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Antonio Martinho is a London based pianist and composer. His innovative and passionate nature has led him to craft compelling, unique and eloquent music compositions.
 
Martinho is a self-taught pianist, who began playing at the age of 6 years old. His passion for music developed further, when he studied classical, jazz and film music at University.

He soon began touring with eclectic jazz bands, playing at some of London’s most notorious venues including; ‘Ronnie Scotts’, ‘Jazz Café’ and ‘KOKO of Camden’ to name a few. He has made appearances on the BBC supporting artists as their main pianist, on ‘Later Live With Jools Holland’. 

Martinho’s heritage has strong ties with his music, as he sights that Fado music’s dramatic, passionate and captivating melodies have influenced his music compositions greatly. Martinho’s composition style creates a hybrid of musical elements including Fado’s intensity and classical music’s sophistication and technical craftsmanship.    

Martinho has been focusing on several solo projects, and has spent time in the studio to record an album, which focuses on compositions for film and TV.

Stoner By  Day Stoner By Night!!! I am The Myth,,, I am The Stoner God,, Cant Toke Around Me!!! Body Your Favourite Rapper, Body Your Favourite Stoner!!!
We are Not A Gang!!! 
We are Not A Group!!!
WE are simply A MOVEMENT!!!
A Moesh...

Info & Bookings: mythedmanp@outlook.com

Snap: MythedMan

Insta: @MythedMan_StonerGang

#StonerGang Follow The Movement!!!

Un proverbe africain dit :
" Pour savoir où l'on va, il faut savoir d'où l'on vient"
C’est en ces quelques mots que se résume l’univers artistique de MENIA KWANA (anciennement connu sous le nom de ZEEZ AFANA), un univers qui puise son essence dans l’héritage du passé.
Cet attachement au passé, il le doit à l’environnement qui l’a vu grandir. En effet, MENIA KWANA est BAMOUN, un peuple de l’Ouest du Cameroun où les traditions et les valeurs ancestrales occupent une place plus que essentielle.
Issu d’une famille de mélomanes, c’est tout naturellement que le jeune auteur - compositeur - interprète belge s’intéresse à la musique dès son bas âge. Inspiré par les sonorités africaines, le Rythm and Blues, ainsi que les différents courants électroniques des années 90’.
Autant d’influences qui enri- chissent sa créativité et le poussent à se mettre à la com- position musicale, sans aucune
formation au préalable.
S’en suit une longue période
de collaborations artistiques, concerts et projets divers qui lui permettent d’explorer différents horizons et de se découvrir musi- calement.
Aujourd’hui à maturité,
MENIA KWANA crée sa nouvelle structure KENTÉ-SENS, dans une démarche qui nous invite à l’éveil des sens, à l’émancipation des communautés et des individus qui les composent.
Inspiré par la philosophie “Kenté” (qui vient de “Ké”, mot de langue éwé qui signifie ouvrir et fermer en référence au procédé du tissage), KENTÉ-SENS c’est une réflexion sur soi et ce qui nous entoure, une expérience existentielle, visuelle et musicale comme l’illustre son premier EP “Mûrir Jeune” (sorti en Février 2019).
Une recette qui résume la vision de MEGNA KWANA: Nous reconnecter à notre passé pour mieux com- prendre le présent et construire l’avenir.

Driven by my passion for music, I decided to develop my knowledge and skills. Where I have always been musically active in the background, today I decide to send my work out into the world.

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