Bougou

Coconut Jam

Robbers, Thugs and Muggers (O'Galajani)

Never (Lagos Never Gonna Be the Same)

💿 Stream/Support  
→ https://fanlink.to/kingdom-in-blue-EP

Kupla opens up the year with a range of emotions with his new album “Kingdom in Blue”. The Helsinki based artist has assembled a soothing getaway that’s accompanied by his uniquely mesmerising wind instrument and piano melodies. “Kingdom in Blue” is a beautiful journey, that feels like finding your own deserted island in the heart of a busy city. Breathe in, sit back, and close your eyes. You’re in good company 

🎵 Music by Kupla
→ https://soundcloud.com/kuplasound
→ https://open.spotify.com/artist/7daSp9zXk1dmqNxwKFkL35
→ https://itunes.apple.com/us/artist/kupla/888670430

🎶 Tracklist 
[00:00] Serenity
[03:10] Valentine
[07:00] Dew
[09:38] Sunray
[11:17] Sleepy Little One
[13:48] In Your Eyes
[16:45] Roots
[19:02] Kingdom In Blue

🎨 Artwork by Matt Rockefeller
→ https://www.instagram.com/mcrockefeller/
→ https://www.inprnt.com/gallery/mcrockefeller/

🎼 Listen to ChilledCow everywhere
→ http://bit.ly/chilledcow-spotify
→ http://bit.ly/chilledcow-applemusic
→ http://bit.ly/chilledcow-soundcloud

👕 Check out the ChilledCow merch
→ http://bit.ly/chilledcow-merch

🌎 Follow ChilledCow everywhere
→ http://bit.ly/chilledcow-instagram
→ http://bit.ly/chilledcow-twitter
→ http://bit.ly/chilledcow-facebook

📝 Submissions
→ https://soundcloud.com/chilledcow

Kupla - Kingdom in Blue

Antifa Dance

any way you want me
(however far gone)
that is how i’ll stay
(you’re not like this)
never blinked
let it happen
i just want to sleep all day
with you

its taking its toll on my body
my hands shake
when im lost
a fever dream
with a eulogy 
the dust sits on a rose petal and sleeps

im so far gone
make it up when i want
because im not sad anymore
drinking all alone
while you’re all
sleeping while its dark
when everything is different
but who blames you?

its taking its toll on my body
my hands shake
when im lost
a fever dream
with a eulogy 
the dust sits on a rose petal and sleeps

my body

Abandoned City

Elizabeth Bay

Trema La Terra

04. Pani e Cipudda

Berlin-based Swedish saxophonist Otis Sandsjö returns with the eagerly-awaited sequel to "Y-OTIS". Sandsjö and his close associate, bassist/producer Petter Eldh (of Koma Saxo), deepen their vision of genre-bending, forward-looking "liquid jazz" of tomorrow. The core group also features Dan Nicholls on keys and Tilo Weber on drums, plus Jonas Kullhammar and Per "Texas" Johansson on flutes (check "tremendoce").

Diving deep into "Y-OTIS 2", you'll find details and ideas galore. The album is an inviting and inspiring audio mosaic, which links back into the previous Sandsjö/Eldh collaborations, namely "Y-OTIS" and "Koma Saxo". The result is a balanced album which quenches your thirst while making you more thirsty in the process. In other words, the many micro moods and sonic levels herein invite repeated listening, while the underlying rhythmic approach is informed as much by hiphop and electronica as by jazz, making the music approachable in a very natural way.

It seems unnecessary to pull the album apart by name-checking individual tracks but just for the sake of easy introduction, the single cuts "tremendoce", "ity bity" and "abysmal" offer one alternative of sign posts along which to navigate. "tremendoce" brings in Swedish jazz great Jonas Kullhammar (of Koma Saxo) and Per "Texas" Johansson, introducing an infectious flute loop integrating into the Y-OTIS sound, making it organic to the bone. "ity bity" could be built on a new wave synth sample (but it's not) and "abysmal" brings more serene, even ambient-sounding sonic pathways into the map. It all belongs together, and makes for a sound which is instantly recognisable and constantly fresh. This is "Mauerpark liquid jazz" for the new decade.

Composedn by Otis Sandsjö & Petter Eldh
Produced by Petter Eldh
Co-produced by Otis Sandsjö
Executive producer Matti Nives

Otis Sandsjö,  tenor saxophone & clarinet / Petter Eldh, bass & synthesizers / Dan Nicholls, keyboards & synthesizers / Tilo Weber, drums // Featuring: Per "Texas" Johansson, flute / Jonas Kullhammar, flute 

Recorded by Martin Ruch at Control Room Berlin, 1-3 December 2019
Flutes recorded by Petter Eldh at Studio Moserobie, Stockholm, 10th February 2020
Additional recordings by Petter Eldh at Galatea Studios, Berlin
Additional Synthesizer recordings by Dan Nicholls at Cozmos, London
Mixed by Martin Ruch at Control Room Berlin
Mastered by Martin Ruch at Control Room Berlin

tremendoce

hot mbalakh mix

Celestial Voices

O CORE NUN TENE PADRONE

O CORE NUN TENE PADRONE (APACHE MIX)

MELVV MONDAYS - Four Tet - 4T Recordings (MELVV Flip)

Follow MELVV
https://facebook.com/itsmelvv
https://twitter.com/itsmelvv 
https://instagram.com/itsmelvv
https://soundcloud.com/itsmelvv 
https://youtube.com/itsmelvv 
http://itsmelvv.com/

