All I could remember in a really short demo.

"Ur the Eternal" 2025.

Part 4 of the final track of Then She Reaches For The Gun's 2nd Album
released in Jan 2025 - nomatesensemble.bandcamp.com/album/i-am…m-with-you.

Then She Reaches for the Gun was formed in 2021 by Mat Ward. At its essence is sound collage, Ward invites musicians, sound artists, poets and anyone interested to send him files to be used, abused and showcased ‘as suggested by the work’. They are not always musical but field recordings, spoken word, engine noises and drunken rants. Animals participate a lot too! The raw material is arranged with one phrase asking for the next in an alchemical and intuitive process that will most often feature dozens of tracks weaving in and out of each other, colliding, harmonising, arguing and laughing along the way.

Both the aesthetic and the compositional methods use what Frank Zappa called Xenochrony - the mixing together of separately recorded and rhythmically opposing musical phrases to create polyrhythmic and polytempi compositions.The work also features fragmented story telling with the human voice (in many languages) appearing unannounced throughout the tracks offering up snippets of thoughts, conversations, jokes and existential angst. The absurdity of humanities desperate claim to have any real understanding of its place in the universe is revealed through the recorded follies and genuine emotions of the artists. The project is a celebration of chance, diversity and community. It pays homage to all musical tastes and genres whilst maintaining a sense of humour and irreverence that is needed to stay sane in the climate of 21st Century contemporary culture.

Then She Reaches For The Gun is

Humans

Adam Meredith - Ford XD with XF front mods/Voice
Ambient Annie - Electronica/Field Recording/Voice
Andrew Harper - Field Recordings
Angostura Elwar - 2 x Behringer CRAVE analog synths/Yamaha P200 electronic piano
Antonella Eye Porcelluzzi - Text/Voice
Ariad Music - Clarinet/Percussion/Piano
Axel Weiß - Electric Guitar/Robot Voices
Banalytic - Experimental Electronics
Belial Pelgrim - Digital Strings/Electronica
Brendan Corey Benson - Electric Guitar
Carolyn Wigston - Voice
Chicago Word Brigade - Electronica
Dan Hewins - Bass Guitar
Dane Renshaw - Drums/Voice
Dani Kirby - Keyboard/Piano/Voice
Dylan Banks - Intonarumori/Voice
Frank Wilke - French Horn/Trombone/Voice
Garbage Truck Disco - Drum programming/Electric Guitar/Joyous Pop Punk
Glenn Ward - Electric Guitar/Skyhooks
Hakan - Moog Voyager XL
Hverheij- Drums/Electric Guitar/Synth
Johnny Python- Bass Guitar/Drum Programming/Electric Guitar/Text/Voice
JZsuperstar - Electric Guitar/Field Recordings/Keyboards
Lady ElectroTrek - Organ
Libby Laksmi - Jazzy Loops/Synth Bass
Loop(c)y - Electric Guitar
Malo Bernard-O’Meara - Drums
Maxx Black - Guitar/Ukulele
Minimal Drone Girl - Cat Wrangling/Field Recordings
Oberlin - Eurorack/Piano
Paolo D’Emilio - Electronica
Paul Miller - Electronic Percussion/Keyboards/Phat Electro Bass
Phil Bywater - Saxophones/Voice
Raul Mainer - DAW Programming/Heavy Metal
Robert Jefferson - Akai Rhythm wolf/GakkenSX-150 ll/Korg Kaosilator/Percussion
Rosin Dust - Violin/Field Recordings
Sarah Megahertz - Speedway Noise
Scratch Kelly - Beats/Electronica
Stan Magendanz - Electronica
Ten Atmospheres - Field Recordings/Synths
Texmex Shaman - Electric Guitar
The Windscale Blues Experiment - Clarinet/Flute/Saxophones
Timothy Korstad - Demons/Electronica
Thomas Bergheim - Bass Guitar/Electric Guitar
Tobias Schmitt - Electronica/Processed Organ/Text
Tuonela - Demons/Electronica
Vartch - Drones/Things/Trousers (not T-shirts)/Voice
Widar’s Spiritual Front - Electronica/Ms Pacman
W:I:L-o’ the-wisp - Bass Guitar/Electric Guitar/Electronica
Wivresse - Electronica/Voice
Zanshin - Acoustic and Processed Drums

