꧁ An uplifting and empowering masterpiece ꧂ Bravo!!!

An absolutely amazing orchestral score from start to finish. Such a drama, love all the changes

Moves through the gears quite masterfully!

Cool song, and production!!…..🌍☮︎👍🐞🍀2024

Once in a Million Years
May 22, 2021  All Rights Reserved

Once in a million years
Stars align just to make it so 
Laying aside the fears
A feeling that we can’t let go

All through the day
It’s just like dreaming
Time slips and slides away
While we are scheming

Once In a million years
Fates are tellin you hold the phone
Pushing away the tears 
Believing that there’s no one home

Drift through the days
We’re only dreaming
Time slips and slides away
As we are scheming

Once in a million years
It’s crystal clear the time is now 
Leaving it in the rear view mirror
A time that never knew just how

All through the day
It’s just like dreaming
Time slips and slides away
While we are scheming...

Once in a Million Years

All You Can Eat

This composition is a musical story about the foundation of Togakure-ryū, the legendary Ninjutsu school, in 1162. 
I wrote it as a soundtrack for a live show performed last weekend at the 40 year anniversary of Buyukai Germany.
It contains the following scenes:
0:00 - the battle „Awaze no Kassan“ where Nishina Daisuke, the later founder of the school, fights on the losing side
0:36 - Daisuke leaves the battlefield broken and defeated
1:20 - Daisuke is chased by his opponents and has to flee
2:15 - after a successful escape, Daisuke explores the mystic and majestic mountains of Iga
3:49 - Kain Dōshi, a warrior monk who has covertly observed Daisuke, reveals himself
4:10 - Dōshi accepts Daisuke as his apprentice - the turning point of Daisukes fate
4:26 - Dōshi teaches Daisuke who merges the new knowledge with his previous skills and develops the school Togakure-ryū
5:43 - after the years go by, the legacy of Daisuke lives on within Togakure-ryū and finally spreads all over the world

Togakure

Starless Moonchild with PJ Project

Une peinture musicale, que l'on pourrait décrire: harmonieuse, intense et profonde .... 

Participation virtuelle, au chant Clara Sorace:  https://clarasorace.com/

*****************************************************************************************************************************

A musical painting that could be described as harmonious, intense and profound .... 

Virtual participation, Clara Sorace on vocals:  https://clarasorace.com/

Low Melody In The Lost Cathedral ....

27 Seconds And Counting

90482 Orcus

In this song I enclose everything I think about my work as an artist. Proceeding along risky paths, responding to violence with even more sensitivity, because sensitivity can truly move the world. Embrace your sensitivity and that of others, choose who you want to be and follow your nature, whatever the cost. 

Written and Performed by Stefano Manotti

Arrangement and mixing: Giulio Carmassi (ex-Pat Metheny group)

Executive production and mastering: Paolo Schianchi and OmniaMusica Recording Studio


TESTO

Comincia da qui questo viaggio nascosto
Con le altre paure del giorno
Che ho lasciato al loro posto
Una notte qui
Vale più di un silenzio
Per sentir la chitarra suonare
Come in braccio a cento persone
Libero così dalle mie leggi
E dalla mente che dalla sua amplifica i rimpianti
Libero così dalle tue leggi
Ho passato troppo tempo per parlarti

Lo so
Quella è la via
Io sto di fianco
Con la mia fantasia
E quel che sarà
Non è roba mia
Non è roba mia

Finisce da qui
Un bel viaggio scomposto
Non si posson tirare le somme
Non si può vedere a che costo

Solo questo ti dico
Se sei nato per qualcosa
Tornerai ogni volta
Sulla strada più rischiosa

Libero così dai compromessi
Dalle parole messe lì per non esporsi
Libero così dai giochi fatti
Per sorprendermi ancora a cantare la vita

Lo so
Quella è la via
Io sto di fianco
Con la mia fantasia
E quel che sarà
Non è roba mia
Non è roba mia

Lo so
Quella è la via
Io sto di fianco
Con la mia fantasia
E quel che sarà
Non è roba mia
Non è roba mia



LYRICS

Begin from here, this hidden journey
With the other fears of the day
That I left in their place
One night from here
Is it worth more than silence
To hear the guitar play
As if embraced by a hundred people

Free like this from my laws
And from the mind that amplifies regrets
Free like this from your laws
I've spent too much time talking to you

I know it
That's the way
I stand by my fantasy
And what will be
It is not my concern
It's not my concern

It ends here
A disjointed journey
You can't add it all up
You can't see at what cost
Only this I tell you
If you were born for something
You'll return every time
To the riskiest road

Free like this from compromises
From words placed there to avoid exposure
Free like this from done deals
To surprise you again and sing life

Fantasia

Maden's Madness

Demo Tape M.Theorin

You can´ t buy sunshine. 470 ( 1994 ) Margareta Theorin ( Margareta )

Ce morceau de musique a été composé comme une variation stylistique sur un même thème musical afin d'illustrer cette petite histoire:
(0:00) Plein soleil dans un grand ciel bleu;
(0:10) Des dunes à perte de vue;
(0:21) Le désert du Rub al-Khali;
(0:47) Une caravane à l'horizon;
(0:58) Les Bédouins voyagent depuis des jours;
(1:08) La chaleur est écrasante;
(1:19) La routine s'est installée;
(1:29) La lassitude aussi;
(1:40) Des flèches tombent!;
(1:50) C'est une attaque de brigands;
(2:01) La caravane tente de fuir;
(2:11) Ils approchent;
(2:22) Les Bédouins sont encerclés;
(2:30) Ils doivent éviter les flèches;
(2:44) Corps-à-corps;
(2:51) Le combat est féroce;
(3:02) Les brigands sont mis en déroute;
(3:09) Ils battent en retraite;
(3:16) Retour au calme;
(3:54) La caravane reprend la route.

Caravane

Hi, I'm Torben Fugger, a composer from Koblenz (Germany) who focuses primarily on cinematic orchestral music. In my pieces, which often fall into the adventure or fantasy genre, I attach great importance to strong and catchy melodies and an emotional impact.

I think that the many years of listening to Johns Williams music on my Walkman while delivering newspapers in my youth have left their mark. As did the countless hours of exposure to the music of Howard Shore, Hans Zimmer and Michael Kamen. To put it briefly: I'm a film music nerd and you can definitely hear that in my own music.

Togakure

Torben Fugger

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