Four Tet - 4T Recordings (MELVV Flip)

mbalakh - youssou ndour mix

Orgone

Black Vivaldi Sonata - A COLORS ENCORE

David Marston & Life On Planets - Take Flight (feat. Dan Izco) [Extended Mix]

Powfu-death bed (coffee for your head)

We've Landed

We've Landed (Matthew Herbert's Absence Dub Remix)

♬ Click for more ☞ http://trndmusik.de

⚡ Follow us on YouTube ☞ https://www.youtube.com/c/TrndmusikDe
🌃 Follow us on Spotify ☞ https://spoti.fi/2jzGmv2 

Get @herr-lang-01's EP on @verflixtmusic here:
➟ Beatport: https://bit.ly/2DqGLwP

Verflixt welcomes Herr Lang. He is an exceptional music and illustration artist from Hamburg. On his wish, he created the cover himself and gave it its very own conceptual vibe. His production are characterized by a dreamy atmosphere with an unique special Hamburg sound. You feel like sitting on the harbour watching the birds flying over the water and boats passing by. With his first release on Verflixt he worked with the great @mollonobass together and created a beautiful sound structured 3 Track EP. We are really happy to have him on our imprint with his new EP "Traum".

Mollono.Bass remixed the lead track "Deep in my Mind” and it is a beautiful blend between mind games. No words can describe what you feel. 

🎧 More Music in our Playlists on Spotify ⤵
💃 Dance: https://spoti.fi/2FjcR9k
⚡ Deep House: https://spoti.fi/2JVCgJH
🌃 Disco: https://spoti.fi/2qMavuY
🍍 Downtempo: https://spoti.fi/2K0w7vN
 👯‍♀️ Electronica: https://spoti.fi/2qJt0A9
💥 Tech House: https://spoti.fi/2vrVN0W
🌌 Techno: https://spoti.fi/2qMRUOy 

🐧 trndmsk's weekly Spotify charts: https://spoti.fi/2sgrlms

Herr Lang - Deep Mind (Mollono.Bass Remix) [Verflixt]

Click for more ♬

my future

Available at Beatport: https://www.beatport.com/release/traum-ep/3064675

www.facebook.com/verflixtmusic/
www.instagram.com/verflixtmusic/

Release Date: 31.07.2020

We welcome "Herr Lang" to Verflixt. He is an exceptional music and illustration artist from Hamburg. On his wish, he created the cover himself and gave it its very own conceptual vibe. His production are characterized by a dreamy atmosphere with an unique special Hamburg sound. You feel like sitting on the harbour watching the birds flying over the water and boats passing by. With his first release on Verflixt he worked with the great Mollono.Bass together and created a beautiful sound structured 3 Track EP. We are really happy to have him on our imprint with his new EP "Traum".
"The lead Track „Deep in my Mind„ describes what it means. Just get lost!"
"The second track" Notes "arises from the intention to start something new. It's not about doing it. It's just about the intention."
"Mollono.Bass remixed the lead track "Deep in my Mind” and it is a beautiful blend between mind games. No words can describe what you feel. 
This is an EP to sit on the water and play with your mind.

Herr Lang - Notes (Original Mix)

Available at Beatport: https://www.beatport.com/release/traum-ep/3064675

www.facebook.com/verflixtmusic/
www.instagram.com/verflixtmusic/


Release Date: 31.07.2020

We welcome "Herr Lang" to Verflixt. He is an exceptional music and illustration artist from Hamburg. On his wish, he created the cover himself and gave it its very own conceptual vibe. His production are characterized by a dreamy atmosphere with an unique special Hamburg sound. You feel like sitting on the harbour watching the birds flying over the water and boats passing by. With his first release on Verflixt he worked with the great Mollono.Bass together and created a beautiful sound structured 3 Track EP. We are really happy to have him on our imprint with his new EP "Traum".
"The lead Track „Deep in my Mind„ describes what it means. Just get lost!"
"The second track" Notes "arises from the intention to start something new. It's not about doing it. It's just about the intention."
"Mollono.Bass remixed the lead track "Deep in my Mind” and it is a beautiful blend between mind games. No words can describe what you feel. 
This is an EP to sit on the water and play with your mind.

Herr Lang - Deep In My Mind (Original Mix)

Ode to Ipse

Remixes

Kinshasa (Dub Version)

Born in Lagos, Nigeria in 1940, of mixed Nigerian and Ghanaian parentage, Tony Allen taught himself to play by listening to records made by the American jazz drummers Art Blakey and Max Roach. He began working as a professional musician in 1960, gigging around Lagos and variously playing highlife and jazz. Today living in Paris, Allen has long been acknowledged as Africa’s finest kit drummer and one of it's most influential musicians, the man who with Fela Anikulapo Kuti created Afrobeat - the hard driving, James Brown funk-infused, and politically engaged style which became such a dominant force in African music and whose influence continues to spread today.

Allen had to overcome strong parental opposition to realise his dream of
becoming a professional musician. “My parents were…not keen. Back then, in Lagos, musicians were more or less thought of as beggars, or worse. But I just put it in front of them. I was an electrical technician, but I wanted to make a change. My mother was never happy about it, but my father, who was an amateur musician, eventually agreed.”

Allen started out as a jazz drummer. “Art Blakey was my big influence, and before that, before I started club crawling, it was Gene Krupa. When I started, I tried to play like Gene Krupa. Then I discovered Blue Note Records and Art Blakey’s Jazz Messengers - it opened up another style to me. Max Roach was important too. I studied some lessons he wrote in Down Beat magazine about how to play high-hats. Most drummers in Lagos never used them, they were just a decoration on the kit,and I’d always thought that was something incomplete.”