Specialized in working on projects with real orchestras, I have more than 20 years of experience.

I have worked on film scores for many international productions, including the Golden Globe 2024 nominee Suzume, Star Wars Visions, Save Angel Hope, Tell, A War Within, and Liebling, lass uns scheiden. I co-composed the multi-award-winning musical Dällebach Kari, (co-)arranged the hit shows The One and Vivid at Friedrichstadt-Palast Berlin, and worked on highly successful game music scores such as Batman – Arkham Shadow, Lineage W, Anno 1404, Black Prophecy, and Halo Legends. My scores for Treasure Trackers, Hero and A Father’s Job have won several awards around the world.

Besides my work in media, I also write music for several international artists, including Chaka Khan, Anastacia, Gary Barlow, Ronan Keating, Bonnie Tyler, Sophie Ellis-Bextor, the London Symphony Orchestra, and others. I won a Golden Record for my arrangements for Alex Christensen.

I hold a diploma in composition, arrangement, and piano from the music university in Dresden, Germany.

Thomas Denman is a composer, producer, songwriter and multi-instrumentalist. He has contributed music to the Cellarius Universe (an original blockchain transmedia cyberpunk franchise), collaborated with various artists including Tanuja Desai Hidier and Atom Fellows, and served as a powerful guitarist and songwriter for the NYC hard-rock band Atom Strange. 

Versatile and imaginative, he is comfortable composing evocative music in a variety of genres, including sci-fi, electronic, hybrid, epic, orchestral, rock and trap.

Hi there, thanks for checking out my sounds!
Make sure to check out my music production blog http://rekkerd.org for the latest news, freebies, contests, deals & more.

I rarely find time to do music, consider these rough drafts of more or less finished tracks (quick mix, no mastering etc.)

Thanks for listening!
Ronnie

EMOT is a slow-core indie rock band from St. Paul, Minnesota. Taking cues from Talk Talk, Halloween Alaska & Acetone, the band’s spacious music unfolds and grows organically on record and in the live setting. Embedded in this openness and sonic space are finely tuned folk songs in the vein of On the Beach Neil Young, Kris Kristofferson, and Jeff Tweedy. The group’s core line-up consists of Dan Choma (drums/keyboards/sampling), Justin Hartke (bass/vocals), Matt Leavitt (vocals/guitars/keyboards) & Robert Mulrennan (guitars/sampling/vocals).

For their third LP, self titled EMOT, the band enlisted the veteran hand of producer Brian Moen of Peter Wolf Crier, Laarks, and The Shouting Matches. It is the sound of two weeks in two years. Of purposed efforts with room to breathe. Of console organs, rummage sale keyboards, saturated guitars and a beating heart of Wurlitzer & Rhodes pianos. From Moen’s basement studio in Roseville, MN to his parent’s cabin outside of North Branch, MN sounds were tracked with focus and a clear sense of direction. The ten songs are a mission statement; of a band fully embracing a sound and a cohesive environment. Throughout EMOT there are explorations of duality; walking through the gooey muck of self-absorption and learning how to breathe like the piercing clarity and neon darkness of a winter night sky.

EMOT has shared the stage with other venerable Twin Cities musicians such as Haley Bonar, Halloween Alaska, Love Cars, No Bird Sing, We Are the Willows, Adam Svec, Van Stee, amongst others.
2011 saw the release of their sophomore effort, Make You Electric, which Rob Van Alstyne of Minneapolis City Pages dubbed “A subtly stunning listen”. Upon its release, Make You Electric was amongst the CMJ’s top 20 adds as well as charting in the CMJ top 200; netting a wider audience for the group at home & abroad. Those same sessions also culminated in a cassette-only EP, Trees & Claws, released in March of 2012.

New Sound Lab produces high-resolution sound effect libraries used by post-production studios, AAA game developers, and sound designers worldwide, offering distinctive recordings engineered for professional use.

bookings: mo(at)media-loca.com
direct: info(at)irisarri.org
mastering inquiries: blackknollstudio(at)gmail.com
support: irisarri.bandcamp.com

Tor Johnson is following