Fresh out of the fires from one of Metal's finest factories, the creative musician's metropolis that is Stockholm, hails Deathember; A swirling inferno of punch-packed, rancid and almost serenely pure metal cleansed from most prefixes.

Starting as nothing but a sallow seed, shuffed aside with rough force to grow depraved of sunlight in a wayward rehearsal space underneath a towering chimney, founder Elias Ryen-Rafstedt and guitarist Staffan Birkedal started to spend larger and larger amounts of their lives perching their band together with the same set of mind that most great artists pursue: the idea of the band playing just the kind of metal they would like to hear, a kind that not yet existed, but - concerning their hometown's vast quantity of talented musicians - was well within reach.

As the band abhored the name Deathember, and finalized their first lineup in 2010 with guitarist Rikard Bonander, Bassist Pontus Wicklander and vocalist Tobias Sandin, the answer as to what "Deathember" was and how it sounded like started to feel within reach. As they quickly gathered a notable reputation in the town's underground metal scene, their communal taste finally morphed together into the sound resulting in the 2011 EP "A Thousand Flatlines" - hooky and catchy mid-tempo groove metal, occasionally slowing down into menacing and gloomy when not speeding up into hysterical mayhem, picking influences from Strapping Young Lad, SikTh, Daath, Gojira, Protest The Hero and Soilwork. With Tobias departure in 2012, followed up by the newest member Simon Tarasewicz, the band made no hesitation but to dive into the studio, signing to Violent Groove Music Group and ascending into the new year 2013 with one, strong and inevitable goal: show the world what GROOVE is.

The result is "Going Postal"; it takes the heritage from "Flatlines" and updates it heavily, giving more space to direct to-the point songwriting, attitudous groove and foreboding atmosphere. With "Going Postal" Deathember clearly defines their sound. It's not lesser or more than what other bands may bring to the table - but it's different. Deathember continues to stroll down a path of brutality few bands have trodded, and with "Going Postal" they're stating their sound, their message, to the world.
And the world shall listen.

Nothing more than modern rock and roll that changes the world. That’s the main thing that the musicians from Good Music Society do- the band with one of the most unexpected names and most distinctive sound on the Bulgarian rock stage. 
Misho (vocals), Bo (vocals and violin), Vaseto (guitars), Acho (bass) and Stoyan (drums) believe that to change the world you only need to touch one person and help them see their world in a new light. And what better way to make this happen than with a serving of good music?
 
That’s how the idea for Good Music Society was born- a band that makes “good” quality music, and in the meantime brings a good message. In the fall of 2011 this becomes the new name of one of the greatest young Bulgarian bands till then- Ajabez, where most of the musicians from Good Music Society played at that time. 

Thus the new band inherits a great deal of performances here and abroad. The musicians can boast of concerts in all popular clubs in Sofia, as well as the organization of major projects like United Continent, 4KM, Sofia (2009) and Euphorism, Sofia Live Club, (2010) on their own.
The band brings its good music and message to many different Bulgarian and international festivals like Sozo, Hungary (2006), the Easter festival in Bosilegrad, Serbia (2007), Gospel Blues &amp; Rocks Fest, Sofia (2007), Flower for Gosho, Sofia (2010), Mellow Music Festival, Sofia (2011) and ON!Fest, Sofia (2011).



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