Create or despair


reggae radio show à l'ancienne  "Dj illuminatty" :

https://www.mixcloud.com/illuminatty/

Daniel Wiessfelt is a DJ/Producer from the UK

Carl Grant and Tony Gallagher met on the fringes of the underground party scene in South East London. L.A. Synthesis AKA Linear System/Wave Effect was formed in South London in 1991.

Originally from Liverpool and Birmingham, respectively. Discovering a shared and relatively eclectic pool of influences ranging from Model 500 and Black Dog to Kraftwerk and systems composer Steve Reich - the pair began experimenting with their own tracks, though it wasn't until promotional copies of Agraphobia began to emerge towards the end of 1994 that the duo started to attract attention.

Agraphobia was a near-perfect debut, sewing a memorably trippy hook line (an exquisitely beautiful synth riff that was inspired by Reich's explorations in both minimalism and repetition) through a complex backdrop of clanking percussive and Detroit romanticism. Released on Plink Plonk with a Kenny Larkin remix, the single became a fixture in London's clubs, crossing over into both Detroit and ambient techno sets. 

Written and produced in 1995 and perhaps one of the most overlooked UK techno albums of the '90s. Matrix Surfer is a beautiful combination of second-generation Detroit romanticism and inventive grooves. Hard to find but definitely worth tracking down. 

Carl continues writing and producing music, and at present hosts, a monthly/radio show, Serendipity Transmits on Bloop London Radio.He his the co founder of Serendipity Transmits 24/7, his own internet radio station, who he runs alongside his brother Kenny Swann aka The Barefoot DJ, who hosts the regular podcast alongside the station. 

Playing an eclectic blend of afro, soul, boogie, movie soundtracks, to experimental, US deep house/techno, with anything else thats good in between. Expect some nice surprises on their shows.

https://linktr.ee/carlitogrant

https://www.mixcloud.com/kennychocolatedisco/

Full time DJ, stripped back here - I don't pay to play.

My weekly radio shows get reposted on Mixcloud which at least has something theoretical in place to pay content providers (even if in practice it doesn't work).
I've a weekly show on Kniteforce Radio & HCR and regular pop music podcast @whichdecadetops which is plenty.
Online content IS fun but earns me nothing directly. Not "a little". Zero. more broadly I get approximately 2 gig bookings a year from my online content, but I play around 150 gigs a year. Please do leave a nice comment or repost my stuff, but the real way to support me is come to a gig: 
Fridays, at Montey's Harrogate, 11.59pm - 4am playing Rock, Alt & Party.
Saturdays, at Foundry Project Harrogate, 8pm - 2am, playing the lot.
Thursday on Kniteforce-Radio.com 5pm -6 playing.
Saturdays 8pm on HCR (Radio Show repeat)
...plus other events who have booked me by mistake such as Bangface, FEVA Festival, Disco Dayze, EchoLive, Bedfest and "many" more.

Talk to me at facebook.com/djtrev
I dj for a living and have twin toddlers who fortunately like my music.
Some nice people used to sponsor me before the Tories destroyed the economy
https://www.patreon.com/djtrevuk but don't worry about it. Vote for a change.

Followers of Trackman