Alicia invites DDAT (Kobayashi Maru & Atch22) - 23 April 2025

The snake weaved its way through the jungle. It slithered slowly along the leafy underbelly of the great green monster as the trees breathed deeply in and out brimming with warmth and wisdom.

The jungle was an ominous place – some called it the beast for the way in which it could swallow you and never let you go.

The snake knew little of the landscape in which it lived but the people, the people, they did.

It was hot and sticky that night.

Budalagi is expertly remixed by Dåser to create a genre pushing version which channels elements of dub, bass, gengetone and beyond. It’s all things and it sounds delicate and punchy in equal measure – however that works is a mystery and testament to the production skills.

PREMIERE: Budalagi - HAPA NI WAPI (Dåser Remix) [Vief Records]

As Early Reflex turns five, the label marks this milestone with a landmark 30th release: a global-minded, rhythm-forward compilation, out June 13th.

Pre-order: https://earlyreflex.bandcamp.com/album/neon-reflections
More: www.orbmag.com/music

@earlyreflex
@emily_jeanne

Listen more

Premiere: Emily Jeanne - Sunyata

Swing Loww - Mental Time Dilation

Time for your Dose of Chaos !
Cette semaine on est très heureuses de vous présenter le projet de Dju:n ! 
Pour ce set, elle a mis la Bass Music à l'honneur, et en a profité pour jouer des sonorités percussives en vitesse de croisière, sur un tempo plus lent que ce qu'elle joue d'habitude. 
Une selection de tracks fraichements sortis, taillés pour faire vibrer : un mélange de chaos maîtrisé et de groove bien dosé.

Séisme magnitude sept qui n’a de cesse de sévir dans le Grand Ouest depuis
2019, Dju:n fait trembler les dancefloors partout où elle passe avec un
mélange redoutable de Techno, de Breakbeat et de Bass Music. Son style de
mix est vif, frénétique et diablement efficace avec un objectif clair :
galvaniser son public en renversant systématiquement ses sets entre phases
4/4 et phases breakées, souvent lorsqu’il s’y attend le moins.
Au-delà de ses activités de DJ, Dju:n est une activiste qui œuvre pour les
musiques électroniques au sein de WestSound, association organisatrice de
concerts, et de Purple, label et agence de booking. Insatiable dans ses
digs comme dans son implication dans le soutien à la création artistique,
elle est une actrice de plus en plus centrale de la scène locale et ne
compte pas s’arrêter en si bon chemin !

Dose de Chaos ☀ Dju:n

atomal joined us exactly one month ago for the last party of the season at Fraktal, where this set was recorded.
˖⁺‧₊˚♡˚₊‧⁺˖
The mix is a fusion of hypnotic soundscapes, sweaty&sexy trance, acid and pure joy. Let’s relive the euphoria of that night with a touch of early morning vibes. 

₍^. .^₎⟆

Photo by atomal
Cover edit by Krypton

Fungus Spores #03 w/atomal

sugar slip 1 w/ call me daddy

Kamoun has developed a signature sound where percussive intensity meets atmospheric depth, blending polyrhythmic drums with modern electronic textures. His fascination for traditional tribal percussion, paired with influences from minimalist field recordings and British bass culture, generates a hypnotic energy that resonates with the raw power of contemporary electronic music.

On 'Wave Prophecy', his first 12" on Dance Data, Kamoun showcases his distinct range - from deep tribal grooves to high-energy dance tracks, Kamoun fuses rhythmic complexity with avant-garde sensibility, forming a unique and addictive sonic palette.

As If the full 5 tracks weren't already enough of a treat, we've also got a fresh remix from our friend Sepehr, who takes La Panthère to a tantalizing place with his 'pantheress' rendition.

https://dancedata.bandcamp.com/album/wave-prophecy

releases August 1, 2025
All tracks written by Abderrahmene Hamitouche
Mastered by Mark @ A Colourful Storm
Artwork by Jesse Pimenta
Remix by Sepehr
Dance Data Records [DDR009]

pi premiere: Kamoun - La Panthere (Sepehr's Pantheress Mix)

bass and restraint tracing an emotional arc.


@breezdub - bacardi 
@headhunter @addisongroove - stand alone
@thekercha - evidence 
Gentle $oul - OC stepper (@fastcastle)
@leap-music - rites
Gentle $oul - sakur (@fastcastle)
@calibresignature - front loader
@argosounds - syndicate 
@cwtchcwtch - rust 
@beatricemasters - magic (techno mix)
@anechoicchamber - step out 
@drumsofjay - dissolution 
@j-sparrow - l33t sp33k
@ndread - desertion 
@ghetts - listen (bailey ibbs rmx)
@count2count - split
@morehijinx - out of luck 
@ellisdelta - zlang 
@valesoa - no nerve
@thekercha - chase me 
@hedchef - fool's errand 
@carreo - air sign 

Steppin' out (140StackCity)

https://soundcloud.com/sam-black747 https://soundcloud.com/markhamroad
🛒 https://markhamroad.bandcamp.com/album/got-me-down-mr008

London-based producer Slacker lands on Markham Road Records with an exercise in both sample juggling and unrelenting pressure. Got Me Down's trio of waveforms spin the same vocal chop to produce some heavy, club-ready sounds. These three tracks lie on the pacier side of the BPM range, instructing a late-night application of their rhythms.

Leading out with the title track Got Me Down, Slacker pounds the subs harder than a Nona making pesto. Fitting somewhere between hard tech and dubstep, Got Me Down is a roller coaster of ups and downs (but mostly ups) that aims to leave dancers rather eager to stay on the floor.

The EP continues with a call and repeat called You Don’t Care. Developing over various percussive lines and bass swells, the track showcases Slacker’s expertise in sorting, pacing, and delivering THE drums. Just like Pooh Beatz, "He Like The HI Hat God Kinda."

The track also gets a spin courtesy of Europe’s other mega metropolis. Paris-based De Grandi morphs You Don’t Care into a step-friendly bass tech track in his latest remixing endeavor. In this remix, two heavy driving sections are laced together by a rather introverted bridge to allow dancers to regain their footing. As per the rest of the project, the remix maintains elements of the original vocal chop while introducing new percussive and rhythmical accoutrement.

Tracklist:

1. Got Me Down
2. You Don't Care
3. You Don't Care (De Grandi Remix)

PREMIERE: Slacker - Got Me Down [Markham Road Records]

This 12” picks up where Furesshu’s digital releases at a dubstep tempo on Echodub left off but also pushes into the deep, Berlin inspired techno sound that he is presently concentrating on (hopefully Project Squared will be releasing some of these unreleased techno productions in the near future).
1993 sounds fast for its mid 130s tempo, the bass drives the track’s pace and the delay affected stabs provide just enough melody. Horizons feels slower, you could perhaps describe it as a half step track although it twists up the formula for that sub genre. The bass evolves and changes throughout the track, rising and falling, coupled with drones and drums punctuating the track rather than providing a constant element. Untitled marks a change in Furesshu’s sound. 4/4 deep techno; 11 minutes of gradual, constant evolution in the melodic parts of the track but the driving, perfectly toned kick drum and hi hats holding the groove in place.

PSQ002 - Furesshu - Untitled / 1993 / Horizons - www.projectsquared.net

Des meufs, du son, sans contrefaçon ❤︎

Collectif féminin uni pour une fête multidimensionnelle et bienveillante

Dose de Chaos ☀ Dju:n

Toutes&Chaos

Recent comments

DJ Latinchat

Related tracks