track with https://soundcloud.com/frquentctexas

flipped https://soundcloud.com/dareallachat

art by https://soundcloud.com/shvdowrxxmexe

https://soundcloud.com/mastermindslabel

STACKIN THEM CHEESE w/ FrquentC

Wavy

https://www.youtube.com/watch?v=uBzGTFTTCJs&feature=youtu.be

trvnsparent 益簡迎 [Prod. AcidBrain] *VIDEO IN DESCRIPTION*

https://tracisgrey.bandcamp.com/album/oasis-breeze

Come Sei Bella

FOR A MINUTE - OKAYMAINE X BERRYMANE

DIRTY TAPE VOL.2 is a project I produced a little later after the Vol.1 between 2018 and 2020 that slept in the vault for some time before I decided it was time to polish it and release it to the world.
There are 9 songs with BiG Phonk vibes, inspired by the 90s Memphis sound and the time I was heavily producing with EVIL, HOLYMANE and others from the Soundcloud wave, always with that special BiG Touch.

TRACKLIST :
1. 12:34AM
2. GOTTA GO
3. BRING IT BACK
4. PROUD
5. NEIGHBORHOOD HOE
6. BACKWOODS INTERLUDE
7. PIMPS
8. SCREW THIS
9. SMILE ON MY FACE

AVAILABLE ON ALL PLATFORMS
*all songs produced and mixed by BiG A*
*Cover Art by @drjunt*
VOL.1 : https://soundcloud.com/adacreator/dirtytapevol1

DIRTY TAPE VOL.2

DOWNLOAD

Where am I going EP [HOSTED BY MURDER POSSE]
Prod. $paceamoeba

Tracklist:

DREAMQUEST
NIGHT MOVES
PHANTOM
MIRROR IMAGE

Where am I going [HOSTED BY MURDER POSSE]

is u rollin

📀📀📀📀📀📀📀📀📀📀📀📀📀📀📀
📀📀📀📀📀📀📀📀📀📀📀📀📀📀📀

#lofi #boombap #ambient

1999 late night dance mix! ep - mix of synth pop samples from 1980's-1990's united states

sound design, production, mixing, & mastering via - stracct

samples are used

artwork - stracct

contact me if you are interested in using any of my beats/instrumentals for whatever reason.

orange sky filled vibe! [stracct] [147bpm Dbmajor] [soundcloud exclusive]

The Code Of Our Lives

Producer: Jester (@jestertheproducer)

Jester layered in synths—wide, shimmering, atmospheric pads that sounded like stars waking up. Then came the percussion: space-metallic clinks, rocket-engine whooshes, a snare that cracked like sparks off a welding torch.

He closed his eyes and let his fingers move, barely thinking, only feeling.

Every measure built upward.
Every beat pushed higher.
The track wasn’t music anymore—it was momentum.

And then it hit him.
The missing piece.
The reason the track felt like it wanted to escape gravity:

It needed rush.

A fast, stuttering lead that sounded like breaking the sound barrier.

He dialed it in. Sleek. Aggressive. Unapologetic.

When he hit play, the lead ripped through the mix like a jet tearing open the clouds.

Jester leaned back in his chair, breathless.

“This is TAKEOFF,” he whispered.

Come Sei Bella

Tracisgrey