(Subplot Recordings, Harmonious Discord Recordings, Whiskey Pickle Records, Denied Music, Fett Recordings, LB Recordings, Alakazam Recordings, MadRat Promotions)

I started out mixing all of the vinyl I had collected at the tender age of 16. By that point I had a healthy stash of 12" singles bought at the local record shops, Waterloo and Sound Exchange in Austin, Texas. It was 1990 and I had no idea where my fascination with mixing records would eventually lead me.

When the birth of the Austin rave scene happened in 1992 after a passionate couple of ravers from San Francisco moved to my home city, I was right there in the thick of it and quickly became one of Austin's most successful DJ's, playing at a majority of the events happening in the capital city.

When by chance, in 1994, a guy named Daniel Foreman who was about to open a club in Austin showed up to a warehouse party that the other prominent DJ's of Austin's underground scene and I were playing at, the unlikely birth of Proteus happened. I was one of the resident DJs at Proteus for several years and became even more well known and in demand. Proteus is still, after 20 years, notoriously known as one of Austin's  most loved and influential nightclubs ever.

While all of this was going on, I was honing my production skills as well, eventually attending and graduating from Pyramind, a music production, theory, and business school in San Francisco. This led to my music being released worldwide by  record labels such as Harmonious Discord Recordings, Whiskey Pickle Records, Denied Music, Fett Recordings, LB Recordings, Alakazam Recordings, MadRat Promotions, SubTech Collective Light, and others.

Many years later, now having lived in San Francisco for over a decade and with the incredible success of my production work, I have begun my own record label, Subplot Recordings in order to influence your mind and control your body on the dance floor, wherever that may be.

Buy my tunes here:
iTunes: https://itunes.apple.com/us/artist/jeffrey-tice/id989680930
Beatport: https://pro.beatport.com/artist/jeffrey-tice/481337
Traxsource: https://www.traxsource.com/artist/242464/jeffrey-tice

See also:
https://soundcloud.com/c-py-c-rrect
https://www.facebook.com/jeffreyticemusic/

"This music is Faux Real." ™

Copy Correct, aka Jeffrey Tice started composing music at the tender age of 9, on his family's piano and fell in love with making music. After getting his first synthesizer, Jeffrey discovered that he could do more with electronic instrumentation than with acoustic music, thus began his foray into electronic sounds. His early influences in music include artists like Erasure, Depeche Mode, Book of Love, Pet Shop Boys, and other New Wave synthpop artist, as well as Acid House, New Beat, and Punk Rock. While in high school, his best friend introduced him to DJ culture and underground dance music & showed him the basics of mixing records. After attending some of the first raves being thrown in and around Central Texas, Jeffrey became involved in Austin, Texas' early Rave and DJ community, and began spinning at house parties, warehouse gatherings, and at the seminal club Proteus. He is one of Austin, Texas' DJ culture pioneers!

Jeffrey Tice began producing original tracks early in his DJ career, often producing a track and playing it during one of his sets to wide acclaim. He has a great appreciation and understanding of electronic music, and DJing helps focus his production efforts.

Now residing in San Francisco, Jeffrey is a graduate of Pyramind, a music school that focuses on music production, theory & business. It was there that he began experimenting with mashups. Because after all, combining music with different sounds, textures, and genre is what a DJ does, and created his persona, Copy Correct.

With the slogan "This music is Faux Real." Copy Correct takes classic synthpop, electro pop, disco, early eighties jams, and whatever his heart desires and mashes them up to bring them into the now, redefining them for the modern listener, music fan, and dance floor. As Copy Correct, he elevates the art form of mashups; he challenges the common assumption that Mashups aren't real music...that they take no talent to create, won't last and that they're 'too easy'. He says that when hearing those things, he couldn't be happier, as a mashup artist because, "Afterall, they said the same thing about Jazz, Rock n' Roll, Heavy Metal, Punk, Disco, Hip-Hop & Electronic Music and we all know how that went."

(Written by James Neal)

See also:

https://soundcloud.com/jeffrey-tice
https://www.facebook.com/Copy-Correct-124650197619578/

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