Wenn man die Beschreibung liest, bekommt man gleich noch mehr Respekt also ohnehin schon da war. Welch tolle Ideen um die Spannung aufzubauen und den Klang zu inszenieren. Ich hab's mir schon ein paar Mal angehört und entdecke immer wieder Neues.  Was für ein unglaublich gelungenes Stück, Torben. Und auch das Bild ist wieder einzigartig. 🎶💛

ich hoffe ich kann heute Nacht schlafen xD , super Stück !

It relates really well to your tittle Torben…very good…

irgendwie eine Fortsetzung von "These Walls Have Eyes"

Hier drehst du wieder gut an der Spannungsschraube. Mir gefallen die Holzbläser. Die setzt du gut zusammen mit den Streicher-Staccatos ein.

love to make a hip hop loop out some of these sections

Come Down

Sequel to Act 1. 
The Devil never fulfills his part of the contract.

Lyrics:
(Old timey religion opener)
Hey John!
Well you need to wake up
You've been drinking top shelf corn liquor
With some prayer and some luck
It's time that you paid up
I'm the slumlord for your soul
I made some promises I could not deliver
Your love letters 
Return to sender
And that thing dangling between your legs
I never made it any bigger

Oh, the Devils mischief will never leave you alone
For those in the know
The Devil likes to sing falsetto
The Devil sings falsetto

That Devil mischief it won't leave you alone (3X)
You a need a thousand souls
To pay me what you owe

Those bathing beauties
With painted on faces
They're now eating mayonnaise right from the jar
If you need me I'll be drinking
Chivas Regal in the car!
I'm the monkey on your back
And if you get into a Devil contract
It's a pact!
That Devil mischief it won't leave you alone
(Fire breathing solo)

That Devil mischief it won't leave you alone (3X)
You need a thousand souls
To pay me what you owe

John Meets The Devil (Act 2)

Nat wrote this beautiful song some time ago inspired by some of the greatest love stories of the world, including her own, and we have slowly worked on a properly produced final version where she will sing the lead. But inspired by the song myself, I decided to record my own simplified version just as a “Voice Memo” on my i-phone. Nat loved it and it hung around as we continued to look toward the piano based version with Nat’s lead vocal. But with Valentine’s Day nearly upon us and little time to make a major production effort, she decided to sing along to my rough, live recording and this is what we have to offer. The bigger version will follow but, for now, we wish all who aspire to love, a very Happy Valentine’s Day 2024!

Copyright 2023 Gentle Rain Records / Daniels & Durgy
Written, Produced and Performed by:
Nat Daniels & Craig Durgy

Lyrics: When The Angels Cried

I never thought I'd ever find you, 
My heart was broken, so full of doubt, 
But heaven knew what we had been through, 
Fate led you in, as I walked out..   

And in that moment, somehow, I knew, 
I found my home when I found you...     

That's when the Angels cried  
When our souls found their truth...   
And when we stood there face to face, 
And finally said the words " I do"...    
That's when the Angels Cried 

The Angels light the dark and lonely
(The Angels.. light the dark...)
They guide the brave, and lead the true..
They lift our souls, with an awesome choir
And bring us hope, more than I knew
Our Angels searched the whole world through
To join our souls in perfect love for two ..

That's when the Angels cried  
When our souls found our truth...   
And when we stood there face to face, 
And finally said the words " I do"...    
That's when the Angels cried 

There’ll be times we’ll be indifferent
(For better...  For worse... Oh Let be your guide)
And times we wont see eye to eye
(To have and to hold...)
But at night, behind drawn curtains
(Oh My love..)
The love that shines inside us just wont let us die..

We’ll hear the Angels cry 
(In your eyes I'll see..)
As our love finds our truth.
And if the world comes to an end
We’ll meet in Heaven once again ....
And our Love will make the Angels cry…

When The Angels Cried

When The Angels Cried (Live)

To The Boys Who’s A Man 

A true song about been given everything from childhood to adulthood and how that affects your personality and how you behave and see the world through different eyes.
Nothing is out of reach yet having everything is still never enough.
This leads to constant problems,  addictions and a massive worry to your love ones. 
Thanks to Nat Daniels for her wonderful vocal contribution. Nat never fails to impress and she is always professional in her approach.
We are going to release an EP on all major streaming services featuring the four songs we have recorded with Nat in the near future. 

Verse 1
You have a  affliction 
(to your addictions)
You’ve have looked death in the eye
(Shed the  crocodile tears dry )
A life that’s been designed 
(You Crashed, burnt &  survived )
In the early hours 
(Thank god no roadside flowers )
You’ve gambled on your life 
Took a massive risk that night 
Pushing against the rules
Thinking your invincible 


Chorus 

This is to  the man  who’s a boy 
Who’s had everything x2
You are down  to the wire 
Running faster getting Higher



Verse2
This is your father and your mother 
Dealing with you  like no other
Your in  danger of going to far
Especially that night in the car 
Something will give or happen 
So break the cycle of this  pattern
It’s time to grow up 
For the boy who’s  had everything 



Middle 8 
It’s time to grow up 
This is to man who’s who’s a boy x2
Who’s……..had everything x2
Whoooooooos everything x4
Everything…….

