Stream "One Thing" by Hermosa: https://www.lnk.to/one-thing

Stream “Chapter23” EP by Hermosa: 
https://hermosa.lnk.to/chapter23

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Chapter 23 Stream

One Thing

Have you ever seen that movie 'Memento'?  This song is about having amnesia and trying to put the pieces together to find your lost love.  You smell something that lets you know she's close.  

Another Deja Vu

ANOTHER DEJA VU

Finally finished! Been going good since the renovations concluded. So been full on producing some fun stuff. Talk about fun stuff....... spring is going on..... The smell of fresh air, rush in sunlight all the good stuff. .This song write itself quite easy. The finishing touches my goodness was a job! And out of my comfort zone bc It's a subject I have never written. So hoop you like it! Cheers ^^

Signs

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When I'm Alone

All I Do

All I Do [prod. Noizy]

Laughter Is Cruel

Prod. @user-636406606
For more beats: check out https://www.beatstars.com/sinkingslowly

[Intro]
(Laugh)
That’s creepy

[Chorus]
Let’s keep going, let’s keep growing, let’s keep blowing, oh, I can do it better
Whiskey coded, Skinny Kodak, they don’t know it, oh, I can do it better
Jet-ski rolling, A. Ski glowing, broski flowing, think he can do it better
Nah, nah

[Verse 1]
On and on and on and on (I just keep on laughing)
How it’s possible? (They think that they good at rapping)

In the kitchen, cooking, breaking dishes, way too ambitious, body, rhymes too delicious
Now you know that I’m vicious
But I’m also too precious
Let it go, got no issues
Shit gets too superstitious, uh

[Chorus]
Let’s keep going, let’s keep growing, let’s keep blowing, oh, I can do it better
Whiskey coded, Skinny Kodak, they don’t know it, oh, I can do it better
Jet-ski rolling, A. Ski glowing, broski flowing, think he can do it better
Nah, nah

[Verse 2]
Honey, honey, honey, do you got some money?
You ain’t got some money, you gotta ask me, honey
It’s not like I’m against, I think you should’ve guessed
You treat me way too bad, I’m not even your friend

They about to pull up
Be like «Skinny, wassup
Heard that you hiding some, got that breast and that butt»

Then I say I go home
And I’m leaving alone
If you think that I’m caught
Motherfucker, you dumb

[Chorus]
Let’s keep going, let’s keep growing, let’s keep blowing, oh, I can do it better
Whiskey coded, Skinny Kodak, they don’t know it, oh, I can do it better
Jet-ski rolling, A. Ski glowing, broski flowing, think he can do it better

[Outro]
He can do it better?
Nah, he can’t do it better

Credits: Anastasia Kolosova, Caleb MacLeod

I Can Do It Better (Prod. CLEOD)

Lyrics written by Badtripp Inc/Geir Arne Moi,. copyright 1980-2025. Music made in collaboration with Suno., This one took a long time to coach forth from the AI Suno, maybe punkrock has become too quaint?! HERE'S THE LYRICS:

Go get a rope 
Go get a gun 
Go get some dope 
Tell me what to do

To kill my
Deathwish Deathwish 
Deathwish Deathwish 

Sex and drugs
And rock and roll
Just ain't got 
what it takes 

To kill my 
Deathwish  Deathwish  
Deathwish Deathwish

DEATHWISH

E minor, 96 BPM. Muted guitars + thin detuned pad in verses, wide stereo guitars + airy lead synth in the chorus, gritty sidechained bass, halftime bridge, reverse-reverb swell; heavy sub-drop on “cut you loose.” Bless the lesson, curse the date. For Dark Pop / Cinematic Rock.

“Mirrors at Dawn” is Leya’s cinematic alt-pop/ modern rock concept album about breaking cycles and choosing the morning after. Eight songs move from darkness to clarity: stadium hooks, intimate bridges, and anthems for starting over.

Tracklist:
1) Draw the Line (This Side Is Mine) — E minor, 108 BPM — boundary-setting anthem.
2) I Hate You — D minor, 102 BPM — alt-pop bite with a viral hook.
3) I Hate Love (Pull the Plug) — F# minor, 140 BPM — dark synthpop / alt-trap.
4) Mother, After (I Hate My Mother) — B minor, 84 BPM — intimate indie/folk catharsis.
5) I Curse the Day I Trusted You — E minor, 96 BPM — cinematic rock release.
6) Saltwater Baptism (Wash You Out) — A minor, 118 BPM — nocturnal synthwave cleanse.
7) Glass Back (Won’t Break) — D minor, 104 BPM — stadium resilience.
8) I Hate Goodbye (But I Love the Dawn) — G minor, 84 BPM — closing sunrise.

