It's all in the tag
Voices I used from freesound.org:
422542 by eudes87
621115 by Erin Knight
pic by Celia
New album on Musique Moléculaire: https://musiquemoleculaire.bandcamp.com/album/random-voices
Curated by Iann Troalen

Random Voices: New album

‘quasi’
Modular Hedonism.
2023 live performance.

A wink to @mesmo1, to the consistency of his talent and creativity.

Tools :
Pam’s, Marbles, Varigate.
- DFAM.
- Loquelic Iteritas Percido.
- Plaits (chords) > FX Aid (#25 reverb room stereo).
- Pluck.
- Morphagene (voice sample) > Data Bender > Overseer > Monsoon (clouds mode).
Ochd, Batumi (saw).
Buff Mult, Sinc Defero, 3x MIA.
Mutes, StMix, Black stereo mixer, Listen IO.
Recorded live and mastered with Logic Pro X.

Associated image : Petrus Major.

Vulcana Popo [modular hedonism]

Ketchab Glideseq

@naviar-records
My response to the Naviar Haiku 582 challenge.

here and there
upon scorched fields
wild violets

For more on this prompt, see https://www.naviarrecords.com/naviarhaiku582-here-and-there/

violets in D♭ (naviarhaiku582)

Dissolving elephants and golden walls

Ｔ　Ｒ　Ａ　Ｍ　Ｐ　Ｅ　Ｌ　Ｆ　Â　Ｄ

is LCEEM

Laboratory for Contemporary Electronic Experimental Music [LCEEM]

rec.name: " lost tapes 1960-1981 "
credit : 
date:8-3-2025

Ectoplasm r1966 Message 2

Little by Little - the Ground Dissolves

There is a another, more accessible version of this poem waiting for you because Dan Lockhart has composed a version of the poem that fits his accomplished and well-acclaimed style, called WHO FED THEM. As soon as it will be released, you will be able to listen to it on soundcloud and the video will play on YouTube.

method: birdsong went into this, guitar and bass. lots of morphing and fitting that cannot be heard any more (the best kind)
image: uncommonly  low water at Lake Constance; in March 2025  copyright jo richter


THE WORD FOR HUMAN IS HUMAN / copyright jo richter:

tiny soldiers fight battles in sandcastle boxes
adorned with merchandise stickers and stuff
while the snakes all rythmically rattle their rattles
as each drop in the lead pipes sizzles with toxins
and prosperity preachers sleep and dream rough

red-shifted galaxies slip by within bubbles ablaze
as the sun spot jacuzzi breeds tadpoles of light
watch planets breathe plasma in a self-centering sigh
unfastening fixings and fillings in mental space
there is no-one seeing but personified sight

there's a physics-sized gap in time's memory
opened by tricks played on Schroedinger's mind
provoked by some impulse to doze off and nap
and to sleepily call off the rabied hounds of rigidity
and just be gracious and gentle and kind

the word for human is human

YELLOW LEMONADE

Musique Concrète April 2025

ENGLISH TEXT FOLLOWS

Kurze Beschreibung

Die Komposition verbindet Alltagsgeräusche wie Schritte auf verschiedenem Untergrund, das Zerreissen von Papier, Streichholz anzünden, Tennisspielen, Händeklatschen, Pferdegetrappel, Maschinengeräusche und ähnliches mit Stimmsamples aus meinem Archiv, die mir vor einiger Zeit die niederländische Mezzo-Sopranistin Jannie Pranger zur Verfügung gestellt hat, und von denen einige wenige elektronisch verfremdet sind. 

Diese beiden Komponenten sind dicht verwoben und bilden eine spannungsvolle, vielschichtige und facettenreiche Musique Concrète. 

Die Alltagsgeräusche werden genauso behandelt wie die vokalen Klänge; so wie man beispielsweise mit Klängen von Perkussionsinstrumenten umgeht, die ja auch grösstenteils geräuschhaft sind. Ein Trommelwirbel, Beckenzischen, Ratsche... oder eben eine elektrische Säge, eine knarrende Tür, zersplitterndes Glas, der Abschlag eines Golfballs, ein Bienenschwarm u.s.w. Die einbezogene Mezzo-Sopran-Stimme ist äussest vielfältig. Schnalz- oder Zischlaute, Flüstern, Sprechen, Singen, Pfeifen, Atmen und alle erdenklichen Töne, die stimmlich möglich sind, kommen vor.

Die Erde ist der bisher einzige bekannte Planet, der klingt; wo man ununterbrochen von Lauten und Geräuschen umgeben ist, die Menschen und Tiere, Wind, Wasser etc. erzeugen. Einen winzigen Ausschnitt dieser einzigartigen klanglichen Vielfalt des Planeten Erde wollte ich in meiner Komposition darstellen und feiern. Das Wort Maa im Titel ist das finnische Wort für Erde/Land.
---------------------------

Short description

The composition combines everyday sounds such as footsteps on various surfaces, the tearing of paper, lighting a match, playing tennis, clapping hands, the clatter of horses, machine noises and the like with voice samples from my archive, which the Dutch mezzo-soprano Jannie Pranger made available to me some time ago, a few of which have been electronically alienated.

These two components are tightly interwoven and form an exciting, multi-layered and multi-faceted musique concrète.

Everyday noises are treated in the same way as vocal sounds, the way you deal with the sounds of percussion instruments, for example, which are also largely noisy. A drum roll, a cymbal crash, a rattle... or an electric saw, a creaking door, shattering glass, the hit of a golf ball, a swarm of bees, etc. The mezzo-soprano voice involved is extremely varied. Snapping or hissing sounds, whispering, speaking, singing, whistling, breathing and every conceivable sound that is vocally possible can be heard.

Earth is the only planet known to date that sounds; where you are constantly surrounded by sounds and noises produced by people and animals, wind, water, etc. I wanted to represent and celebrate a tiny section of this unique sonic diversity of planet Earth in my composition. The word Maa in the title is the Finnish word for earth/land.

Klanglandschaft/Soundscape Maa

ran dom play

" Musica saltatoria mihi finita est "



TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music

 ( LCEEM ® )  founded    by Max Elzholz

PLEASE  VISIT  OUR  MAIN  PAGE  :

https://trampelfad.bandcamp.com
and
https://maxelzholz.bandcamp.com

Note: This site deals with Art - All scientific aspects are artistic considerations - All contributors have respect for scientific work and the research of reputable Institutes .

Ectoplasm r1966 Message 2

T R A M P E L F Â D