To the Man Who's a Boy  -  Conscience of Kings with Nat Daniels  -  .wav

Video clip : https://youtu.be/3QUaciDEl7k?si=2XuYwxneKKCMrXBP

Into the Woods

This is the last suspense track for the yet unreleased game Anthador.
I always wanted to experiment with an odd meter and this was a good opportunity as it introduces the feeling of uncertainty the piece needed.
Additionally I recorded some subtle sound design elements (rolling hacky sack and fingers wiping a micro fiber cloth) to portray the „creeping menace“.
Though looking pretty creepy the cover art was a fun family project that involved rubbing our hands in dirt and a decent amount of image editing.

Creeping Menace

I want to reiterate Josh's comments in the write up below... this project was the first time I'd met John and after some emails and watching some of his videos on YouTube I'm super impressed with his guitar skills.  He has mastered the LZ catalog from what I can tell. His playing has the vibe and attitude of Jimmy Page and that's not an easy thing to do.   Hope you enjoy his playing as much as I have!

Cast of Characters:

John_Anthony-- @john-anthony-871225464 --guitar, mandolin

The Mysterious Decibel-- @themysteriousdecibel – vocals

K2 and the Three [and the Four]-- @k2andthe3 , @k2-kara -–Ken–drums and high harmony in the end vocals, mastering

TexMex Shaman– @texmex-shaman  –Stephen– production and mix

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1  –-four string fretless bass, melody and third harmony on the end vocals

This song actually began more than a year ago, when Ken and Josh were just sniffing each other out. They'd been working on Zeppelin's Night Flight, for those of you who remember that long ago, and Josh was having trouble with latency in his recording. Out of frustration, he recorded a really rough version of this, to which Ken put really amazingly perfect drums. Shortly after, he got his recording issues settled and they continued on with Night Flight, shelving this half baked creature for more than a year. But it wasn't forgotten. 

  (Josh) In the meantime, I'd been following John Anthony on both YouTube (https://youtube.com/@johnanthony5720?si=-ooQcUUQaemrk-NH) and on the Cloud. If you were ever curious about how Jimmy Page's fingers looked in the studio, do yourself a favor and check him out on there, too. Anyway, since he can play literally every Zep song note for note, I figured I'd ask him if he would replace my pitiful by comparison guitar part with his own. He not only did that in numerous sections, as Page would've, but played the mandolin for it, too. Now, we had a song that was almost ready, but of course we needed someone to fill Plant's part. So, of course we asked The Mysterious Decibel if he'd do the honors, which he came through with in grand fashion. 
  
Now that the song was done, we needed it to be mixed, too. So, we tapped our resident mixing expert, Stephen to do that for us. It was a surprisingly difficult mix to get everyone to agree on. And there were philosophical questions that arose during the mixing process, too. We're very lucky, though, that Stephen is not only an expert producer, but a great teammate as well, with the patience of your favorite high school teacher. 

Anyway, our hope is that we did the almighty Led Zeppelin honor with this one. We hope you all enjoy our reverent tribute to one of our collective favorites as much as we enjoyed putting it together.

Hey Hey What Can I Do- (Eclectic Collective) w/ John Anthony

Mood Exhibit - Toaster

Had a lot of fun creating this for Arturia's Analog Lab Play! Incredible sounds on offer by Arturia.

Be Mine Tonight

A little song from the vault.
Something done a while back but never posted. Hope you enjoy

Not Game For The Pain

Composed & Produced by : Chivicke 
Home-Studio Productions ©2016
Sings : Chivicke

 

Mira
ya no entra el sol por mi ventana
Mira
la fría soledad de nuestra cama
Mira
un rizo de tu pelo en la almohada
Mira
te llama mi voz desesperada
Mira, mira, mira

Mira
como sigo tus huellas por el porche
Mira 
mis manos te buscan en la noche
Mira
como añoran tu presencia
Mira
acarician las caderas de tu ausencia.
Mira, mira, mira
Es tu canción más triste.

Mira

Mira (it's your saddest song)

Hi, I'm Torben Fugger, a composer from Koblenz (Germany) who focuses primarily on cinematic orchestral music. In my pieces, which often fall into the adventure or fantasy genre, I attach great importance to strong and catchy melodies and an emotional impact.

I think that the many years of listening to Johns Williams music on my Walkman while delivering newspapers in my youth have left their mark. As did the countless hours of exposure to the music of Howard Shore, Hans Zimmer and Michael Kamen. To put it briefly: I'm a film music nerd and you can definitely hear that in my own music.

Creeping Menace

Torben Fugger

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