Mat Ward - Arrangements/Bass Guitar/Double Bass/Field Recordings/Intonarumori/Marimba/Noise/Percussion/Piano

Dogs
Boogie
Brophy
Buddy
Hancho
Jack
Momo
Neska
Poldo
Senna
Shyamsundara
Star
Oily (cat)
And many cows from Milis, Sardinia

Cooking Hard Boiled Eggs in a Cheap Motel In Adelaide Part 4

A procession reborn. Old Hearse returns in its remastered form, carrying the ache and architecture of its original descent with sharpened clarity. This track is a sonic reliquary—where synths pulse like funeral lights and vocals drift like memory through fog. Originally released as part of Bleak Cathedral’s early archive, this version restores the track’s full spectral resonance. It’s not nostalgia—it’s ritual recursion. A hearse that drives backward through time, collecting fragments of devotion along the way.

Bleak Cathedral - Old Hearse (Album Version)

Safety Model - Hymnal

We’re very excited to unveil our latest signing Safety Model and their debut EP Hymnal!

“The red pours from the blue, as we remain luminous, forever scorching under the light.”

‘Hymnal’ is a series of hymns, simultaneously heavy but weightless, empty yet filled with light, each carrying its distinct sensory color. Dedicated to friends and the self, and guided by four meditative but disconcerting pieces, Safety Model takes us on a journey through the kaleidoscopic gauge of existence as life’s forces press, lift, and shake the body and mind.

The EP opens with ‘Point Blank’, closest in proximity to one’s truest essence. Enveloping sounds lull you into their embrace as brittle mechanical textures weave in and out, provoking the senses into fight or flight. Capturing the moment of waking to the self, magnifying the friction between shock and surrender, between fight and acquiescence, the body registers that which cannot be registered. Loss of memories, of love, of life, of self. Point Blank is represented by the color yellow.

‘Feathers (City)’ is the sonic incarnate of colossal yet fragile brutalist spaces; dusty basements that collapse into expansive cityscapes, perpetually decomposing and reassembling through the hymn’s aural extremes. Grounded, heavy textures are interwoven with waves of gauzy synths like wings; harshness and violence meet subtle femininity, reflecting the tension of the inescapable sensory burden of urban life. ‘Feathers (City)’ is represented by the color red.

‘Where The Lights Don’t Fall, They Press Down Instead’ is the moment of light intruding on the inner self, when even closed eyelids cannot shield the soul. A forced reflection, abstraction as touch, emulating the sense of brightness pressing down. An intimate ballad with operatic falsetto vocals accompanied by levitating resonances of rusted tone, offering a glimpse into the future of Safety Model. Where The Lights Don’t Fall, They Press Down Instead is represented by the color green.

‘Fall Of Self’ is the final acceptance: the scattered memories don’t and won’t matter. With its stretched strings ringing for an indiscernible duration, suspending time through a seemingly endless crescendo, ‘Fall Of Self’ serves as the temporal counterpart to ‘Point Blank’. A hymn to safety, endurance, and reflection. ‘Fall Of Self ‘is represented by the color blue.

‘Hymnal’ will be released October 3rd via Changeless.

Written, produced, and mixed by Safety Model.
Mastered by Nori Kin.
Artwork by Safety Model.

@safetymodel

Safety Model - Where Lights Don't Fall, They Press Down Instead

Project 165 - 9:23:25, 8.22 PM.wav

Free rock and roll

ANARS ! Oh quoi ?

TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music

Rec.name : " The BR CI Test "
credit :

date : 26-09-2025

PLEASE VISIT OUR MAIN PAGE :

trampelfad.bandcamp.com
and
maxelzholz.bandcamp.com

Live 2024 :
https://www.youtube.com/watch?v=Y52VDBHP-cc
Robots 2015 :
https://www.youtube.com/watch?v=8DKtzLNZfvo

How  Cells Interlinked

TEMPONADE

"Modular Residue"

Karlamilyi

TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music
 ( LCEEM ® )  founded    by Max Elzholz
Experimental -Aleatoric-Improvisation-Sonification-Data Bending...

https://www.youtube.com/@trampelfad

 
https://trampelfad.bandcamp.com

and

https://maxelzholz.bandcamp.com

How Cells Interlinked

T R A M P E L F Â D