If the songs resonate with you, please repost, comment, and add them to your playlists. 💫

Mirrors at Dawn

I Curse the Day I Trusted You

#raggaeton #newmusicfriday #party #feelgood #turnup #latenight #love #vibe #underground #badbunny

Mi Corazon

Artist: Reverend Sulanke
Title: The Grey Amnesia
Genre: Post-Punk / Dark New Wave / Coldwave

"The Grey Amnesia" is the first transmission from Reverend Sulanke – a phantom ensemble summoned from the backrooms of a half-forgotten Berlin ballroom, where the raw nerves of early The Cure meet the mechanical pulse of Fad Gadget, and the storytelling despair of Johnny Warman collides with the synth-stabbed melancholy of Depeche Mode’s "Speak & Spell" era.
A 7-minute maxi-single that unfolds like a fever dream: jagged guitars weave through ice-cold synths, while a bassline throbs like a bruised heart. The vocals – half-spoken, half-sung – drag you through the corridors of a memory that isn’t yours, where "the walls are made of static and the floor is made of broken vinyl". This isn’t just a song; it’s a seance. A tape loop of regret, played on a machine that’s always on the verge of collapsing into silence.

Recorded in the dead of night, with the ghosts of 1980s analog gear breathing down its neck, "The Grey Amnesia" is the sound of a band caught between punk’s fury, new wave’s glamour, and the gothic storytelling of a war that never really ended. Think Robert Smith’s guilt, Vince Clarke’s circuits, and Frank Tovey’s (Fad Gadget) clanking paranoia, all stitched together with the thread of a novel you can’t put down.

Written in E minor – the key of melancholy, rebellion, and haunted ballrooms. ‘The Grey Amnesia’ wraps its lyrics in the same dark embrace as The Cure’s ‘Disintegration’ or Siouxsie’s ‘Juju’, but with a heartbeat of 174 BPM.

Did you know? ‘The Grey Amnesia’ was recorded in 441 Hz – the same tuning as a heart racing just a little too fast. 🎵💓

Credits:
Written and produced by Frank Talmon l’Armée 
Band: Reverend Sulanke
Instruments: "Guitars drowned in chorus, synths tuned to despair, drums like distant gunfire"
Mastered on a reel-to-reel machine that may or may not be haunted.

---

Künstler: Reverend Sulanke
Titel: The Grey Amnesia
Genre: Post-Punk / Dark New Wave / Coldwave

"The Grey Amnesia" ist die erste Sendung von Reverend Sulanke – einem gespenstischen Ensemble, das in den Hinterzimmern eines halb vergessenen Berliner Ballsaals beschworen wurde, wo die rohen Nerven der frühen Cure auf den mechanischen Puls von Fad Gadget treffen und Johnny Warmans erzählerische Verzweiflung mit der synth-durchzogenen Melancholie von Depeche Modes "Speak & Spell"-Ära kollidiert.
Eine 7-minütige Maxi-Single, die sich wie ein Fiebertraum entfaltet: zerrissene Gitarren flechten sich durch eiskalte Synths, während ein Bassline wie ein geprelltes Herz pocht. Der Gesang – halb gesprochen, halb gesungen – zieht dich durch die Korridore einer Erinnerung, die nicht deine ist, wo "die Wände aus Rauschen und der Boden aus zerbrochenem Vinyl" bestehen. Das hier ist kein Song. Das ist eine Séance. Eine Endlosschleife aus Reue, abgespielt auf einem Gerät, das jeden Moment in Stille zerfallen könnte.
Aufgenommen in der Tiefe der Nacht, mit den Geistern analoger 1980er-Technik im Nacken, ist "The Grey Amnesia" der Klang einer Band, gefangen zwischen Punks Wut, New Waves Glamour und dem gothischen Storytelling eines Krieges, der nie wirklich endete. Stell dir vor: Robert Smiths Schuld, Vince Clarkes Schaltkreise und Frank Toveys (Fad Gadget) klirrende Paranoia, alles zusammengenäht mit dem Faden eines Romans, den man nicht weglegen kann.

In E-Moll komponiert – der Tonart der Melancholie, der Rebellion und verfallener Ballsäle. ‘The Grey Amnesia’ hüllt seine Texte in denselben düsteren Klang wie The Cures ‘Disintegration’ oder Siouxsies ‘Juju’, aber mit einem Puls von 174 BPM.

So wie der Roman ‘Hinter uns das Land’ mit den Grenzen der Erinnerung spielt, verschiebt 441 Hz die Grenzen des Klangs – eine kaum merkliche Veränderung, die alles anders fühlen lässt.

The Grey Amnesia

Parasite

"🎧 TorGio Records • Leya & AI • Ambient, Psychedelic, Soul • Mindful music for every mood • SoundCloud-first".