Quantec alias Sven Schienhammer grew up in the '80s. Producing and remixing electronic music since 1995 first using hardware tools such as Rolands MC 505 and a 303 with some efx tools.

Now the studio is hardware and software in symbiosis. Using some oldschool synths from the 70's & 80's for the love of the lo-fi feeling of those machines! The sounds are digitized thoughts and emotions.

Personal favourite styles in music include detroit and dubby electronics, deep house, dub, roots reggae, drones, ambient and some experimental stuff. He also releases music as Monoaxial and Sven Schienhammer.

Telepopmusik’s New Album is to be released September25, 2020, ‘Connection’ feat
Young&Sick, the first single has been released June14, 2019 and the second single ‘It Hurts’
feat Jo Wedin has been released March6, 2020.
A new single ‘Dreams’ feat Young&Sick will be released August28, 2020.
2Square & Antipop were locked away in the studio putting together the finishing touches to what
will be their third Album with featurings from Young&Sick, Sylvia Black, Angela McCluskey, Mau
and Jo Wedin.
Their elegant sound is now firmly engrained in the public’s subconscious through hit singles,
sold-out tours and clever sound-tracking on many high-profile advertising campaigns. Yet we
should never forget that, above all, they are a band who have only ever simply strived for
creative perfection. Their trajectory thus far has been exemplary – a pure case of ‘ letting the
music do the talking…’
During the marathon-like tour that followed the release of ‘Genetic World’ in 2001. Telepopmusik
played over 100 concerts - from Moscow, Istanbul and the Glastonbury Festival to New York
and Puerto Rico.
The band will play Live this fall 2020 and spring 2021 following a mini tour in march 2020 in
SanDiego (CRSSD festival), Denver, Chicago and Seattle.
The band is also performing all over the world, exciting Dj sets mixing deep&acid.
‘Genetic World’ received critical and public acclaim following nominations at the French
‘Victoires de la Musique’ Awards and the US Grammy Awards. – it became one of the first
French albums to boast sales in all world markets.
‘Breathe’ feat Angela McCluskey, their hit single stayed on the Billboard hot 100 for 10 weeks.
Their second opus ‘Angel Milk’ in 2005, a delightful journey in melancholy that inspite of itself
became a reference point in european electronic music, went on to enjoy the same critical and
commercial success worldwide.
The ep’s ‘Ghost Girl’ feat Kim Wayman in 2009, ‘Try me anyway / Fever’ in 2013 feat Sylvia
Black and ‘Sound’ in 2014 feat Mark Gardener only confirmed the fact that, without resting on
their laurels, Telepopmusik had kept their unique position in forward-thinking music in the 21st
century

:: BOOKINGS :: 

abel@fingerlickin.co.uk

:: MANAGEMENT :: 

evilnine@icloud.com


#KREWLIFE

MGMT:
fiona@small-town.co

Booking: 
asia: robb@supermodifiedagency.com
eu: paul@primarytalent.com

Label: 
https://carbonmusic.bandcamp.com/

Jubei DJ bookings:  
clive@earth-agency.com (World ex. North America)
rob@respectartistagency.com (North America)

Thomas Chapin, 40, Raucous Musician

February 15, 1998
The New York Times by Peter Watrous

Thomas Chapin, one of the more exuberant saxophonists and band leaders in jazz, died of complications due to leukemia on Friday at Rhode Island Hospital in Providence , said a friend, Sam Kaufman. He was 39.

Mr. Chapin was one of jazz's more extraordinary musicians. A typical solo of his moved easily between traditional jazz and the sonic explorations of the avant-garde, and in concert he was a showman, using yells and roars and howls to charge his performances.

Mr. Chapin was a fan of two of the more raucous saxophonists in jazz history, Rahsaan Roland Kirk and Earl Bostic, and he approached his shows in part as theater. None of his extroversion diminished the sense that Chapin was deeply studied, and in his playing one heard everything from folk music of the world to be-bop, from classical music to early jazz. And Mr. Chapin was one of the few musicians to exist in both the worlds of the downtown, experimentalist scene and mainstream jazz.

He came to his breadth of knowledge naturally. Mr. Chapin began his serious studies in the early 1980s, attending the University of Hartford and studying with saxophonist Jackie McLean. He later graduated from Rutgers University, after studying with pianist Kenny Barron. The schooling he received allowed him to take over the leadership of Lionel Hampton's orchestra for six years, starting in 1981, and also maintain a position in Chico Hamilton's band as a saxophonist.

But Mr. Chapin had other ideas, and in the late 1980s he formed his own groups, most notably a trio with the bassist Mario Pavone and the drummer Steve Johns. And he entered the fertile world of the Knitting Factory; Mr. Chapin was the first artist signed by the club's record label, Knitting Factory Records.*

For nearly 10 years Mr. Chapin pursued his own music, working with the trio at festivals and clubs around the world, and also arranging larger groups. And he spent a good portion of his time working with the more important names in various factions of jazz. He performed with John Zorn, Dave Douglas, Ned Rothenberg, Marty Ehrlich, Ray Drummond, Ronnie Mathews, Peggy Stern, Tom Harrell, Anthony Braxton and many more. Over his career Mr. Chapin recorded about 15 albums; his most recent, "Sky Piece" (Knitting Factory), a trio recording was recently released. He is survived by a wife, Terri Castillo Chapin, of Queens .

Copyright © 1998 by The New York Times Co.
Reprinted with permission.

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