Excellent! Music, orchestration och production all sounds very professional

Darkness Before The Light

An experimental track with the Roland TB303 at its heart, in a time signature that is not normally associated with these machines.
Yes. I know. 11 minutes is far too long, but you will hear the track never stand still. These are my journeys.
If you enjoyed this 'mixtape', I have 8 x 30 minute journeys on Bandcamp!

https://invisiblesquirrel.bandcamp.com

The Waltz of the 303's

I wanna go back home again
I wan' another chance with you
Don' wanna stay here till the end
Don' wanna find somebody new again

Now I sit and wonder
How I lost my way
Back home

sheet music https://drive.google.com/file/d/1HO9edRhiq9ZiKM-574ifkuX4k6LdTy6-/view?usp=drive_link
12.8

I WANNA GO BACK HOME AGAIN

2024-10-18

Boiling Bubbles

First in a series of pieces built primarily on Sine waves produced by the 4MS Ensemble Oscillator, which stacks up to 16 Sine waves to produce quite complex and haunting tones.

Occam's Raygun - SINES #1

74 - Anima

This should - in some form - become part of the Airsongs album, which I had hoped to have completed by now, but hey... you know what it's like, it takes as long as it takes I guess.

Using a a single swell and fade from a sample of wind blowing across a gap in the window. I took some slices out and splurged them on top of each other. Along with some other FX.

Some fun sounds came out of it, and I've tried to blend them all together. It gets a bit trance like and psychedelic here and there.

This mix is the very very short version... hehehe

Whirly Wind (Dust Devil Mix)

WAMA-Livesession 20.10.24 Träumereien am Strand

Produced in Studio One 6 Professional, using various sound libraries, loops, and samples. Sounds triggered with my Komplete Kontrol S49 keyboard.  My guitar work was performed on three different guitars (just for fun) through my Line 6 Helix processor.  Please enjoy and watch the planets spin!

Watching The Planets Spin

I really love and enjoy using vocals and strings accompanied by a (light) droning bass in my songs. Just like my other songs “Will I Still Be Here When I Open My Eyes” and both versions of “Search For Inner Light” I used vocals and strings as the basis for this one. It starts with voices that make me think of an (almost) empty church while a choir is singing (or rather humming) a nice melody. During this humming other choir members slowly start joining in with the other voices. Eventually a droning bass comes in and supports the voices. It’s a fairly long one with a slow build-up and some slight variations to keep it from being to monotonous. I found the title fitting for this one because it feels like a kind of score for a dream (that’s just starting up) but it also gives a feeling of slowly waking up. Just have a listen and hopefully you enjoy it.

False Awakening Part I

Oceans

Thank you for listening to my music. If you want to support me head over to bandcamp.com https://toregthomassen.bandcamp.com/follow_me
tore.thomassen@gmail.com

Oceans

Tore G Thomassen

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