family strings

Their experiences tie together a family over generations.
Most of my family members play(ed) an instrument: Cello, Piano, Guitar, Violin. 
To break the patterns: I put my voice in front.

Please have a look at my feature-reel in instagram: https://www.instagram.com/p/C-152GSufcQ/

Made with:
- Teenage OP-1
- Softube Model 82-S
- Native Instruments Session Percussionist
- Native Instruments Glaze
- Logic Drum Synth

+++
More on the 659th weekly Disquiet Junto project, Reading the Body — The Assignment: Interpret the markings on the back of a cello as a graphic score — at Disquiet Junto Project 0659: Reading the Body – Disquiet

family strings (disquiet0659)

a track by Marco Lucchi reworked by Mean Flow

*

agosto 2024

Mean Flow & Marco Lucchi - L'homme armé

wire noddle soup for tea. mums special.
L.F.O's for supper i think

Wasp Burgh... Insecta Technica

‘virtus ad populum’
Breakfast Time.
Track created in 2023.

In 1971, I lived fifteen minutes from Tittenhurst Park. And I had no idea what music was being recorded there. Unconsciousness is beautiful…

Tools :
Pam’s, Varigate, Marbles.
- Plaits > Fold 6 > DSP (saturated reverb).
- Basimilus.
- Rings > FX Aid (#24 reverb plate classic).
- Morphagene > Sisters > Desmodus Versio.
Zadar, Ochd.
Mutes, Sinc Defero, uVca.
StMix, Black stereo mixer, Listen IO.
Recorded live and mastered with Logic Pro X.

Associated image : Petrus Major.

The People (are asleep) [breakfast time]

‘ante mare undae’
Modular Hedonism.
Track created in 2022.

'Ante Mare Undae' is the motto of the House of Rochechouart (Latin contraction of 'Avant que la mer fût au monde, Rochechouart portait les ondes' / 'Before the sea was in the world, Rochechouart carried the waves').

Madame de Montespan, the Sun King's great love and mistress, belonged to this very old French family. They regularly met up at the former ‘Porcelain Trianon’ located in the royal estate of Versailles, a place renowned for its marvellous gardens.
 
Tools :
Marbles, A-160-2, Arp.
- Rings (odd & even outs) > Desmodus Versio.
- Plaits (pair of classic waveforms) > Monsoon (clouds mode).
- Vco2 (pulse out) > modDemix > Data Bender > FX Aid (#27 reverb hall medium).
- Basimilus.
- Drum2 > Dsp (reverb mode).
Zadar, Batumi (saw outs), Ochd.
Mutes, Buff Mult, Sinc Defero.
Quad Vca, StMix, Black stereo mixer, Listen IO.
Recorded live and mastered with Logic Pro X.

Associated image : Petrus Major.

Dans les Jardins de Trianon [modular hedonism]

https://youtu.be/i-osXq9vWj0
https://youtu.be/d2IKVVUTfxs

MMXXIIIIIIXITWNTRB

Original Track:
https://soundcloud.com/senmove/nodarel

SenSen - Nodarel (Version)

This track features on the One Fleeting Glimpse Of Jaw-Dropping Beauty EP, out now:
https://ceruleanascent.bandcamp.com/album/one-fleeting-glimpse-of-jaw-dropping-beauty

Visuals here:
https://youtu.be/DWhI8fydsWg

Abrasion

P.C.  E.g.  - 9:16:24, 10.22 AM

Composed, arranged, performed, and produced by:
Carlos Vivanco

Sand And Dust

Saturday Night Blues

Ｔ　Ｒ　Ａ　Ｍ　Ｐ　Ｅ　Ｌ　Ｆ　Â　Ｄ

is LCEEM

Laboratory for Contemporary Electronic Experimental Music [LCEEM]

rec.name: "a sound field with random structures part 3 "

credit : lyra 4

date:19-09-2024


https://www.youtube.com/watch?v=sHceV_xbinY

boild star 3trpe

Ｔ　Ｒ　Ａ　Ｍ　Ｐ　Ｅ　Ｌ　Ｆ　Â　Ｄ

LCEEM 
(Laboratoire de Musiques Expérimentales Electroniques Contemporaines)
a été fondée par Max Elzholz.

Max Elzholz (1963), achète son premier synthétiseur Moog en 1982, étudie les beaux-arts et travaille comme peintre, sculpteur, artiste expérimental en informatique et robotique dans les années 90-2000 en Allemagne et en France - En 1998-1999 à la Cité des Arts de Paris et début 2000 comme professeur intérimaire dans le domaine de l'art sonore et de la sculpture - depuis 2004, il est impliqué dans son projet Trampelfâd, le Neoilsomgroup et le ZW Studio.
Il est fondateur du LCEEM depuis 2023. Travail avec des dispositifs expérimentaux et électroniques.

Explorer le hasard -
Sonification - Aléatoire - Improvisation - Science - 
Musique Electroacoustique - Systèmes Non Déterministes - 
Textures d'échantillons granulaires - Databending - Comprovisations - Musique abstraite -... également une variété de coopérations en direct et en ligne


LCEEM 
( Laboratory for Contemporary Electronic Experimental Music )
was founded by Max Elzholz.

Max Elzholz (1963),buy 1982 his first Moog Synthesizer, studied fine art and worked as a painter, sculptor, experimental computer and robotics artist in the 90s -2000s in Germany and France - In 1998-1999 at Cité des Arts in Paris and at the beginning of 2000 as Interim professor in the field of Sound art and Sculpture - since 2004 he has been involved with his project Trampelfâd , the Neoilsomgroup and the ZW  Studio .
He has been a founder of the LCEEM since 2023.Work with experimental and electronic Devices.

Exploring the Serendipity -
Sonification - Aleatoric - Improvisation - Science - 
Electroacoustic Music- Non-deterministic Systems - 
Granular Sample Textures - Databending - Comprovisations - Abstract Music -..also a variety of live and online cooperations
https://youtu.be/T_lRIvlnQ20

boild star 3trpe

T R A M P E L F Â D

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