Composed for the Junior Conservatoire of the RWCMD, this work is a tapestry for three flutes, an oboe, two clarinets (B-flat), a bass clarinet, and a bassoon. It was originally composed on material from my trio "Pearl" (https://soundcloud.com/jdestro/pearl-for-two-flutes-and-harp), and it is meant to be a tapestry depicting the events of "Pearl".


https://twitter.com/jsdestro/status/1559877802748481536

Tapestry, for wind octet

Haiku by Marco Sebastiano Alessi

Seven days to make music in response to the assigned haiku: to participate visit www.naviarrecords.com/about/naviar-haiku

Empty House Once Full Of Life (naviarhaiku512)

Le Cheval d'Orgue
Une chevauchée musicale imaginaire par une improvisation sur orgue électronique et boîte à rythme.
Visuel: dessin crayons de couleurs ponctué d'aquarelle.
The Organ Horse
An imaginary musical ride through improvisation on electronic organ and drum machine.
Visual: colored pencil drawing punctuated with watercolor. ​

Le Cheval D'Orgue Patrick Picault

This is the eighth in a series of Module Music pieces. It uses fm-synthesis. It is based on a spectrum and sub-spectrum between A4 and F#5. The music is generative and uses both  markov chains and random ranges. The source-code can be found at github.com/danielstahl/module-music-8.

Module Music 8

TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music [LCEEM] 

rec.name : " open random input system "
credit: pure data ,nord drum 3p
date: 24-03-2024
https://trampelfad.bandcamp.com/

A improvisation in dialogue with the computer - something like mono-dialogue? That is the question...
I build programs that produce processes that behave largely unpredictably - within limits of course... without this AI crap in mind...
Manually played MIDI input modulates 2 randomly generated sound events at different speeds.Feedback here functions, figuratively speaking, as feeding a system with new parameters - the freely improvised impulses of the musician enter the vocabulary of the software...

..other interesting areas of application:

https://www.nature.com/articles/s41598-017-04013-z

Complex Non-deterministic Algorithm Prozess [2 Speed Midi] Two

looping+arranging older recording from eurorack modular system

千代田線 (r minus seven)

Serenade

No 4 in a series of improvised meditations.

Standard Adventure movement No 7 (The Too And From Distopia).

Piece for solo flute and live electronics

Performed by Cheng-Yu Wu

Lovesong (2018)

The Birth Of Lightening

released by Petroglyph Music https://petroglyphmusic.com/

coarse graining remastered. ritual dark ambient, intuitive perception of different time scales. 

the sequence of frequencies existing as standing waves in the string are integral multiples of a fundamental frequency. A musical exploration through harmonic superposition of correlated melodic samples.

Time 2:1

Ｔ　Ｒ　Ａ　Ｍ　Ｐ　Ｅ　Ｌ　Ｆ　Â　Ｄ

is LCEEM 
Laboratory for Contemporary Electronic Experimental Music [LCEEM]was founded in 2004  in Equihen Plage , France  by Max Elzholz
Research Priorities:
Exploring the Serendipity -
Sonification - Aleatoric - Improvisation - Science - Electroacoustic Music- Non-deterministic Systems - Granular Sample Textures -

Complex Non-deterministic Algorithm Prozess [2 Speed Midi] Two

T R A M P E L F Â D

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