Composed for the Junior Conservatoire of the RWCMD, this work is a tapestry for three flutes, an oboe, two clarinets (B-flat), a bass clarinet, and a bassoon. It was originally composed on material from my trio "Pearl" (https://soundcloud.com/jdestro/pearl-for-two-flutes-and-harp), and it is meant to be a tapestry depicting the events of "Pearl".


https://twitter.com/jsdestro/status/1559877802748481536

Tapestry, for wind octet

Le Cheval d'Orgue
Une chevauchée musicale imaginaire par une improvisation sur orgue électronique et boîte à rythme.
Visuel: dessin crayons de couleurs ponctué d'aquarelle.
The Organ Horse
An imaginary musical ride through improvisation on electronic organ and drum machine.
Visual: colored pencil drawing punctuated with watercolor. ​

Le Cheval D'Orgue Patrick Picault

TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music [LCEEM] 

rec.name : " Homage Xenakis stochastic music "
credit:  iannis xenakis
date: 23-03-2024
https://trampelfad.bandcamp.com/

Stochastitic Music 2

This is the eighth in a series of Module Music pieces. It uses fm-synthesis. It is based on a spectrum and sub-spectrum between A4 and F#5. The music is generative and uses both  markov chains and random ranges. The source-code can be found at github.com/danielstahl/module-music-8.

Module Music 8

Music by Adam Majdecki-Janicki, April 2024.
Artwork by TheoEust, 2024.

"Circuitry Reverberations"

Reflexion X +

Serenade

No 4 in a series of improvised meditations.

Standard Adventure movement No 7 (The Too And From Distopia).

Vioin glitch. Experimental song for creative listners.

Enjoy!!

A letter from Deep space

Piece for solo flute and live electronics

Performed by Cheng-Yu Wu

Lovesong (2018)

released by Petroglyph Music https://petroglyphmusic.com/

coarse graining remastered. ritual dark ambient, intuitive perception of different time scales. 

the sequence of frequencies existing as standing waves in the string are integral multiples of a fundamental frequency. A musical exploration through harmonic superposition of correlated melodic samples.

Time 2:1

Ｔ　Ｒ　Ａ　Ｍ　Ｐ　Ｅ　Ｌ　Ｆ　Â　Ｄ

is LCEEM 
Laboratory for Contemporary Electronic Experimental Music [LCEEM]was founded in 2004  in Equihen Plage , France  by Max Elzholz
Research Priorities:
Exploring the Serendipity -
Sonification - Aleatoric - Improvisation - Science - Electroacoustic Music- Non-deterministic Systems - Granular Sample Textures -

Stochastitic Music 2

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