As well as the previous one, i wasn't able to finish this track as my apartment was burglarised on October 2020.
Around July 2020, i've randomly sent some music to a dear friend of mine: Simon Heah, because he wanted to hear it.
Here is what's left, as well as other lo-fi recordings that i will only share on Soundcloud.
The thieves stole my musical equipment, my computer and the usbs where i kept the projects at the time, gladly i was able to send some audio files to Simon.
There is no reason for me to holding on to it, so here it is...

This track was recorded mainly in the middle of fall 2019, in my home studio, which at the time was based in Wimbledon.

You can now buy digitally "Unreleased (2018-2020) Vol. I", which is the album where this track is featured, by simply following this link : https://tinyurl.com/yck4mnaa

Heave (Unreleased Track)

Slide Back

1999

B- side taken from an upcoming 7"

Produced by Contrast, engineered by Mathew Hosking, mixed and mastered by Lindsay Gravina

Construction

'Ines de Castro' is the first single from David Vassalotti's Broken Rope LP on on 2/12/2016.  Order your copy here - http://wharfcatrecords.com/store/david-vassalotti-broken-rope-lp

Order from Apple Music here - https://itunes.apple.com/us/album/broken-rope/id1074173803

As modern life spirals further into chaos and confusion, David Vassalotti’s newest album Broken Rope, a follow-up to his revered out-of-print 2011 LP Book of Ghosts, presents itself as a soundtrack for the tumult
.
Vassalotti, a Florida-based songwriter and performer for critically acclaimed 4AD signees Merchandise (amongst numerous other projects), has used this record as an opportunity to delve further into his own diverse world of personal interests. Broken Rope is a passion project, with Vassalotti handling all of the writing, performing, recording, production, and art design.

From lo-fi guitar pop sounds (a la Flying Nun staples like The Clean and The Verlaines), to elements harsh industrial noise and musique concrete, Vassalotti weaves together a wide array of musical influences with a steady hand. Similarly, the album’s lyrics draw from literary references as far- reaching as Portuguese history, Russian folklore, and Spanish poetry.

Ambitious as it may be to cover so much ground, there is a rational flow and unity that ties the record together. In the chaotic globalism of the 21st century Broken Rope may not be the compass that helps us find our orientation, but it can still serve as a mirror to help shape our concept of where we fit into the fray. This is an adventurous album for uncertain times.

PITCHFORK: D. Vassalotti "Swallow My Pride"
“Tampa's Merchandise have a decade of artful hardcore and experimental pop under their belts-- but the devastating solo output of guitarist Dave Vassalotti is their best kept secret”

David Vassalotti - Ines De Castro

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Gone

Peter J. Brant - I Heard You Were Down

"Return"

___________________
Mixed by Matt Hosking
Mastered by Mikey Young

Return

'The Willo' is the first song on The Willo/Energy 12" single by Toy. Limited to 500 copies -  200 will be on transparent vinyl available from the Tough Love official store, and 300 black vinyl will be available in indie stores from the 14th of September. Pre-order here -  http://smarturl.it/Toy12

The Willo/Energy 12" - MP3s

Toy - The Willo

This album can be purchased through us indoorvoices.bandcamp.com or through Bleeding Gold Records 
bleedinggoldrecords.bandcamp.com
credits
Released 22 October 2012 
All songs copyright ©2012 Indoor Voices under exclusive licence to Bleeding Gold Records. 

Guest vocalists: 

"Still": Catherine Debard - Sally Paradise, Ylang ylang (Montreal, Canada) 
sallyparadise.bandcamp.com ylangylang.bandcamp.com

"So smart": Casey Mecija - Ohbijou (Toronto, Canada) 
ohbijou.com 

"After": Sandra Vu - SISU, Dum Dum Girls (Los Angeles, USA) 
sisuband.com 

"Hung out": Anne Boutonnat - Marc Desse (Paris, France) marcdesse.bandcamp.com 

"Hung out": Spooky Bubble - Alligator Indian (Asheville, USA) - alligatorindian.bandcamp.com 

Mixed by Jason Finkel in Brooklyn, New York 
jasonfinkel.com 

Mastered by Jeff "Fedge" Elliot in Toronto, Canada 
fedge.ca

02 So smart

Taken from You Might Be Happy Someday, released 2nd October. Pre-order the LP here - https://smarturl.it/redpinksandpurples
--
Deep amidst San Francisco’s Richmond neighborhood misty air and washed-out pastel blocks, Glenn Donaldson has been diligently creating minor masterpieces with rudimentary home technology for some time now. With The Reds, Pinks & Purples, Donaldson has finally created a vivid reflection of this dreary scene. You Might be Happy Someday is an oblique strand of SF outer-avenue cloud cover that stretches across the Atlantic to the grey docks of Bristol as captured in Sarah Records’ fetishized insert photos.

Despite the deceptively congenial presentation, Happy is often a heavy record. After a litany of Donaldson’s past iterations (from experimental abstraction to post-punk and pop), The Reds, Pinks & Purples is Glenn D’s most personal project. Balanced awkwardly atop almost ironically upbeat jangles and rhythms Mitch Easter might have captured on his reel-to-reel are prime cuts of bummer pop. Almost every track is written in second person, creating a feeling of overheard private inner conversations-on-repeat: soft-lob criticisms, supportive friend advice and embarrassing confessions, You Might be Happy Someday is a smeared window into the (kindly) cynical thoughts of a romantic misanthrope.

Like the work of other U.S. depresso-pop purveyors East River Pipe, The Reds, Pinks & Purples’ mini-album is the kind of record that is both unsettling and comforting. When you’re four drinks deep and you’ve worn your Smiths records out, You Might Be Happy Someday is on deck to have wine spilled on it while you dance alone in the kitchen.

You Might Be Happy Someday is released on Tough Love on 2nd October. Fittingly, the record will be pressed on to 'pastel pink' colour vinyl, with a limited run of 300 copies.

The Reds, Pinks and Purples - Last Summer In A Rented Room

Out April 9, 2021 on Slumberland Records/Tough Love Records.

From the many musical lives of artist Glenn Donaldson emerges The Reds, Pinks and Purples, a project that sifts out the purest elements of pop music and in the process chronicles the point of view of an assiduous songwriter. His new album "Uncommon Weather" is both an elusive portrait of San Francisco -- during one of its fluctuations as an untenable place for musicians and artists -- and also a self-portrait of a songwriter who has dispatched another treasured collection of timeless sounding DIY-pop songs.

Self-recorded and mostly self-performed, the music on "Uncommon Weather" continuously reckons with the influence of The Television Personalities' Dan Treacy, whose own forays into drum-machines, echo, and reverb in the early 1990s is an important reference point. Paul Weller, Robert Smith, and Sarah Records also come to mind. The album arrives with grateful timing, quick on the heels of the recent EP "You Might Be Happy Someday" and alleviating, for a brief window at least, whatever it is that keeps us coming back to this elemental music. Donaldson imagines his listeners are just like himself: fascinated and addicted to the spiritual power of uncomplicated pop classics.

Uncommon Weather

The Reds, Pinks & Purples - Don't Ever Pray in the Church on My Street

The Reds, Pinks and Purples - Last Summer In A Rented Room

Tough Love

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